Altri libri che potrebbero interessarti

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  Adolf

  D H Lawrence

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  'Adolf' is a charming story of a wild rabbit introduced by the father into a miner's home to the delight of the children and the despair of the mother. Larger questions of life and death and nature and civilisation are touched on with a light hand.

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  Anthology of Classic Short...

  Anton Chekhov, Guy de...

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  This is a collection of stories about interesting, unusual, bright human characters and destinies.
  Contents:
  Gusev by Anton Chekhov
  Boule de Suif by Guy De Maupassant
  Alyosha the Pot by Leo Tolstoy
  Mateo Falcone by Prosper Mérimée
  Little Brother by Mary E. Mann
  Bartleby, The Scrivener by Herman Melville
  The Lightning-Rod Man by Herman Melville
  The Ambitious Guest by Nathaniel Hawthorne
  The Darling by Anton Chekhov
  A Simple Heart by Gustave Flaubert

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  The Murderer - Bulgakov expertly...

  Mikhail Bulgakov

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  Mikhail Bulgakov was born on 15th May 1891 in Kiev, in the Kiev Governorate of the Russian Empire, into a Russian family.  He was one of seven children. 
   
  In 1901, Bulgakov attended the First Kiev Gymnasium, and developed a keen interest in Russian and European literature, theatre and opera.  After the death of his father in 1907, his mother assumed responsibility for his education.  After graduating Bulgakov entered the Medical Faculty of Kiev University and then took up a post as physician at the Kiev Military Hospital. 
   
  At the outbreak of the First World War, he volunteered as a doctor and was sent directly to the front, where he was badly injured at least twice.  To suppress chronic pain, especially in the abdomen, he injected morphine.  It took years to wean himself off. 
   
  He now took up medical posts in various towns and in 1919, he was mobilised by the Ukrainian People's Army and assigned to the Northern Caucasus.  There, he became seriously ill with typhus and barely survived.  
   
  After this illness, Bulgakov abandoned his medicine to pursue writing.  He moved to Vladikavkaz and had two plays staged there with great success.  He wrote too for various newspapers and other outlets, but his critics were many.  And growing. 
   
  When a Moscow's theatre director severely criticised Bulgakov, Stalin personally protected him, saying that a writer of Bulgakov's quality was above ‘party words’ like ‘left’ and ‘right’.   Indeed, it is said that Stalin watched ‘The Days of the Turbins’ at least 15 times. 
   
  It was not to last and by March 1929, Bulgakov's career was ruined when Government censorship stopped publication of any of his work and plays. 
   
  In despair, Bulgakov wrote a personal letter to Stalin.  He requested permission to emigrate.  He received a phone call from the Soviet leader, who asked the writer whether he really desired to leave. He replied that a Russian writer cannot live outside of his homeland.  Stalin thus gave him permission to continue working. In May 1930, he re-joined the theater, as stage director's assistant.  
   
  During the last stressful decade of his life, and in poor health, Bulgakov continued to work on ‘The Master and Margarita’, wrote plays, critical works, stories, and continued translations and dramatisations of novels.  Many of them were not published, others were derided by critics.  
   
  On 10th March 1940, Mikhail Afanasyevich Bulgakov died from nephrosclerosis.  He was 48. 
   
  ‘The Master and Margarita’ was not published in any form until the mid-1960’s 
   
  Here Bulgakov relates a story as told by a doctor describing the terrible things that humanity is capable of doing in times of war.

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  3 Horror Stories - About Body...

  W F Harvey, F. Marion Crawford,...

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  There is something about the number 3.    
   
  The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.   
   
  Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois.  It seems good things usually come in threes. 
   
  Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. 
   
  From their pens to your your ears.

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  Pretty Ugly

  Kirsty Gunn

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  Contradictions (both real and apparent), oppositions, enigmas, provocations, challenges——this is the kind of material that makes a life, and is the kind of material that, in fiction, one is never quite sure of. With Pretty Ugly, Kirsty Gunn reminds us again that she is a master of just such stuff, presenting ambiguity and complication as the essence of the storyteller's endeavour.
  The sheer force of life that Gunn is able to load these stories up with is both testament to her unrivalled skill and an exercise in what she describes as 'reading and writing ugly', in order to pursue the deeper truths that lie at the heart of both the human imagination and human rationality.
  So here we have all the strange and seemingly impossible dualities that make up real life——and pretty ugly it can be, as well as beautiful, hopeful, bleak, difficult, exhilarating. But never, ever dull.

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  The Secret of the Fox Hunter

  William Le Queux

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  When two European spies join a hunting party at an English country house, William Drew of the Foreign Office goes undercover to pursue his own type of prey. Drew suspects a traitor may be working with the spies, and soon learns they are more than willing to kill to get what they want.

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