Other books that might interest you

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  The Old Man and The Sea

  Ernest Hemingway

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  The Old Man and the Sea is a 1952 novella by the American author Ernest Hemingway. Written between December 1950 and February 1951, it was the last major fictional work Hemingway published during his lifetime. It tells the story of Santiago, an aging fisherman, and his long struggle to catch a giant marlin. The novella was highly anticipated and was released to record sales; the initial critical reception was equally positive, but attitudes have varied significantly since then.

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  Jerry Bundler

  W. Jacobs

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  William Wymark Jacobs (1863-1943) was an English author of short stories and novels. His most popular works in the early part of the last century were his humorous tales set around the docks of Wapping and in the taproom of the infamous Cauliflower tavern. Many of his stories were written in a Cockney vernacular and were keenly observant of character.His most famous horror stories are 'The Monkey's Paw', 'His Brother's Keeper' and 'Jerry Bundler', all of which have been included in numerous anthologies.'Jerry Bundler' is a ghost story with a twist. We open in a tavern where travellers are telling ghost stories late one night. One gentleman tells a tale about a ghost haunting the very house where they are all sitting. His story frightens all the company gathered around the fire...and when the old gentleman retires to bed, one of the others proposes to take revenge by pretending to be the ghost. But what happens next is very far from a joke.

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  Notes from Underground

  Fyodor Dostoyevsky

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  "I am a sick man... I am a spiteful man," a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature. 
   
  Notes from Underground reveals Fyodor Dostoevsky on the threshold of genius, discovering the ideas that would later lead him to create his most monumental novels: Crime and Punishment, The Idiot, and The Brothers Karamazov. 
   
  Those who are familiar with his works will immediately recognize the novel's richly complex philosophical, political, and psychological themes; those who are not will find in their hands the best introduction to Dostoevsky's grander masterpieces. 
   
  Notes from Underground will deepen your understanding of a giant among writers of world literature - a man who continues to influence the greatest thinkers and writers in the Western world today.

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  British Short Story The - Volume...

  Rudyard Kipling, H G Wells,...

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  These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves.  Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language. 
   
  Here our ambitions are only of the literary kind.  These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English. 
   
  Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet.  And this is how we begin to differentiate our offering; both in scope, in breadth and in depth.  These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties. 
   
  Way back when it was almost immoral that a woman should write.  A few pages of verse might be tolerated but anything else brought ridicule and shame.  That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’.  Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands.  Here we include George Eliot and other examples. 
   
  We add further depth with many stories by authors who were famed and fawned over in their day.  Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain. 
   
  Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes.  Was this bound to happen or did a growing population that could read begin to influence rather than just accept? 
   
  Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page.  An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form.  Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy. 
   
  Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles.  From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache.  If you can imagine it an author probably wrote it.  
   
  At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.

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  Frankenstein - or The Modern...

  Mary Shelley

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  Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment.

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  The Thirty-Nine Steps

  John Buchan

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  The Thirty-Nine Steps begins John Buchan’s series of spy novels featuring adventurer Richard Hannay. Having just returned from South Africa, he finds life dull until a mysterious American tells him about an assassination plot before being murdered in Hannay’s London flat. The obvious suspect, Hannay flees to his native Scotland pursued by the police and his ruthless enemies. His life and the security of Britain are seriously threatened, and it is vital to uncover the mystery behind ‘the thirty-nine steps’. Filled with suspense, unexpected twists, and fast-paced action, Buchan’s classic novel of 1915 has captivated readers for generations, laying the groundwork for the modern spy thriller genre and inspiring numerous film, TV, stage and radio versions. It is read by Rupert Degas, whose ‘quick-change brilliance’ in Patrick Barlow’s long-running stage adaptation was so highly praised.

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