Other books that might interest you

• 

  We'll Always Have Paris - Stories

  Ray Bradbury

  • 0
  • 0
  • 0

  From the winner of the National Book Foundation’s Medal for Distinguished Contribution to American Letters comes a brand new, never before published collection of short stories  
  Following the success of his recent collections, The Cat’s Pajamas and One More for the Road, Ray Bradbury has once again pulled together a stellar group of stories sure to delight readers of all ages. We’ll Always Have Paris is a treasure trove of Bradbury gems—eerie and strange, nostalgic and bittersweet, searching and speculative—all of which have never before been published. A brilliant addition to the master’s oeuvre, this wonderfully entertaining and imaginative collection is a joyous celebration of the lifelong work of a literary legend.

  Show book

• 

  Atlanta Noir

  Tayari Jones

  • 0
  • 0
  • 0

  Atlanta itself is a crime scene. After all, Georgia was founded as a de facto penal colony and in 1864, Sherman burned the city to the ground. We might argue about whether the arson was the crime or the response to the crime, but this is indisputable: Atlanta is a city sewn from the ashes and everything that grows here is at once fertilized and corrupted by the past . . . 
  These stories do not necessarily conform to the traditional expectations of noir . . . However, they all share the quality of exposing the rot underneath the scent of magnolia and pine. Noir, in my opinion, is more a question of tone than content. The moral universe of the story is as significant as the physical space. Noir is a realm where the good guys seldom win; perhaps they hardly exist at all. Few bad deeds go unrewarded, and good intentions are not the road to hell, but are hell itself . . . 
  Welcome to Atlanta Noir. Come sit on the veranda, or the terrace of a high-rise condo. Pour yourself a glass of sweet tea, and fortify it with a slug of bourbon. Put your feet up. Enjoy these stories, and watch your back. 
  Contains mature themes.

  Show book

• 

  Damon Runyon Theater - Dancing...

  Damon Runyon

  • 0
  • 0
  • 0

  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into a black and white type or, in our case, The Damon Runyon Theatre Hour.

  Show book

• 

  No Sweetness Here - And Other...

  Ama Ata Aidoo

  • 0
  • 0
  • 0

  From the author of Changes: these stories “of post-independence Ghana in the late 1960s are written beautifully and wisely and with great subtlety” (Chimamanda Ngozi Adichi).   In this short story collection, the award-winning poet and author of Changes and Our Sister Killjoy explores postcolonial life in Ghana with her characteristic honesty, humor, and insight. A house servant wonders what independence means in a country where indoor plumbing is still reserved for bosses. A brother tracks down his runaway sister only to find she has become a prostitute. In the title story, a bitter divorce turns tragic when the couple’s only child dies of a snake bite.   In these and other stories, tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture, and “even at her gravest, Miss Aidoo writes with a sunny charm” (The New York Times).

  Show book

• 

  The Flying Fish

  D H Lawrence

  • 0
  • 0
  • 0

  'The Flying Fish' is unfinished but tells the story of an Englishman, Gethin Day, returning home after years in South America. There is a hint of the home-sickness Lawrence may have felt during his long exile. The bulk of the story is the time spent on the ship which is taking Day back to England. It is a ship of fools, a 'plague ship' and the only positive note is the joy Day sees in the play of the flying fish and porpoises around the ship. It is tantalising to speculate how Day would have adapted to English life again, confined to an old house in an old country.

  Show book

• 

  The Judge's House

  Bram Stoker

  • 0
  • 0
  • 0

  The Judge's House recounts the tale of a young student, looking for a remote location to study for his college exams. But the house he rents in the quiet town of Benchurch, delivers much more excitement than he ever could have imagined. Though Bram Stocker is inextricably linked with his infamous vampire novel — Dracula, he wrote many novels, essays, and short stories during his life such as this one.

  Show book