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The Sten Gun
The Sten submachine gun – officially the 'Carbine, Machine, Sten' – was developed to fulfill the pressing British need for large quantities of cheaply produced weapons after Dunkirk, when German invasion was a very real possibility. Over four million were built during World War II, and the Sten was widely used by airborne troops, tankers, and others who needed a compact weapon with substantial firepower. It proved especially popular with Resistance fighters as it was easy to conceal, deadly at close range, and could fire captured German ammunition – with a design so simple that Resistance fighters were able to produce them in bicycle shops. Featuring vivid first-hand accounts, specially commissioned full-colour artwork and close-up photographs, this is the fascinating story of the mass-produced submachine gun that provided Allied soldiers and Resistance fighters with devastating close-range firepower.Show book
"Harry – yer a wizard" -...
Marion Gymnich, Hanne Birk,...
J. K. Rowling's "Harry Potter" series (1997–2007) has turned into a global phenomenon and her Potterverse is still expanding. The contributions in this volume provide a range of inter- and transdisciplinary approaches to various dimensions of this multifacetted universe. The introductory article focuses on different forms of world building in the novels, the translations, the film series and the fandom. Part I examines various potential sources for Rowling's series in folklore, the Arthurian legend and Gothic literature. Further articles focus on parallels between the "Harry Potter" series and Celtic Druidism, the impact Victorian notions of gender roles have had on the representation of the Gaunt family, the reception of (medieval and Early Modern) history in the series and the influence of Christian concepts on the world view expressed in the novels. Part II focuses on a range of prominent political and social themes in the series, including conspiracy, persecution and terror, racism as well as the role of economic, social and cultural capital. Other articles explore the concept of a Magical Criminal Law and its consequences as well as the significance of secrets and forbidden places. The articles in Part III go beyond the novels by taking the stage play "Harry Potter and the Cursed Child", the movie "Fantastic Beasts and Where to Find Them", Pottermore and fan fiction into account. Main topics in this part include trauma theory/PTSD, queerbaiting, a 'post'-colonial analysis of the representation of Native Americans in Rowling's "History of Magic in North America" and the depiction of violence, incest and rape in fan fictions. The concluding article highlights the diversification of the Potterverse and analyses strategies informing its ongoing expansion.Show book
William Shakespeare, SBP Editors
Shakespeare's Macbeth is one of the greatest tragic dramas the world has known. Macbeth himself, a brave warrior, is fatally impelled by supernatural forces, by his proud wife, and by his own burgeoning ambition. The play is set in Scotland. Returning from battle with his companion Banquo, the nobleman Macbeth meets a group of witches. They predict that Macbeth will first become thane (baron) of Cawdor and then king of Scotland. Urged on by Lady Macbeth, his wife, Macbeth murders King Duncan. But Duncan's sons, Malcolm and Donalbain, escape. Macbeth then seizes the throne of Scotland. But Macbeth has no peace. In a bid to prevent Banquo's descendants from becoming kings according to the witches' prophecy, Macbeth arranges for him to be murdered, along with his son Fleance. Macbeth's men kill Banquo, but Fleance escapes. Haunted by Banquo's ghost, Macbeth seeks counsel from the witches. They tell him to beware of Macduff, another Scottish nobleman. Macbeth is now hardened to killing. He orders the murder of Macduff's wife and children. By contrast, Lady Macbeth, who had encouraged her husband to embark upon his path of slaughter, goes mad with guilt and dies. Macduff's army attacks Macbeth's forces. Macduff meets Macbeth in single combat and kills him. Malcolm, Duncan's son, is then proclaimed king of Scotland. ABOUT THE AUTHOR: William Shakespeare (baptised 26 April 1564) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the 'Bard of Avon' (or simply "The Bard"). His surviving works consist of 37 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language. Shakespeare was born and raised in Stratford-upon-Avon. Scholars believe that he died on his fifty-second birthday, coinciding with St George’s Day. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608. He was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare. In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world.Show book
Essays and Reviews - 1959–2002
Bernard Williams was one of the most important philosophers of the past fifty years, but he was also a distinguished critic and essayist with an elegant style and a rare ability to communicate complex ideas to a wide public. This is the first collection of Williams's popular essays and reviews. Williams writes about a broad range of subjects, from philosophy to science, the humanities, economics, feminism, and pornography. Included are reviews of major books such as John Rawls’s Theory of Justice, Richard Rorty’s Consequences of Pragmatism, and Martha Nussbaum’s Therapy of Desire. But many of these essays extend beyond philosophy, providing an intellectual tour through the past half century, from C. S. Lewis to Noam Chomsky. No matter the subject, readers see a first-class mind grappling with landmark books in "real time," before critical consensus had formed and ossified.Show book
The Manhattan Project - The...
The ramifications of the Manhattan Project are with us to this day. The atomic bombs that came out of it brought an end to the war in the Pacific, but at a heavy loss of life in Japan and the opening of a Pandora's box that has tested international relations. This book traces the history of the Manhattan Project, from the first glimmerings of the possibility of such a catastrophic weapon to the aftermath of the bombings of Hiroshima and Nagasaki. It profiles the architects of the bomb and how they tried to reconcile their personal feelings with their ambition as scientists. It looks at the role of the politicians and it includes first-hand accounts of those who experienced the effects of the bombings.Show book
Venice's Intimate Empire -...
Mining private writings and humanist texts, Erin Maglaque explores the lives and careers of two Venetian noblemen, Giovanni Bembo and Pietro Coppo, who were appointed as colonial administrators and governors. In Venice’s Intimate Empire, she uses these two men and their families to showcase the relationship between humanism, empire, and family in the Venetian Mediterranean.Maglaque elaborates an intellectual history of Venice’s Mediterranean empire by examining how Venetian humanist education related to the task of governing. Taking that relationship as her cue, Maglaque unearths an intimate view of the emotions and subjectivities of imperial governors. In their writings, it was the affective relationships between husbands and wives, parents and children, humanist teachers and their students that were the crucible for self-definition and political decision making. Venice’s Intimate Empire thus illuminates the experience of imperial governance by drawing connections between humanist education and family affairs. From marriage and reproduction to childhood and adolescence, we see how intimate life was central to the Bembo and Coppo families’ experience of empire. Maglaque skillfully argues that it was within the intimate family that Venetians’ relationships to empire—its politics, its shifting social structures, its metropolitan and colonial cultures—were determined.Show book