Other books that might interest you

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  Enough (NHB Modern Plays)

  Stef Smith

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  Jane and Toni are immaculate, iconic, accommodating flight attendants. They're here for your safety, your comfort and your pleasure. Or so you think. But 30,000 feet below them their seemingly perfect lives are rapidly unravelling.
  In the sky, over the sea and in cheap hotel rooms around the world, they can feel the ground shake beneath them. Something is rising up, something which cannot be ignored. And it's calling out for them. If they're going to survive what's coming, something needs to change.
  Poetic, unpredictable and explosive, Stef Smith's play Enough is a fragmentary and intense journey into female friendship, and unearths what happens when you can no longer be the woman people want.
  Enough premiered at the Traverse Theatre, Edinburgh, as part of the 2019 Edinburgh Festival Fringe.

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  Lucy Kirkwood Plays: One (NHB...

  Lucy Kirkwood

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  Since her debut in 2008, Lucy Kirkwood has firmly established herself as a leading playwright of her generation, the writer of a series of savagely funny, highly intelligent and beautifully observed plays that tackle the pressing issues of our times.
  This collection, with an introduction by the author, brings together five of her plays, starting with the wild and riotously funny farce, Tinderbox (Bush Theatre, 2008), a disturbing vision of a dystopian future where England is dissolving into the sea, realised with 'off-kilter imaginative flair' (The Times).
  Written for Clean Break theatre company, it felt empty when the heart went at first but it is alright now (Arcola Theatre, 2009; winner of the John Whiting Award) is a devastating report from the hidden world of Eastern European women trafficked to London to work in the sex industry.
  The previously unpublished small hours (Hampstead Theatre, 2011), a collaboration with Ed Hime, directed by Katie Mitchell, is an intimate dissection of the claustrophobic world of a new mother struggling to cope on her own.
  The sharply satirical NSFW (Royal Court, 2012) is a 'richly absorbing and inventive' (Telegraph) look at power games, privacy and gender politics in the media.
  The volume concludes with Chimerica (Almeida Theatre and West End, 2013), a gripping and provocative examination of the shifting balance of power between East and West. Winner of multiple awards, including the Olivier and Critics' Circle Awards for Best New Play, the Evening Standard Best Play Award and the Susan Smith Blackburn Prize, Chimerica is 'gloriously rich and mind-expanding' (Guardian), and a 'tremendously bold piece of writing' (Evening Standard).

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  it felt empty when the heart...

  Lucy Kirkwood

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  A luminous journey exploring the life of Dijana Polancec: professional romantic, eternal optimist and accidental prostitute. Winner of the John Whiting Award, 2010
  Produced by acclaimed theatre company Clean Break. it felt empty premiered at the Arcola Theatre, London in October 2009.
  'unflinching... theatre that provokes in the best way, without lurid melodrama or sentimentality, but with wit and tenderness... demands that we watch and listen' The Times
  'superb... deeply painful and profoundly disturbing' The Stage

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  Thick as Thieves (NHB Modern Plays)

  Katherine Chandler

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  Two women from very different worlds: Karen has built a picture-perfect life while Gail struggles to keep hers together. When Gail re-enters Karen's life from out of the blue, she brings with her everything Karen has been running from…
  Katherine Chandler's tense, revealing play explores what it means to care for one another and asks who, in a time of increasing disconnect, we expect to look after us.
  Thick as Thieves was premiered at Theatr Clwyd, Mold, in October 2018, in a co-production between Clean Break and Theatr Clwyd.
  Acclaimed theatre company Clean Break produces ground-breaking plays with women writers and actors at the heart of its work. Founded in 1979 by two women prisoners who needed urgently to tell their stories through theatre, the company today has an independent education programme delivering theatre opportunities to women offenders and women at risk, in custodial and community settings.

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  Nsfw

  Lucy Kirkwood

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  Lucy Kirkwood's sharp comedy looks at power games and privacy in the media and beyond.
  Carrie's getting them out for the lads, Charlotte's just grateful to have a job, Sam's being asked to sell more than his body, and Aidan's trying to keep Doghouse magazine from going under. Set in the cut-throat media world, Lucy Kirkwood's timely new comedy exposes power games and privacy in the age of Photoshop.
  [NSFW = Not Safe For Work, online material which the viewer may not want to be seen accessing in a public or formal setting such as at work.]

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  Mike Bartlett Plays: Two (NHB...

  Mike Bartlett

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  Five ambitious and exciting plays by the multi-award-winning playwright, hailed as 'one of the prime movers in a new golden generation of British playwrights' (Independent), and introduced by the author.
  Earthquakes in London (National Theatre & Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. 'The theatrical equivalent of a thrilling roller-coaster ride' (Daily Telegraph)
  Love, Love, Love (Paines Plough & Drum Theatre Plymouth, UK tour, 2010; Royal Court & Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that 'does the clash of generational world views with a devastating precision' (Guardian).
  The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine's Dock, London, 2011), exploring 9/11 and its legacy.
  13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National's largest stage, it confirmed Bartlett's ability to tackle epic themes with supreme assurance: 'His ambition is distinctive and immense' (Evening Standard).
  Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides' tragedy, exploring a woman's private fury at her husband's infidelity, while imprisoned in her marital home. 'A savage play for today, superbly well done' (Mail on Sunday)

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