Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
On Empson - cover

We are sorry! The publisher (or author) gave us the instruction to take down this book from our catalog. But please don't worry, you still have more than 500,000 other books you can enjoy!

On Empson

Michael Wood

Publisher: Princeton University Press

  • 0
  • 0
  • 0

Summary

From one of today's most distinguished critics, a beautifully written exploration of one of the twentieth century's most important literary criticsAre literary critics writers? As Michael Wood says, "Not all critics are writers—perhaps most of them are not—and some of them are better when they don't try to be." The British critic and poet William Empson (1906–84), one of the most important and influential critics of the twentieth century, was an exception—a critic who was not only a writer but also a great one. In this brief book, Wood, himself one of the most gifted writers among contemporary critics, explores Empson as a writer, a distinguished poet whose criticism is a brilliant literary performance—and proof that the act of reading can be an unforgettable adventure.Drawing out the singularity and strength of Empson's writing, including its unfailing wit, Wood traces the connections between Empson's poetry and criticism from his first and best-known critical works, Seven Types of Ambiguity and Some Versions of Pastoral, to later books such as Milton's God and The Structure of Complex Words. Wood shows why this pioneer of close reading was both more and less than the inventor of New Criticism—more because he was the greatest English critic since Coleridge, and didn't belong to any school; and less because he had severe differences with many contemporary critics, especially those who dismissed the importance of an author's intentions.Beautifully written and rich with insight, On Empson is an elegant introduction to a unique writer for whom literature was a nonstop form of living.
Available since: 03/21/2017.

Other books that might interest you

  • Dazzle Ships - Poems - cover

    Dazzle Ships - Poems

    Jamie Sharpe

    • 0
    • 0
    • 0
    pbiPoems that challenge the depths of perception/b/i/p
    pDazzle camouflage, at the beginning of the 20th century, was an attempt to answer the question, iHow do we hide those things that are too big to hide?/i Ships, often containing thousands of soldiers, were done up in a confusing array of lines to perplex and distort the viewer’s perspective (in this case, German submarines). “Razzle dazzle” was art attempting to hide life./p
    pJamie Sharpe’s iDazzle Ships/i is also concerned with art’s relationship to life. It questions how we build poems from the material of mass culture. And in asking whether authentic modes of expression can be found in an increasingly automated world, Sharpe creates a poetry that is at once as disturbing as it is hilarious and as deeply profound as it is subtle./p
    Show book
  • Mary of the Chance Encounters - cover

    Mary of the Chance Encounters

    Margaret Elysia Garcia

    • 0
    • 0
    • 0
    Mary of the Chance Encounters is a collection of stories set in southeastern Los Angeles, chronicling the Mexican-American and Anglo population stucco’d there between family, ghosts, strip malls and too wide boulevards. But their hopes and desires run magical, and sometimes weirdly perverse and erotic. The encounters break open the flat-lining air of consumer life.
    Show book
  • Long Poems Collection 005 - cover

    Long Poems Collection 005

    Various Various

    • 1
    • 0
    • 0
    Long Poems Collection 005: a collection of 10 public-domain poems longer than 5 minutes in length.
    Show book
  • Cans (NHB Modern Plays) - cover

    Cans (NHB Modern Plays)

    Stuart Slade

    • 0
    • 0
    • 0
    A searingly funny debut play about death, betrayal, and the possibility of forgiveness. And cider.
    Jen's dad was a chat-show host, a national treasure. But now he's dead and Jen's getting spat at in supermarkets. To make matters worse, Uncle Len has made it his mission to help her get over it.
    Hiding from a very hostile world in a very shitty garage, Len and Jen down cider, drown mice, talk crap, mend cats, share painful secrets, tell appalling jokes, and try to work out whether either of them has any kind of future whatsoever.
    Cans premiered at Theatre503, London, in 2014.
    Show book
  • The Ferryman (NHB Modern Plays) - cover

    The Ferryman (NHB Modern Plays)

    Jez Butterworth

    • 0
    • 0
    • 0
    Armagh, 1981. The Carney farmhouse is a hive of activity with preparations for the annual harvest. A day of hard work on the land and a traditional night of feasting and celebrations lie ahead. But this year they will be interrupted by a visitor.
    Developed by Sonia Friedman Productions, The Ferryman premiered at the Royal Court Theatre, London, in April 2017, before transferring to the West End. The production was directed by Sam Mendes.
    This revised edition published in 2017.
    Show book
  • An Enemy of the People - Full Text and Introduction (NHB Drama Classics) - cover

    An Enemy of the People - Full...

    Henrik Ibsen

    • 0
    • 0
    • 0
    The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding.
    An Enemy of the People tells the story of an idealistic doctor, Stockmann, who discovers that the waters from which his native spa town draws its wealth are dangerously contaminated. As the citizens realise the financial implications, Stockmann comes under increasing pressure to keep silent.
    Translated and introduced by Stephen Mulrine.
    Show book