Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
The Miser - cover

The Miser

Jean Baptiste Poquelin (Molière)

Publisher: Raanan Editeur

  • 0
  • 0
  • 0

Summary

The Miser is a five-act comedy in prose by the French playwright Molière. It was first performed on September 9, 1668, in the theatre of the Palais-Royal in Paris.
The play
| The miser of the title is called Harpagon, a name adapted from the Latin harpago, meaning a hook or grappling iron. He is obsessed with the wealth he has amassed and always ready to save expenses. Now a widower, he has a son, Cléante, and a daughter, Élise. Although he is over sixty, he is attempting to arrange a marriage between himself and an attractive young woman, Mariane. She and Cléante are already devoted to each other, however, and the son attempts to procure a loan to help her and her sick mother, who are impoverished. Élise, Harpagon's daughter, is the beloved of Valère, but her father hopes to marry her to a wealthy man of his choosing, Seigneur Anselme. Meanwhile, Valère has taken a job as steward in Harpagon's household so as to be close to Élise. The complications are only resolved at the end by the rather conventional discovery that some of the principal characters are long lost relatives.
Satire and farce blend in the fast-moving plot, as when the miser's hoard is stolen. Asked by the police magistrate whom he suspects, Harpagon replies, “Everybody! I wish you to take into custody the whole town and suburbs” (5.1) and indicates the theatre audience while doing so. The play also makes fun of certain theatrical conventions, such as the spoken aside addressed to the audience, hitherto ignored by the characters onstage. The characters of L'Avare, however, generally demand to know who exactly is being spoken to]...|
|Source Wikipédia
Available since: 05/15/2020.

Other books that might interest you

  • Fresh Air: The Best of Stage and Screen - Terry Gross Interviews 17 Stars of Stage and Screen - cover

    Fresh Air: The Best of Stage and...

    Terry Gross

    • 0
    • 0
    • 0
    Terry Gross interviews 17 stars of film, television, and theater.Drawn from 13 years of engaging, intelligent talks with actors, directors, playwrights, producers, icons, and legends.Includes interviews with Michael Caine, Clint Eastwood, James Woods, Samuel L. Jackson, David Chase, Mel Brooks, Peter Fonda, Dustin Hoffman, Uta Hagen, and Werner Herzog.
    Show book
  • Hitchcock and the Censors - cover

    Hitchcock and the Censors

    John Billheimer

    • 0
    • 0
    • 0
    Edgar Award Winner: This lively account of the director’s battles with the Code Office is “an essential addition to any Hitchcock shelf” (Mystery Scene Magazine).   From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. Code officials protected sensitive ears from standard four-letter words, as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed “excessively lustful” kissing from the screen and ensured that no criminal went unpunished. Thus, throughout his career, Alfred Hitchcock had to deal with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect, and all forms of indecency, real or imagined.   During their review of Hitchcock’s films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. Code reviewers dictated the ending of Rebecca, absolved Cary Grant of guilt in Suspicion, edited Cole Porter’s lyrics in Stage Fright, decided which shades should be drawn in Rear Window, and shortened the shower scene in Psycho.   In Hitchcock and the Censors, John Billheimer traces the forces that led to the Production Code and describes Hitchcock’s interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming—and occasionally tricking—the censors and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images. By examining Hitchcock’s priorities in dealing with the censors, this work highlights the director’s theories of suspense as well as his magician-like touch when negotiating with code officials.
    Show book
  • The Power of Classical Music - cover

    The Power of Classical Music

    Smith Show Media Productions

    • 0
    • 0
    • 0
    Learn the power of classical music for all familys
    Show book
  • Cape Cod's Oldest Shipwreck - The Desperate Crossing of the Sparrow-Hawk - cover

    Cape Cod's Oldest Shipwreck -...

    Mark C. Wilkins

    • 0
    • 0
    • 0
    “Wilkins’ flowing text carries readers along on a marvelous journey, offering greater insight . . . into the challenges of 17th century travel” (The Barnstable Patriot).   In 1626–27, the Sparrow-Hawk began her final journey across the brutal winter waves of the Atlantic Ocean, departing from the southern coast of England with America as her goal. As cases of scurvy and whispers of mutiny rose, the hopes of those aboard the small vessel began to fade. The ever-changing coastline of Cape Cod caused the Sparrow-Hawk to run aground. Desperate to repair their ship and attain their goal of becoming wealthy Virginia tobacco planters, the passengers wrecked her again, forcing them to abandon their beloved ship and take up residence in Plymouth Colony. Revealed by the tides over two hundred years later, the wreckage was pillaged by local scavengers and put on display in Boston. Join Mark Wilkins as he delves into the secrets of the Sparrow-Hawk.   Includes photos!
    Show book
  • Hawaii: Diving into Its History and Culture - cover

    Hawaii: Diving into Its History...

    Kaliko Beamer-Trapp

    • 0
    • 0
    • 0
    Kaliko shares Hawaii’s history, culture, and the revitalization of its language. He talks of his experience of learning several languages and how doing so changed him into a different person. He shares the story of the revered cultural hero Aunty Nona who, after decades of restrictions, brought the sacred hula back from the repression of Western missionaries.
    Show book
  • Orson Welles and The Lives of Harry Lime - cover

    Orson Welles and The Lives of...

    Carl Amari

    • 0
    • 0
    • 0
    This week, we have Orson Welles in one of his many different radio roles. This time, he's a confidence man in The Lives of Harry Lime. We'll also hear The Great Gildersleeve, Inner Sanctum Mysteries, and Nick Carter Master Detective.
    A Falcon Picture Group audio production.
    Show book