Since the 1950s, the housing developments in the West that historian Lincoln Bramwell calls �wilderburbs� have offered residents both the pleasures of living in nature and the creature comforts of the suburbs. Remote from cities but still within commuting distance, nestled next to lakes and rivers or in forests and deserts, and often featuring spectacular views of public lands, wilderburbs celebrate the natural beauty of the American West and pose a vital threat to it. Wilderburbs tells the story of how roads and houses and water development have transformed the rural landscape in the West. Bramwell introduces readers to developers, homeowners, and government regulators, all of whom have faced unexpected environmental problems in designing and building wilderburb communities, including unpredictable water supplies, threats from wildfires, and encounters with wildlife. By looking at wilderburbs in the West, especially those in Utah, Colorado, and New Mexico, Bramwell uncovers the profound environmental consequences of Americans� desire to live in the wilderness.
Edward Teach Blackbeard-is one of the legends of the so-called golden age of piracy. There have been so many accounts of his short, bloody career that it is hard to see him and his times in a clear historical light. This new study looks for the man behind the legend, and it gives a vivid insight into the nature of piracy and the naval operations that were launched against it.The narrative focuses on the roles played by the Governor of Virginia Alexander Spotswood who masterminded the pursuit of Blackbeard, and Lieutenant Robert Maynard of HMS Pearl who led the pursuit and finally cornered Teach and his crew and, after a vicious fight, saw him killed.In vivid detail, it reveals how the hunt for Blackbeard was orchestrated, how he was tracked down, and the parts played in the drama by the larger-than-life leading characters in this extraordinary story. This freshly researched study of the pursuit of the notorious pirate and his crew—and of the final fight in which Blackbeard lost his life—makes compelling reading.
This satirical short novel displays a side of Cooper unfamiliar to many modern readers. It is told from the point of view of an actual handkerchief: its origins in a French flax field, how it was passed around New York City society in the 1830s, and its eventual return to its maker. In this story, Cooper makes a point of ridiculing Victorian materialism—which places value on consumption, not production.
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