Other books that might interest you

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  The First Murder

  Carol Goodman Kaufman

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  The ME ruled her death an accident. He was dead wrong.
   
  When Mary Jane Bennett is found dead in her bed— alone, strangled by her own scarf, and with every door in the house locked — the medical examiner rules her death accidental, the result of a sex game gone horribly awry. State police decline to investigate further, but Queensbridge Police Chief Caleb Crane doesn't buy for a minute that his good friend died this way, so he undertakes his own investigation. Facing town councilors afraid of bad publicity, an angry medical examiner, and his own personal demons, he labors to solve what he believes is the first-ever murder in his pastoral Berkshire Hills village. Complicating things: the list of suspects includes some of the people to whom he is closest — including his own wife.
   
  “. . . [a] smartly-paced debut novel . . .”—Gerald Elias, author of the Daniel Jacobus mystery series
   
  “. . . one of my favorite mystery reads this year . . . With a talent reminiscent of Louise Penny, Kaufman creates a small town ambience of alliances and hidden resentments among characters whose humanity draws you in while raising your suspicions. The First Murder is an engaging and intriguing journey to an exciting conclusion.”—Sharon Healy-Yang, author of the Jessica Minton Mystery Series
   
  “. . . [a] deftly constructed debut novel [that] kept me guessing until the very end.”—Leslie Wheeler, award-winning author of the Berkshire Hilltown Mysteries

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  Edge of Extinction

  Robert J. Szmidt

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  When the ruthless aliens attack the outer reaches of the Federation, Humankind is forced to retreat haphazardly from dozens of conquered systems. The only chance to delay the advance of the enemy is to create hundreds of fake colonies. If that doesn’t work, the Fleet will be forced to face the ma’lahn in a series of open battles, which can lead to its annihilation. Politicians, however, do not care about the consequences. Their goal is to preserve power, even at the cost of billions of lives. The headquarters of the third metasector must meet the requirements of the Council on the one hand, and prevent the destruction of the only force that is able to defend Humankind on the other. But this war has another—human and personal—dimension: Major Darski must fight to save the colonists that he left on Ulietta…. Edge of Extinction is book three in The Fields of Long-Forgotten Battles series.

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  The Almost Truth - an...

  Anne Hamilton

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  'In a life full of books and not enough time to read them, I never read a novel twice. This one I will' Clo CareyWinner of the Irish Novel Fair 2021 
  A compelling story of family, secrets, identity, and a reminder that love and life can surprise you… right until the very end. 
  When Alina’s son, Fin, traces his long-absent birthfather, it’s the catalyst for decades of secrets to implode in Alina’s neatly ordered life. 
  With the sudden appearance of Rory, and the ever-present pull of a very different life in Bangladesh, she’s left reeling. 
  Three relationships, all of them built on half-truths. All Alina can truly be sure of, is that you can choose your family, you just can’t choose who they will turn out to be. 
  'A lovely, compelling read about love, family, and finding yourself' Becky Hunter, author of One Moment 
  'Intricately explores themes of home, family, identity, love, and loss, inviting readers to ponder the universal truths — and sometimes lies — that shape our lives' Jane Labous, author of Past Participle 
  'Anne Hamilton handles with ease and grace this complex and compelling 'big Hindi movie' of a novel' Caroline Moir, author of The Brockenspectre 
  'Set across Edinburgh, Bangladesh and Dublin, mysteries and family secrets abound in this intriguing novel' Elissa Soave, author of Ginger and Me 
  'A captivating tale of human dilemmas and the consequences of half-truths' Olga Wojtas 
  'A complex tale of interwoven cultures, told truthfully with humour and outright laughter, but always with Anne Hamilton's trademark sensitivity, understanding and honesty' Paul Soye, author of The Boy in the Gap

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  The Girl Who Could Breathe Under...

  Erin Bartels

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  The best fiction simply tells the truth.  
  But the truth is never simple. 
   
  When novelist Kendra Brennan moves into her grandfather's old cabin on Hidden Lake, she has a problem and a plan. The problem? An inflammatory letter from A Very Disappointed Reader. The plan? To confront Tyler, her childhood best friend's brother--and the man who inspired the antagonist in her first book. If she can prove that she told the truth about what happened during those long-ago summers, perhaps she can put the letter's claims to rest and meet the swiftly approaching deadline for her next book. 
   
  But what she discovers as she delves into the murky past is not what she expected. While facing Tyler isn't easy, facing the consequences of her failed friendship with his sister, Cami, may be the hardest thing she's ever had to do.  
   
  Plumb the depths of the human heart with this emotional exploration of how a friendship dies, how we can face the unforgivable, and how even those who have been hurt can learn to love with abandon. 
   
   
  Praise for the novels of Erin Bartels 
   
  "Bartels proves herself a master wordsmith and storyteller."--Library Journal starred review of All That We Carried 
   
  "A story of love found in the written word and love found because of the written word."--Booklist on The Words between Us 
   
  "A deeply moving story of heartbreak, long-held secrets, and the bonds of family."--Publishers Weekly starred review of We Hope for Better Things

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  Grey Dog

  Elliott Gish

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  “Gish’s prose is as sharp as a scalpel.” — Publishers Weekly, starred review
  		 
  “Grey Dog is a bewitching tale of the horrors of spinsterhood in the early 1900s, with madness and magic threaded through every sentence.” — Heather O’Neill, author of When We Lost Our Heads and Lullabies for Little Criminals
  		 
  A subversive literary horror novel that disrupts the tropes of women’s historical fiction with delusions, wild beasts, and the uncontainable power of female rage
  		 
  The year is 1901, and Ada Byrd — spinster, schoolmarm, amateur naturalist — accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past — riddled with grief and shame — has never seemed so far away.
  		 
  But then, Ada begins to witness strange and grisly phenomena: a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something old and beastly — which she calls Grey Dog — is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory loosens, and Ada takes on the wildness of the woods, behaving erratically and pushing her newfound friends away. In the end, she is left with one question: What is the real horror? The Grey Dog, the uncontainable power of female rage, or Ada herself?

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  The Fuhrer's Orphans

  David Laws

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  In this moving novel based on true events, a teacher and a British spy discover a group of children hiding from the Nazis in WWII Munich. 
   
  When their parents are taken to concentration camps, twenty-seven children are left alone, hungry, and scared. Claudia Kellner, a German elementary school teacher, discovers the group hiding in a deserted Munich railroad yard. Only able to hide two of them in her home, she is desperate to find shelter for the others. 
   
  Meanwhile, British spy Peter Chesham has penetrated Third Reich territory. But his critical mission is interrupted when he discovers the orphans’ hiding place. Following through on his orders would have fatal consequences for them. But giving up could mean losing the war. Now Peter and Claudia must work together, attempting an impossible rescue operation with the children’s lives—and the fate of the world—at stake.

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