Other books that might interest you

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  Art of Siberia

  Valentina Gorbatcheva, Marina...

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  The art of Siberia is a fascinating subject, and the artifacts discovered in the hidden archives of the Russian Museum of Ethnography in St. Petersburg are nothing less than extraordinary. Artwork, day-to-day subjects and photos dating from the turn  of the century all represent the testimonies of the Siberian people who refused to yield to the hegemony of a modern world.

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  Christmas Morning Vol 2

  Kim Mitzo Thompson

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  Wake up on Christmas morning with incredibly beautiful music!

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  Chagall

  Victoria Charles

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  Marc Chagall was born into a strict Jewish family for whom the ban on representations of the human figure had the weight of dogma. A failure in the entrance examination for the Stieglitz School did not stop Chagall from later joining that famous school founded by the Imperial Society for the Encouragement of the Arts and directed by Nicholas Roerich. Chagall moved to Paris in 1910. The city was his “second Vitebsk”. At first, isolated in the little room on the Impasse du Maine at La Ruche, Chagall soon found numerous compatriots also attracted by the prestige of Paris: Lipchitz, Zadkine, Archipenko and Soutine, all of whom were to maintain the “smell” of his native land. From his very arrival Chagall wanted to “discover everything”. And to his dazzled eyes painting did indeed reveal itself. Even the most attentive and partial observer is at times unable to distinguish the “Parisian”, Chagall from the “Vitebskian”. The artist was not full of contradictions, nor was he a split personality, but he always remained different; he looked around and within himself and at the surrounding world, and he used his present thoughts and recollections. He had an utterly poetical mode of thought that enabled him to pursue such a complex course. Chagall was endowed with a sort of stylistic immunity: he enriched himself without destroying anything of his own inner structure. Admiring the works of others he studied them ingenuously, ridding himself of his youthful awkwardness, yet never losing his authenticity for a moment. 
      At times Chagall seemed to look at the world through magic crystal – overloaded with artistic experimentation – of the Ecole de Paris. In such cases he would embark on a subtle and serious play with the various discoveries of the turn of the century and turned his prophetic gaze like that of a biblical youth, to look at himself ironically and thoughtfully in the mirror. Naturally, it totally and uneclectically reflected the painterly discoveries of Cézanne, the delicate inspiration of Modigliani, and the complex surface rhythms recalling the experiments of the early Cubists (See-Portrait at the Easel, 1914). Despite the analyses which nowadays illuminate the painter’s Judaeo-Russian sources, inherited or borrowed but always sublime, and his formal relationships, there is always some share of mystery in Chagall’s art. The mystery perhaps lies in the very nature of his art, in which he uses his experiences and memories. Painting truly is life, and perhaps life is painting.

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  Sundancing - Hanging Out and...

  John Anderson

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  Every winter, 8,000 feet above sea level in the Utah snow, the hopes and dreams of young moviemakers are put on display at the Sundance Film Festival--the haven for independent films where you can show up a kid and go home a star. In barely twenty years of existence, the festival--now overseen by Robert Redford's Sundance Institute--has assumed tremendous importance for today's film culture: during the annual ten-day event, tiny Park City is so overrun by agents, publicists, studio executives, and other Hollywood types that in 1988 they blew out the town's cell-phone relay system.

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  The Sun Also Rises

  Ernest Hemingway, Kate McAll

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  A group of friends decamps from 1920’s Paris for the Festival of San Fermin in Pamplona, Spain. Jake is in love with the aristocratic Bret Ashley, but Bret’s wandering eye lands on a young matador. In the week of drinking, bullfighting, and jealousy that follows, friendships will be upended and hopes for love dashed.   
   
  Recorded at The Invisible Studios, West Hollywood in April 2022. 
   
  Directed by Anna Lyse Erikson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast recording starring: 
  Geoffrey Arend as Robert Cohn 
  Seamus Dever as Bill Gorton 
  Patrick Heusinger as Jake Barnes  
  Derrick Kemp as Pedro Romero  
  Rhian Rees as Lady Brett Ashley 
  Herbert Sigüenza as Montoya and others  
  André Sogliuzzo as Mike Campbell and the Count 
  Devon Sorvari as Frances and Georgette 
   
  Senior Producer: Anna Lyse Erikson 
  Prepared for Audio by Mark Holden for The Invisible Studios, West Hollywood 
  Sound Design by Charles Carroll with Austin Halterman 
  Recording Engineer and Mixer: Charles Carroll 
  Senior Radio Producer: Ronn Lipkin 
  Foley Artist: Jeff Gardner

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  Abbott and Costello: Lion Hunting

  John Grant, Bud Abbott

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  Bud and Lou set out for their safari, and will meet Skinny and Marilyn at the lodge later. But first, let the jokes about hunting reign. Marilyn pops in to help with the jokes, then Lou runs into the Game Warden. He has a special job for Lou, capture the lion that has been roaming the woods. Marilyn sings, Blue Skies.`The big moment arrives, and Lou has the lion trapped in a cave. When his bravery pays off there’s a big musical finale to end the show.

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