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Publisher: Ray Harryhausen Presents
Jason and the Argonauts find themselves victims at sea as a former crewman returns with murderous slaughter on his mind.
'NBC University Theater’ initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. Additionally, if listeners signed up they received college credit to a radio-assisted correspondence course. A study guide, The Handbook of the World's Great Novels, was available for 25 cents. In its later years it also included short stories and plays and went on to win the distinguished Peabody award. Unlike many other radio shows University Theatre did not pursue the glamourous stars for its productions but instead relied on excellent distillations of the novels and first class acting alongside high production values. But now its time to enjoy these timeless novels. Let’s begin.Show book
Essays examining the effects of media innovations in cinema at the turn of the twentieth century affected performances on screen, as well as beside it. In the years before the First World War, showmen, entrepreneurs, educators, and scientists used magic lanterns and cinematographs in many contexts and many venues. To employ these silent screen technologies to deliver diverse and complex programs usually demanded audio accompaniment, creating a performance of both sound and image. These shows might include live music, song, lectures, narration, and synchronized sound effects provided by any available party—projectionist, local talent, accompanist or backstage crew—and would often borrow techniques from shadow plays and tableaux vivants. The performances were not immune to the influence of social and cultural forces, such as censorship or reform movements. This collection of essays considers the ways in which different visual practices carried out at the turn of the twentieth century shaped performances on and beside the screen.Show book
For comedian Pat McGann, the days of getting wrecked at bachelor parties and chasing girls in Mexico are over…but the party’s just starting. Now the pragmatic husband and lovingly indifferent father of three juggles soccer games, trips to the zoo and reluctant dinners with other married couples. In his first comedy special, presented by Sebastian Maniscalco, McGann’s sarcastic charm and endearing wit are packed into an hour, loaded with laughs and hilarious quips redefining what it means to be a Family Man.Show book
A rescue hound demonstrates her knack for balance across America in this heartwarming photography collection. Maddie is a sweet-tempered coonhound who accompanied her owner, Theron, on a yearlong, cross-country trip while he worked on a photojournalism project. In his spare time, Theron took photos of Maddie doing what she does best: standing on things. From bicycles to giant watermelons to horses to people, there really isn’t anything that Maddie won’t stand on with grace and patience. The poignant Instagram photos of this beautiful dog and her offbeat poses have captured the imagination of all those who long for a road trip with a good dog for company. Maddie on Things celebrates the strange talent of one special dog and will resonate with any dog lover who appreciates the quirky hearts (and extraordinary balance) of canines.Show book
From the incomporable Peter Gethers comes true-life adventure featuring the author and his Scottish Fold feline, Norton—seasoned world-traveler and renowned ice-cream critic. Whether it is the trademark flattened ears of his breed or the personality quirks individual to Norton, this cat has an uncanny knack for attracting celebrity attention. Norton’s feline adventures in France are a must for the consummate cat-lover, but also great fun for those not enamored of anything feline.Show book
From New Yorker film critic Richard Brody, Everything Is Cinema: The Working Life of Jean-Luc Godard presents a "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age (The New York Times).When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images—cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a—if not the—key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable.In Everything Is Cinema, critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers.Everything Is Cinema confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere.Show book
