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  The New Traditional

  Barclay Butera

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  Barclay Butera presents new work through 15 homes and tells the story of the new traditional style. In The New Traditional Barclay shares homes with an artful inclusion of heritage pieces that blend seamlessly alongside distinctive furnishings, pattern-on-pattern fabrics and bold textures – all elements of Barclay’s iconic style.

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  Picasso

  Jp. A. Calosse

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  Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturally, joined those who called themselves modernists, the non-conformist artists and writers, those whom Sabartés called “the élite of Catalan thought” and who were grouped around the artists’ café Els Quatre Gats. During 1899 and 1900 the only subjects Picasso deemed worthy of painting were those which reflected the “final truth”; the transience of human life and the inevitability of death. His early works, ranged under the name of “Blue Period” (1901-1904), consist in blue-tinted paintings influenced by a trip through Spain and the death of his friend, Casagemas. Even though Picasso himself repeatedly insisted on the inner, subjective nature of the Blue Period, its genesis and, especially, the monochromatic blue were for many years explained as merely the results of various aesthetic influences...

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  Faces of the Confederacy - An...

  Ronald S. Coddington

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  “Extensive research, fascinating characters . . . The author has done an admirable job of literally placing a face on the ordinary Confederate soldier.” —The Journal of Southern History 
   
  “The history of the Civil War is the stories of its soldiers,” writes Ronald S. Coddington in the preface to Faces of the Confederacy. This book tells the stories of seventy-seven Southern soldiers—young farm boys, wealthy plantation owners, intellectual elites, uneducated poor—who posed for photographic portraits, cartes de visite, to leave with family, friends, and sweethearts before going off to war. Coddington, a passionate collector of Civil War-era photography, conducted a monumental search for these previously unpublished portrait cards, then unearthed the personal stories of their subjects, putting a human face on a war rife with inhuman atrocities. 
   
  The Civil War took the lives of twenty-two of every hundred men who served. Coddington follows the exhausted survivors as they return home to occupied cities and towns, ravaged farmlands, a destabilized economy, and a social order in the midst of upheaval. This book is a haunting and moving tribute to those brave men. 
   
  Like its companion volume, Faces of the Civil War: An Album of Union Soldiers and Their Stories, this book offers readers a unique perspective on the war and contributes to a better understanding of the role of the common soldier. 
   
  “With his meticulous research and a journalist’s eye for good stories, Ron Coddington has brought new life to Civil War photographic portraits of obscure and long-forgotten Confederates whose wartime experiences might otherwise have been lost to history.” —Bob Zeller, cofounder and president of the nonprofit Center for Civil War Photography

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  Tate Introductions: Warhol

  Stephanie Straine

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  A central figure in pop art, Andy Warhol (1928-1987) was one of the most significant and influential artists of the later twentieth century. In the 1960s he began to explore the growing interplay between mass culture and the visual arts, and his constant experimentation with new processes for the dissemination of art played a pivotal role in redefining access to culture and art as we know it today. • At the height of his fame, Warhol claimed he was "abandoning" painting, shifting his practice towards a commitment to the theoretically limitless channels ofpublishing, film, fashion, music, and broadcasting. It was this "transmission" of art and radical ideas that embodied his ethical conviction that "art should be for everyone". • Stephanie Straine is Assistant Curator at Tate Liverpool, and specialises in American art of the 1960s. Her lively yet authoritative text provides the perfect introduction to the life and work of a pioneering artist whose legacy extends into the digital age.

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  Beth Lapides' Un-Carbaret: The...

  Un-Cabaret

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  This definitive Un-Cabaret album features unusually honest stories from seriously funny performers from the ground-breaking Un-Cabaret live show.

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  Why We Make Things and Why It...

  Peter Korne

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  A furniture maker and author offers a mix of personal memoir and personal philosophy in a book perfect for craftspersons, artisans, and artists. Woodworking, handicrafts—the rewards of creative practice, bringing something new and meaningful into the world through one’s own vision, make us fully alive. Peter Korn explains his search for meaning as an Ivy League-educated child of the middle class who finds employment as a novice carpenter on Nantucket, transitions to self-employment as a designer/maker of fine furniture, takes a turn at teaching at Colorado’s Anderson Ranch Arts Center, and finally founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected, non-profit institution. This is not a “how-to” book in any sense. Korn wants to get at the why of craft and the satisfactions of creative work to understand their essential nature. How does the making of objects shape our identities? How does creative work enrich our communities and society? What does the process of making things reveal to us about ourselves? Korn poignantly provides answers in this book that is for the artist, artisan, crafter, do-it-yourselfer inside us all.“In his beautiful book, Peter Korn invites us to understand craftsmanship as an activity that connects us to others, and affirms what is best in ourselves.” —Matthew Crawford, New York Times–bestselling author of Shop Class as Soulcraft“What is the point of craft in a completely mass-produced world?... This fascinating account offers insights into the significance of the handmade object for the maker as well as for society as a whole.” —Martin Puryear, artist, recipient of the Guggenheim and MacArthur Foundation Fellowships

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