This new edition of Mike Davis’s visionary work gives an update on Los Angeles as the city hits the 21st century.
No metropolis has been more loved or more hated. To its official boosters, "Los Angeles brings it all together." To detractors, LA is a sunlit mortuary where "you can rot without feeling it." To Mike Davis, the author of this fiercely elegant and wide- ranging work of social history, Los Angeles is both utopia and dystopia, a place where the last Joshua trees are being plowed under to make room for model communities in the desert, where the rich have hired their own police to fend off street gangs, as well as armed Beirut militias.
In City of Quartz, Davis reconstructs LA's shadow history and dissects its ethereal economy. He tells us who has the power and how they hold on to it. He gives us a city of Dickensian extremes, Pynchonesque conspiracies, and a desperation straight out of Nathaniel Westa city in which we may glimpse our own future mirrored with terrifying clarity.
In this new edition, Davis provides a dazzling update on the city's current status.
Edward Teach Blackbeard-is one of the legends of the so-called golden age of piracy. There have been so many accounts of his short, bloody career that it is hard to see him and his times in a clear historical light. This new study looks for the man behind the legend, and it gives a vivid insight into the nature of piracy and the naval operations that were launched against it.The narrative focuses on the roles played by the Governor of Virginia Alexander Spotswood who masterminded the pursuit of Blackbeard, and Lieutenant Robert Maynard of HMS Pearl who led the pursuit and finally cornered Teach and his crew and, after a vicious fight, saw him killed.In vivid detail, it reveals how the hunt for Blackbeard was orchestrated, how he was tracked down, and the parts played in the drama by the larger-than-life leading characters in this extraordinary story. This freshly researched study of the pursuit of the notorious pirate and his crew—and of the final fight in which Blackbeard lost his life—makes compelling reading.
This satirical short novel displays a side of Cooper unfamiliar to many modern readers. It is told from the point of view of an actual handkerchief: its origins in a French flax field, how it was passed around New York City society in the 1830s, and its eventual return to its maker. In this story, Cooper makes a point of ridiculing Victorian materialism—which places value on consumption, not production.
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