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Publisher: Meara Platt
When the Earl of Exmoor agrees to marry Sophie as a favor to her dying brother, he never expects that this match made in duty will be the cure for his broken and battle-scarred heart.
The Life and Adventures of Nicholas Nickleby is closely modelled on the 18h-century novels that Charles Dickens loved as a child, such as Robinson Crusoe, in which the fortunes of a hero shape the plot. The likeable young Nicholas, left penniless on the death of his father, sets off in search of better prospects. His meandering route to happiness includes work as a teacher at Dotheboys Hall, where the brutal Wackford Squeers ill-treats his impoverished pupils, and a spell as an actor with the absurdly melodramatic Crummles troupe. Nicholas's many adventures give Dickens the freedom to follow the eccentricities of a vivid gallery of characters, exploring themes of class, love, and self-awareness with exuberant comedy and biting satireShow book
Michael Angelo and Campanella represent widely sundered, though almost contemporaneous, moments in the evolution of the Italian genius. Michael Angelo was essentially an artist, living in the prime of the Renaissance. Campanella was a philosopher, born when the Counter-Reformation was doing all it could to blight the free thought of the sixteenth century; and when the modern spirit of exact enquiry, in a few philosophical martyrs, was opening a new stage for European science. The one devoted all his mental energies to the realisation of beauty: the other strove to ascertain truth. The one clung to Ficino's dream of Platonising Christianity: the other constructed for himself a new theology, founded on the conception of God immanent in nature. Michael Angelo expressed the aspirations of a solitary life dedicated to the service of art, at a time when art received the suffrage and the admiration of all Italy. Campanella gave utterance to a spirit, exiled and isolated, misunderstood by those with whom he lived, at a moment when philosophy was hunted down as heresy and imprisoned as treason to the public weal.The marks of this difference in the external and internal circumstances of the two poets might be multiplied indefinitely. Yet they had much in common. Both stood above their age, and in a sense aloof from it. Both approached poetry in the spirit of thinkers bent upon extricating themselves from the trivialities of contemporary literature. The sonnets of both alike are contributions to philosophical poetry in an age when the Italians had lost their ancient manliness and energy. Both were united by the ties of study and affection to the greatest singer of their nation, Dante, at a time when Petrarch, thrice diluted and emasculated, was the Phoebus of academies and coteries.This common antagonism to the degenerate genius of Italian literature is the link which binds Michael Angelo, the veteran giant of the Renaissance, to Campanella, the audacious Titan of the modern age. - Summary by Prefatory note to this volumeShow book
Immerse yourself in the enigma of an age-old castle, where a solitary inhabitant, long-forgotten by time, endeavors to unravel the truth of his existence. His sole companion is the faint memory of an elderly guardian, long vanished into the shadows of the past. Enveloped in darkness devoid of any light, our protagonist is seized by an irresistible desire to comprehend the world beyond his fortress's stone walls. He decides to ascend the highest, stair-less tower of his castle, blissfully unaware of how drastically this decision will reshape his reality. The revelation waiting at the summit promises to not only shock him but jolt every reader, shaking their understanding of reality to its core. Brace yourself for an unforgettable journey.Show book
Joseph Smith Fletcher (1863-1935) was a British journalist and author. He wrote more than 230 books on a wide variety of subjects, both fiction and nonfiction. He was one of the leading writers of detective fiction in the Victorian golden age of the short story.'The Influence Fails' is a mystery story involving a dastardly plot. A young man finds himself suddenly and unexpectedly in a strange dining room in a house he has never been to before, with no memory of how he came to be there. A moment later, the owner of the house enters the room...and is naturally suspicious about the man's motives. But how did he get there? Why did he come? What can it all mean?Show book
Three classic novellas from “one of our master chroniclers of human hungers, flaws, and frustrations.” (The Kansas City Star). Jim Harrison’s vivid, tender, and deeply felt fictions have won him acclaim as an American master of the novella. His highly acclaimed volume of novellas, The Summer He Didn’t Die, is a sparkling and exuberant collection about love, the senses, and family, no matter how untraditional. In the title novella, Brown Dog, a hapless Michigan Indian, is trying to parent his two stepchildren and take care of his family’s health on meager resources. (It helps a bit that his charms are irresistible to the new dentist in town.) Republican Wives is a wicked satire on the sexual neuroses of the right, the emptiness of a life lived for the status quo, and the irrational power of love that, when thwarted, can turn so easily into an urge to murder. And Tracking is a meditation on Harrison’s fascination with place, telling his own familiar mythology through the places his life has seen and the intellectual loves he has known. With wit as sharp and prose as lush as any Harrison has yet written, The Summer He Didn’t Die is a resonant, warm, and joyful ode to our journey on this earth. “Harrison has proved to be one of our finest storytellers. These novellas are urgent and contemporary, displaying his marvelous gifts for compression and idiosyncratic language.” —Los Angeles TimesShow book
Dracula is an 1897 Gothic horror novel by Irish author Bram Stoker. Famous for introducing the character of the vampire Count Dracula, the novel tells the story of Dracula's attempt to move from Transylvania to England so he may find new blood and spread undead curse, and the battle between Dracula and a small group of men and women led by Professor Abraham Van Helsing. Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel and invasion literature. The novel touches on themes such as the role of women in Victorian culture, sexual conventions, immigration, colonialism, and post-colonialism. Although Stoker did not invent the vampire, he defined its modern form, and the novel has spawned numerous theatrical, film and television interpretationsShow book
