If you like reading, you will LOVE reading without limits!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Read online the first chapters of this book!
All characters reduced
Basics Materials - cover

Basics Materials

Manfred Hegger, Hans Drexler, Martin Zeumer

Publisher: Birkhäuser

  • 0
  • 0
  • 0

Summary

The Materiality of buildings and constructions is an important aspect of architectural design. The approach to and use of materials is a fundamental building block of architectural training. Themes:    Subjective effect of materials Haptic influences Use of materials Creative use of classical construction materials

Other books that might interest you

  • The Day of the Dead Drawing Book - cover

    The Day of the Dead Drawing Book

    Maddy Brook

    • 1
    • 1
    • 0
    Be inspired by the enchanting, and often humorous, imagery of the 'Day of the Dead' festival.
     
    Artist Maddy Brook's macabre skeleton art and traditional Mexican iconography make compelling drawing subjects, which are perfect for budding artists.
     
    There are 16 projects to choose from, including traditional sugar skull designs, dancing mariachi skeleton bands, elaborate shrines, famous characters from Mexican folklore, gravestones and tombs, and other hauntingly beautiful scenes.
     
    With clear information on materials, tutorials for techniques, and step-by-step guides for all the projects, you have everything you need to get started.
    Show book
  • The Story Solution - 23 Actions All Great Heroes Must Take - cover

    The Story Solution - 23 Actions...

    Eric Edson

    • 1
    • 4
    • 0
    Eric Edson has developed a new tool for bringing depth and passion to any screenplay - the "23 Steps All Great Heroes Must Take." It's an easy to understand paradigm that provides writers and filmmakers the interconnecting, powerful storytelling elements they need. With true insight, a master teacher of screenwriting pinpoints the story structure reasons most new spec scripts don't sell; then uses scores of examples from popular hit movies to present, step by step, his revolutionary Hero Goal Sequences blueprint for writing blockbuster movies.
    Show book
  • Inside Out: A Personal History of Pink Floyd (Reading Edition) - cover

    Inside Out: A Personal History...

    Nick Mason

    • 0
    • 1
    • 0
    The definitive history of Pink Floyd by founding member Nick Mason, this reading edition brings up-to-date the band's incredible story as told uniquely from the inside out. Including the complete text of the original in an easy-toread format, a new chapter covering the passing of Rick Wright and the release of the group's final album, and 80 pages of images from Mason's archives plus new photos, Inside Out is a masterly rock memoir and an eye opener for both veteran fans and those just discovering the group.
    Show book
  • John Lennon: The Life - cover

    John Lennon: The Life

    Philip Norman

    • 1
    • 1
    • 0
    For more than a quarter century, biographer Philip Norman's internationally bestselling Shout! has been unchallenged as the definitive biography of the Beatles. Now, at last, Norman turns his formidable talent to the Beatle for whom being a Beatle was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, Norman presents the comprehensive and most revealing portrait of John Lennon ever published. 
    This masterly biography takes a fresh and penetrating look at every aspect of Lennon's much-chronicled life, including the songs that have turned him, posthumously, into a near-secular saint. In three years of research, Norman has turned up an extraordinary amount of new information about even the best-known episodes of Lennon folklore—his upbringing by his strict Aunt Mimi; his allegedly wasted school and student days; the evolution of his peerless creative partnership with Paul McCartney; his Beatle-busting love affair with a Japanese performance artist; his forays into painting and literature; his experiments with Transcendental Meditation, primal scream therapy, and drugs. The book's numerous key informants and interviewees include Sir Paul McCartney, Sir George Martin, Sean Lennon—whose moving reminiscence reveals his father as never seen before—and Yoko Ono, who speaks with sometimes shocking candor about the inner workings of her marriage to John. 
    “[A] haunting, mammoth, terrific piece of work.” -New York Times  
    Honest and unflinching, as John himself would wish, Norman gives us the whole man in all his endless contradictions—tough and cynical, hilariously funny but also naive, vulnerable and insecure—and reveals how the mother who gave him away as a toddler haunted his mind and his music for the rest of his days.
    Show book
  • Botticelli - cover

    Botticelli

    Victoria Charles, Emile Gebhart

    • 0
    • 3
    • 0
    He was the son of a citizen in comfortable circumstances, and had been, in Vasari’s words, “instructed in all such things as children are usually taught before they choose a calling.” However, he refused to give his attention to reading, writing and accounts, continues Vasari, so that his father, despairing of his ever becoming a scholar, apprenticed him to the goldsmith Botticello: whence came the name by which the world remembers him. However, Sandro, a stubborn-featured youth with large, quietly searching eyes and a shock of yellow hair – he has left a portrait of himself on the right-hand side of his picture of the Adoration of the Magi – would also become a painter, and to that end was placed with the Carmelite monk Fra Filippo Lippi. But he was a realist, as the artists of his day had become, satisfied with the joy and skill of painting, and with the study of the beauty and character of the human subject instead of religious themes. Botticelli made rapid progress, loved his master, and later on extended his love to his master’s son, Filippino Lippi, and taught him to paint, but the master’s realism scarcely touched Lippi, for Botticelli was a dreamer and a poet. 
        Botticelli is a painter not of facts, but of ideas, and his pictures are not so much a representation of certain objects as a pattern of forms. Nor is his colouring rich and lifelike; it is subordinated to form, and often rather a tinting than actual colour. In fact, he was interested in the abstract possibilities of his art rather than in the concrete. For example, his compositions, as has just been said, are a pattern of forms; his figures do not actually occupy well-defined places in a well-defined area of space; they do not attract us by their suggestion of bulk, but as shapes of form, suggesting rather a flat pattern of decoration. Accordingly, the lines which enclose the figures are chosen with the primary intention of being decorative. 
        It has been said that Botticelli, “though one of the worst anatomists, was one of the greatest draughtsmen of the Renaissance.” As an example of false anatomy we may notice the impossible way in which the Madonna’s head is attached to the neck, and other instances of faulty articulation and incorrect form of limbs may be found in Botticelli’s pictures. Yet he is recognised as one of the greatest draughtsmen: he gave to ‘line’ not only intrinsic beauty, but also significance. In mathematical language, he resolved the movement of the figure into its factors, its simplest forms of expression, and then combined these various forms into a pattern which, by its rhythmical and harmonious lines, produces an effect upon our imagination, corresponding to the sentiments of grave and tender poetry that filled the artist himself.
        This power of making every line count in both significance and beauty distinguishes the great master- draughtsmen from the vast majority of artists who used line mainly as a necessary means of representing concrete objects.
    Show book
  • Day of the Dead - cover

    Day of the Dead

    Kitty Williams, Stevie Mack

    • 1
    • 2
    • 0
    The Day of the Dead Celebration is the most important holiday of the year in Mexico and parts of the American Southwest, a joyful time when families remember their dead. Day of the Dead provides a colorful look at the iconic folk art and family traditions that play a vital role in the event, which happens across the country from October 31 through November 2.
    Show book