Weitere Bücher, die Sie mögen werden

• 

  Cricket Ka Commonwealth - Vishwa...

  Ramachandra Guha, Ketan Mishra

  • 0
  • 0
  • 0

  When Ramachandra Guha began following the game in the early 1960s, India was utterly marginal to the world of cricket: the country still hadn't won a Test match overseas; by the time he joined the Board of Control for Cricket in India, fifty years later, India had become world cricket's sole superpower. 
  Cricket ka Commonwealth, the Hindi translation of the popular and critically acclaimed The Commonwealth of Cricket, is a first-person account of this astonishing transformation. The book traces the entire arc of cricket in India, across all levels at which the game is played: school, college, club, state, country. It presents vivid portraits of local heroes, provincial icons, and international stars. 
  Cast as a work of literature, Cricket ka Commonwealth is keenly informed by the author's scholarly training, the stories and sketches narrated against a wider canvas of social and historical change. The book blends memoir, anecdote, reportage and political critique, providing a rich, insightful and rivetingly readable account of this greatest of games as played in the country that has most energetically made this sport its own.

  Zum Buch

• 

  Lives of the Saints: With...

  Alban Butler

  • 0
  • 0
  • 0

  Compiled from the much larger 12 book set of "Butler's Lives of the Saints", this volume contains short biographies of the Saints, for each day of the year, followed by a reflection for each entry. (Summary by Maria Therese)

  Zum Buch

• 

  The Half That’s Never Been Told...

  Doctor Dread, Bunny Wailer

  • 0
  • 0
  • 0

  A passionate memoir and fearless behind-the-scenes look at the personal lives of the biggest reggae stars in the world 
  Doctor Dread has committed his life to producing reggae music and releasing it on his label, RAS Records. He has become one of the world’s foremost reggae producers and has worked with almost all the genre’s icons: Bunny Wailer, Black Uhuru, Ziggy and Damian Marley, Gregory Isaacs, and others. This book, full of behind-the-scenes stories, has shocking chapters that reveal aspects of reggae never before explored.

  Zum Buch

• 

  First Quarter

  John Tuomey

  • 0
  • 0
  • 0

  In this reflective and enriching memoir, John Tuomey navigates the places and memories of his life over the scope of twenty-five years. First recognised for the urban regeneration of Dublin's Temple Bar, which included the construction of the Irish Film Institute, the National Photographic Archive and Gallery of Photography, his life in architecture led him to design social and cultural spaces such as the Lyric Theatre in Belfast, the Glucksman Gallery in UCC and the Victoria & Albert East Museum in London.
  
  Imbued with many inter-textual references to poetry, drama and literature and written in limpid prose, this memoir is inherently literary in nature. Tuomey looks back to his early life where he was born in Tralee and lived in different counties around Ireland, from small towns to country landscapes, from schooldays in Dundalk to student activism at University College Dublin. He traces the pathways that led to his formation as an architect, reflecting on the many cultural and social influences on his life. He excels in capturing the social landscape of Dublin in the 1980s and pays particular attention to the many buildings and social hubs of the inner city. His transient years of moving from Dublin to London, and subsequently working in places like Nairobi and Milan, chronicle the international influences on his outlook. The key relationships in his life, including meeting his future wife, Sheila – a fellow student of architecture in UCD – and his pivotal employment by James Stirling in 1976, form the backbone of his personal and professional life.
  
  Tuomey's expertise in his field is unsurpassed, with meticulous detail given to the finer aspects of design and architecture. His thoughts on the challenges facing the encroaching erasure of city life in Dublin are essential reading for anyone with an interest in the future of building in the city.

  Zum Buch

• 

  Queens Who Ruled England The:...

  Editors Charles River

  • 0
  • 0
  • 0

  Until the implementation of new legislation on March 26, 2015, men were given preference to women in the British royal line. This system of male primogeniture meant that women seldom inherited the throne, and even when they did, they were often dominated by male councillors. Those women who married British kings gained the title of Queen, but they were queen consorts, holding the title with no power. This meant only a select few women ruled in their own right.  
  	When Queen Elizabeth II came to the throne in 1952, many commentators heralded the beginning of her reign as the second Elizabethan age. The first one, of course, concerned the reign of Henry VIII’s second surviving daughter and middle surviving child, Queen Elizabeth I, one of England’s most famous and influential rulers. It was an age when the arts, commerce and trade flourished. It was the epoch of gallantry and great, enduring literature. It was also an age of wars and military conflicts in which men were the primary drivers and women often were pawns.  
  Then, there was Queen Mary I of England, who earned herself the less-than-pleasant moniker of “Bloody Mary.” While in power, Mary vowed to restore papal authority and revert England to Catholicism, placing the bullseye on Protestants. Laws against heresy made a bloody comeback, which saw hundreds of Protestants dragged to the stakes.  
  	England has had no shortage of influential monarchs, but only Queen Elizabeth I and Queen Victoria had their nation’s age literally named after them. Both the Elizabethan era and Victorian era have come to symbolize a golden age of peace and progress in every aspect of British life, with the long reigns of both queens also providing stability.

  Zum Buch

• 

  Narrative of the Life and...

  Henry Bibb

  • 0
  • 0
  • 0

  Henry Walton Bibb was born a slave. His father was white although his identity was not positively known. Bibb was separated from his mother at a very young age and hired out to other slave owners for most of his childhood. Always yearning for his freedom, he made his first escape from slavery in 1842. He was recaptured and escaped, recaptured and escaped over and over; but he never gave up on his desire to be a man in control of his own destiny.Bibb eventually escaped the bondage of servitude for good and dedicated his life to speaking out against the institution of slavery. In the process he helped others obtain their freedom. He published Narrative of the Life and Adventures of Henry Bibb, and American Slave in 1849 telling the story of his daily life as a slave, as a runaway and as a free man. He also illustrated the depravity of that “man-destroying system” and the “idea of utter helplessness in perpetual bondage.”Bibb stated in his Author's Preface that there were other very popular slave narratives published before his own; nevertheless, the uniqueness of his story is in the details of his experiences which, like the others, shine a glaringly truthful beam of light on the sins of this nation. Ultimately Bibb made his way to Canada where in 1851 he published the first black newspaper of that Country, Voice of the Fugitive. He died in 1854 at the age of 39.  (Introduction by James K. White)

  Zum Buch