First published in 1999, Faraway Blue is based on the real-life exploits of Sergeant Moses Williams, former slave, Civil War veteran, and Buffalo Soldier in the Ninth Cavalry Regiment. Included in Moses's story are four women and two men representing the ethnic groups and economic levels found in the late 1800s American Southwest.
At the story's opening, Williams's cavalry unit has one assignment: kill Apaches in the "faraway blue" mountains of southwestern New Mexico Territory, also known as the Black Range. As a fighter in the white man's campaign to obliterate the Indians and take over their lands, Williams finds a nemesis in Nana, an old Warm Springs Apache warrior who is a tactical genius. Nana leads his small band of followers to repeatedly strike area mining camps and settlements. Both men know they must meet before the end of the war and a maddening cat-and-mouse pursuit ensues.
Williams is sustained by his love for Sheela Jones, a mulatto whom he wants to marry when the army will allow it. But Sheela's love for him guides her to take an immense risk just as Williams and Nana ride out to settle their score.
"Evans paints marvelous word pictures of a land and people he knows extremely well." - Booklist
"As always with Evans, written with a good sense of the times and place." - Kirkus
In 1661 Madrid, Ana is still grieving the loss of her husband when her niece, sixteen-year-old Juliana, suddenly vanishes. Ana frantically searches the girl’s room and comes across a diary. Journeying to southern Spain in the hope of finding her, Ana immerses herself in her niece’s private thoughts. After a futile search in Seville, she comes to Juliana’s final entries, and, discovering the horrifying reason for the girl’s flight, abandons her search.In 1992 Missouri, in her deceased mother’s home, Rachel finds a packet of letters, and a diary written by a woman named Juliana. Rachel’s reserved mother has never mentioned these items, but Rachel recognizes the names Ana and Juliana: her mother uttered them on her deathbed. She soon becomes immersed in Juliana’s diary, which recounts the young woman’s journey to Mexico City and her life in a convent. As she learns the truth about Juliana’s tragic family history, Rachel seeks to understand her connection to the writings—hoping that in finding those answers, she will somehow heal the wounds caused by her mother’s lifelong reticence.
Twenty-eight-year-old struggling San Francisco artist Anne McFarland is determined to get a one-woman show, even though no one, including herself, believes she can do it. But when she buys a coat at a thrift shop with a key in its pocket, strange, even magical, occurrences begin to unfold, and she is inspired to create her best work ever.
Fifty years earlier, it’s 1963, and the coat’s original owner, young heiress Sylvia Van Dam, is headed toward a disastrous marriage with a scoundrel. In a split-second reaction she does the unimaginable, which propels her on a trip of self-discovery to nature-filled Northern Arizona. When Anne and Sylvia’s lives intersect, they are both forced to face their fears―and, in the process, realize their true potential.
Loire Valley, 1895. When seventeen-year-old Sara Thibault's father is killed in a mudslide, her mother sells their vineyard to a rival family whose eldest son marries Sara's sister, Lydia. But a violent tragedy compels Sara and her sister to flee to New York, forcing Sara to put aside her dream to follow in her father's footsteps as a master winemaker.
Meanwhile, Philippe Lemieux has arrived in California with the ambition of owning the largest vineyard in Napa by 1900. When he receives word of his brother's death in France, he resolves to bring the killer to justice. Sara has travelled to California in hopes of making her own way in the winemaking world. When she encounters Philippe in a Napa vineyard, they are instantly drawn to one another, but Sara knows he is the one man who could return her family's vineyard to her, or send her straight to the guillotine.
This riveting tale of betrayal, retribution, love, and redemption, Kristen Harnisch’s debut novel immerses readers in the rich vineyard culture of both the Old and New Worlds, the burgeoning cities of late nineteenth-century America and a spirited heroine’s fight to determine her destiny.
SHORTLISTED FOR THE CWA INTERNATIONAL DAGGER AWARD 2016 Hamburg, 1947. A ruined city occupied by the British who bombed it, experiencing the coldest winter in living memory. Food is scarce; refugees and the homeless crowd into shanty towns and sheds. There is a killer on the loose, and all attempts to find him or her have failed. Plagued with worry about his missing son, Frank Stave is a career policeman with a tragedy in his past that is driving his determination to find the killer. With the help of his colleague Maschke from the vice squad, and Lt MacDonald from the British military, Stave has to find out why and who - in the wake of a wave of atrocity, the grim Nazi past and the bleak attempts by his German countrymen to recreate a country from the apocalypse - someone is still dedicated to murder. The first of a trilogy The Murderer in Ruins is at once evocative, impeccably plotted and beautifully textured, vividly describing a poignant moment in British/German history, with a plot both divinely seamless and riveting. A spine-tingling portrayal of pure evil, with multiple twists, turns and subplots, you'll have no idea, until the final extraordinary denouement, what or who will rise from the ashes.
A story of revolution and oppression, privilege and poverty, love and betrayal from the critically acclaimed author of Pao
Fay Wong is caught between worlds. Her father is a Chinese immigrant who conjured a fortune from nothing; her African heritage mother grew up on a plantation and now reigns over their mansion in Lady Musgrave Road.
But her father's Chinatown haunts are out of bounds and the airy rooms of their home are filled with her mother's uncontrollable rages – rages against which Fay rebels as she grows into a headstrong woman.
As she tries to escape the restraints of her privileged upbringing, Fay's eyes are opened to a Jamaica she was never meant to see. And when her mother decides that she must marry the racketeer Yang Pao, she finds herself on a journey that will lead to sacrifice and betrayal.
"I was hungry, seeing myself starving for want of something I could not define. I sought it constantly, sought it at every turn, searched every face I met for hints of it, looked everywhere I could conceive. I lost time trying to slake this unquenchable thirst, trying to satisfy an endlessly burning hunger. But in the end I knew precisely what I had been after all along. It is the folly of the young, part of their particular curse, to be so unaware, to be blind as well as hungry. To be in exile from themselves and not know they are away."
Haunted by lost loves and limping through a lifeless career, Conor Finnegan's discontent mirrors the restlessness of his grandfather Liam, caught as a young man in the crossfire of the Irish Civil War. Drawing from Liam's wisdom and courage, Conor seeks to reinvent his character and reclaim passions made numb by neglect and loss.
Through the Waters and the Wild addresses the timeless questions, "Where shall I go now? What shall I do?"
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