A passionate and heartwarming saga from the bestselling author of CUSTARD TARTS AND BROKEN HEARTS.
January 1947. The war is over. But London is still a wasteland.
After eight years in the ATS, Hattie Wright returns to a Bermondsey she doesn't recognise. With so few jobs, she reluctantly takes work at the Alaska fur factory – a place rife with petty rivalries that she vowed never to set foot in again. But while she was a rising star in the ATS, Hattie's work mates are unforgiving in her attempts to promote herself up from the factory floor.
After journeying across the world to Australia to marry her beloved, Clara is betrayed and returns penniless, homeless and trying to raise a child in the face of prejudice. While war widow, Lou, has lost more than most in the war. Her daughter and parents were killed in an air raid bomb blast and her surviving son, Ronnie, is fending for himself and getting into all kinds of trouble.
The lifelong friendship these women forge while working in the fur factory will help them overcome crippling grief and prejudice in post-war Britain and to find hope in tomorrow.
PRAISE FOR HATTIE'S HOME:
'Mary transported me right into the heart of Bermondsey and the damage, heartache and devastation the war had left behind. The sights, smells, wreckage, the poverty, it was all so real. Yet even in such dark times friendship and the community shines through' Dash F, Netgalley reviewer.
'If you want a real taste of East London life before 1914, and the horrors and occasional laughs the times could bring – this is a must read' Mark Ryes, Amazon reviewer.
'This is an absolute joy from start to finish and it's clear that Mary Gibson has a passion for history and a good yarn! I thoroughly enjoyed reading about the reality of life for women in the period leading up to the Great War without the safety net of the Welfare State to fall back on. It's one of the best historic fiction books I've read in a long time' History Geek, Amazon reviewer.
'Gritty, heart-felt and very real. Gibson really gives you a clear understanding of what life was like ... If you are a fan of Nadine Dorries you will love this' Rachel, Amazon reviewer.
'I found myself laughing and crying along with the characters, in my opinion certainly worth 5 stars!' Shelley, Amazon reviewer.
Handpicked works from the greatest Argentinian writer of the twentieth century. “Without Borges the modern Latin American novel simply would not exist” (Carlos Fuentes, author and diplomat). After almost a half a century of scrupulous devotion to his art, Jorge Luis Borges personally compiled this anthology of his work—short stories, essays, poems, and brief mordant “sketches,” which, in Borges’s hands, take on the dimensions of a genre unique in modern letters. In this anthology, the author has put together those pieces on which he would like his reputation to rest; they are not arranged chronologically, but with an eye to their “sympathies and differences.” A Personal Anthology, therefore, is not merely a collection, but a new composition. “An important work, by far the best yet available to the reader . . . who seeks a representative sampling of the great Argentine writer . . . the standard introduction to Borges in England and the United States.” —Saturday Review
In 1970s New York, a woman finds professional success and personal disillusionment: “Sparkling . . . Looks back on the heyday of glossy magazine publishing.” —Publishers Weekly One of the many Ivy League graduates with literary ambitions who flock to New York City every year, twenty-five-year-old Melissa Fleischer has the great fortune to be hired as the assistant to high-profile magazine editor Austin Bloch. But after she begins her career with the prestigious publication, Mel learns the extravagantly long lunches her boss often indulges in are actually disguising his affairs with a stream of young women. Mel is left in the distressing position of lying about these never-ending betrayals to Austin’s wife, Hillarie, who often calls while he is out of the office. Then, unexpectedly, the New Yorker begins printing Mel’s short stories, offering a spectacular start to what she hopes will be a long and fruitful writing career. Unfortunately, the exhilaration of being published by the magazine she reveres most is soon diminished—by both Mel’s deeply painful discovery that her own relationship, like Austin’s, is far from idyllic, and her continuing complicity in Austin’s betrayals. And nothing seems more difficult than the effort it will take to keep her marriage from falling apart in this novel by an author who “writes so brilliantly of the battle of the sexes” (The New York Times Book Review).
“A smart, deep, black magic carnie noir existential bloodbath” from the acclaimed author of Boon (Gemma Files, Shirley Jackson Award–winning author). In the shadow of World War II, the barren, dusty streets of Litchfield, Arkansas, are even quieter than usual, leaving hotel detective George “Jojo” Walker with too much time to struggle with his own personal demons. But everything changes when a traveling picture show comes to town. The film’s purveyors check into the hotel where Jojo works and set up a special midnight screening at the local theater. The curtain rises on a surreal carnival of dark magic and waking nightmares, starring Jojo and the residents of Litchfield, as madness, murder, and mayhem threaten to engulf them all . . . “A stunner of a story . . . Flat-out brilliant . . . Unfolds like petals of an exotic and scandalous black flower—each one gently opening to give the reader a distressing revelation . . . Powerful ideas, wrapped in a dark mantle of horror.” —My Haunted Library “If you like pulpy noir with a dose of existentialism mixed with some utterly bizarre horror, this book is for you.” —Fangoria “Genre mash-ups like this one are difficult to execute, but Kurtz navigates it deftly, with writing so visceral and evocative it feels less like reading a book and more like watching a film in real time.” —Literary Hub “While it echoes with the shadowy threatening of Bradbury’s Something Wicked This Way Comes and the religious dread of Hjortsberg’s Falling Angel, the clearest voice here is Kurtz’s own cry into the existential abyss.” —Bracken MacLeod, author of Mountain Home
From the award-winning “heir to the mantle of Stephen King”: A supernatural entity draws a woman into a terrifying nightmare (The National Post). Some little girls have imaginary friends. Ann LeSage had the Insect. A violent poltergeist that tore a murderous path through her family, it wasn’t imaginary—and it definitely wasn’t a friend. Now Ann is all grown up—and so is the Insect. And Ann’s upcoming marriage to a mysterious young lawyer is about to open up a whole new world to both of them, rife with secrets and laced with traps. Soon, Ann will find herself in a perverse battle against a group of men who want to wrest control of the Insect from her. What they don’t know is, if you play with the Insect, you’re sure to get stung . . . “Few writers do psychosexual horror as well as Toronto’s David Nickle, and with The ’Geisters he’s back with another tale of voluptuous terror and the supernatural.” —Toronto Star “This is a book that buzzes in your ears, climbs your crawling skin with multiple barbed feet, feeling with exquisitely sensitive antennae for the next new and terrible revelation.” —The National Post “[The ’Geisters] doesn’t just explore the attractiveness of terror—it embodies it in a narrative that demands (excites even as it repels) your attention. It’s a(nother) strong novel by one of the best, most interesting horror writers working today.” —Bookgasm
Lilly Millbank is the new Mother Nature, the newly married young mum must now figure out how to navigate the minefield of intrigue and backstabbing that is part and parcel with the smooth transitioning of the four seasons, the eight petulant Kings and Queens that lord over them and the all-pervading destructive force of humanity. But with the constant menace of attack from the rogue elves she must learn quickly as a maniacal plot by the king of the summer elves has placed her family in danger and threatens to end millions of innocent lives.
Winner of the Pulitzer Prize: “A romantic idyll played out in the rhythms and meanings of a vanished Navajo world.” —The Denver Post Laughing Boy is a model member of his tribe. Raised in old traditions, skilled in silver work, and known for his prowess in the wild horse races, he does the Navajos of T’o Tlakai proud. But times are changing. It is 1914, and the first car has just driven into their country. Then, Laughing Boy meets Slim Girl—and despite her “American” education and the warnings of his family, he gives in to desire and marries her. As Laughing Boy and Slim Girl settle away from traditional villages—their different upbringings clashing within both their relationship and the ever-encroaching culture around them—each of their worlds are thrown into a heart-wrenching turmoil of love, honor, hope, and heritage. “Compelling in its strength and simplicity, and its fidelity to the deepest impulses of human nature,” Laughing Boy is an unprecedented look at both the Navajo culture and the enduring legacy of tradition and loss that all Americans share (The New York Times).
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