Publisher: Eyewear Publishing
Bestseller - Poetry from Musician and Poet Keaton Henson Combining whimsical illustrations with poems of love, humour and celebration of the ups and downs of being a touring recording artist, Idiot Verse is a delightful book in the tradition of Leonard Cohen and John Lennon. It’s a singer-songwriter’s notebook to himself, and the world, and sure to impress fans especially, of which Henson has many.
A fast-moving, exhilarating play about teenage hopes, dreams and frustrations in a rural part of England. Wheeler is a high-flying comprehensive kid destined for university, while football-mad Fitz is struggling to cope with his dysfunctional father and his schoolwork. They live in Walberswick, a sleepy Suffolk village known for hosting the British Open Crabbing Championship. Set on a sweltering summer's day on the eve of their last GCSE exam, they are ambushed by Dani, the fittest (and poshest) girl on the beach. So begins a crazy twenty-four hours that will change the lives of the three sixteen-year-olds for ever. 'Sharp as a pin... impressive in its ability to get inside the heads of the teenagers' - Independent 'Catches that coming-of-age moment perfectly' - TelegraphShow book
Everyone thinks of noon as being a split second as the clock's hands draw together, the bell tolls twelve times - but there is so much more to it than that - Solar noon happens as much as half an hour either side of what the clock tells you, deadlines are met, or passed, shadows vanish, vampires hide - or do they? Stories and Poems from 2018's Solstice Shorts festival, read live in Aberdeen, Edinburgh, Ynys Mon, Carlisle, London and Cork on the stroke of... or nearly, Noon. Featuring stories from Barbara Renel, Clare Shaw, Diana Powell, Elaine Hughes, Karen Ankers, Karen Boissonneault-Gauthier, Liam Hogan, Lily Peters, Marka Rifat, Patience Mackarness, Roppotucha Greenberg, Su Yin Yap; and poems from Alison Gerhard, Alison Lock, Anne Elizabeth Bevan, Catriona Yule, Elinor Brooks, Gareth Culshaw, Graham Burchell, Ian Grosz, Jane Aldous, Laila Sumpton.Show book
Markiewitz Audioworks Presents Edgar Allan Poe's "The Tell-Tale Heart." This production is a full audio dramatization (with incredible original music and magnificent sound effects) of one of the most popular horror stories of the past 200 years. In this story, a man (Edward) is afforded a place to stay in exchange for doing chores around the house. However, his landlord (Mr. Graves), a friendly and gracious old man, has one characteristic which drives Edward to the brink of madness; a pale blue eye. Eventually, Edward decides that he can't take the eye any longer, and despite his generally cordial relationship with Mr. Graves, is determined to kill him, thus ridding himself of the eye forever. Come with us as we descend into madness with this original adaptation of Edgar Allan Poe's: The Tell-Tale Heart.Cast:Jason Markiewitz as Edward Valentine, Officer Kent, Officer WallaceBrennan Villados as Mr. Graves, Sgt O'TooleLia Rose as Homeless Woman in the BarnMusic by: Hayden FolkerCover Art by: Jon MarkiewitzScript by: Jason MarkiewitzDirected by: Jason MarkiewitzShow book
LibriVox volunteers bring you 24 recordings of I saw the Sun at Midnight, rising red by Joseph Mary Plunkett. This was the weekly poetry project for February 8th, 2009.Show book
Exploring place and displacement, boundaries and borders, Passport is the second collection by Richie McCaffery, and follows his acclaimed debut Cairn (Nine Arches Press, 2014). In moving to the Belgian city of Ghent, McCaffery finds "What I see and what happens / are two different countries." In a place of dualities and unrealities, the poems find the usual definitions themselves becoming unstable; the old currency that is no longer valid, the postcards home unsent and the present tense ill at ease. Written in crisp detail, these fluent poems weigh up whether leaving is a form of running from or coming back to home, wherever that may be. At the heart of this tender and compelling collection, McCaffery writes directly of anxiety, loss and dislocation, asking us to consider what belonging is, and how we find our place in life, in love, and in language.Show book
John Ashbery’s first published book of poems, handpicked from the slush pile by none other than W. H. AudenAshbery’s Some Trees narrowly beat out a manuscript by fellow New York poet Frank O’Hara to win the renowned Yale Series of Younger Poets prize in 1955—after the book had been rejected in an early screening round. Competition judge W. H. Auden was perhaps the first to note, in his original preface to Some Trees, the meditative polyphony that decades of readers have come to identify as Ashbery’s unique style: “If he is to be true to nature in this world, he must accept strange juxtapositions of imagery, singular associations of ideas.” But not all is strange and associative here: Some Trees includes “The Instruction Manual,” one of Ashbery’s most conversational and perhaps most quoted poems, as well as a number of poems that display his casually masterful handling of such traditional forms as the sonnet, the pantoum, the Italian canzone, and even, with “The Painter,” the odd tricky sestina. Some Trees, an essential collection for Ashbery scholars and newbies alike, introduced one of postwar America’s most enduring and provocative poetic voices, by turns conversational, discordant, haunting, and wise.Show book
