Other books that might interest you
Strange coincidences in your...
From the earliest developments of thought, mankind believed that some significant coincidences were signs by which a higher philosophical or divine level sought to inter-dialogue with men. In the last three centuries this had been erased from the new directions of science. Extraordinary coincidences were considered as fruits of chance. Anyone who wanted to interpret extraordinary events as divine signals was mocked. In the same way, premonitions were considered illusions or even signs of imbalance. This, despite many had experienced these extraordinary facts. Science denied the existence of a psychic dimension with which the human mind could interact. According to the common opinion, the only existing reality was matter. However, in the 1980s, experiments in quantum physics demonstrated the existence of a universe that is not just composed of matter. This universe holds a level in which energy and information do not suffer the limits of space and time typical of classical physics. This confirms all the intuitions matured in the history of humanity. Among these intuitions the concept of "Soul of the World" enunciated by the Greek philosopher Plato. More recently, the Swiss psychologist Carl Gustav Jung has elaborated the theory of the "collective unconscious". This book avoids investigating excessively specialized topics. The author clearly accompanies the reader in understanding the three levels that form a single reality. The first level is the physical one, which is part of our daily experience. The second level is the one described by quantum physics, typical of the smallest elementary particles of atoms. The third is the psychic level called "non-locality". It is the spiritual level, which can not be physically located anywhere. This path of knowledge refers to recent discoveries recognized by official science. The strange coincidences and phenomena of the mind become important parts of a new and surprising reality.Show book
The Power of Cute
An exploration of cuteness and its immense hold on us, from emojis and fluffy puppies to its more uncanny, subversive expressions Cuteness has taken the planet by storm. Global sensations Hello Kitty and Pokémon, the works of artists Takashi Murakami and Jeff Koons, Heidi the cross-eyed opossum and E.T.—all reflect its gathering power. But what does “cute” mean, as a sensibility and style? Why is it so pervasive? Is it all infantile fluff, or is there something more uncanny and even menacing going on—in a lighthearted way? In The Power of Cute, Simon May provides nuanced and surprising answers. We usually see the cute as merely diminutive, harmless, and helpless. May challenges this prevailing perspective, investigating everything from Mickey Mouse to Kim Jong-il to argue that cuteness is not restricted to such sweet qualities but also beguiles us by transforming or distorting them into something of playfully indeterminate power, gender, age, morality, and even species. May grapples with cuteness’s dark and unpindownable side—unnerving, artful, knowing, apprehensive—elements that have fascinated since ancient times through mythical figures, especially hybrids like the hermaphrodite and the sphinx. He argues that cuteness is an addictive antidote to today’s pressured expectations of knowing our purpose, being in charge, and appearing predictable, transparent, and sincere. Instead, it frivolously expresses the uncertainty that these norms deny: the ineliminable uncertainty of who we are; of how much we can control and know; of who, in our relations with others, really has power; indeed, of the very value and purpose of power. The Power of Cute delves into a phenomenon that speaks with strange force to our age.Show book
Common People - An Anthology of...
Kit de Waal
Common People is the latest campaigning anthology from the publisher of bestsellers The Good Immigrant (70k copies sold to date) and Repeal the 8th.It features original work from some of our best-known writers: Kit De Waal, Malorie Blackman, Lisa McInerney, Cathy Rentzenbrink, Stuart Maconie, Louise Doughty, Damian Barr and Daljit Nagra among others.Kit de Waal’s debut novel, My Name is Leon, was an international bestseller. It won Kerry Group Irish Novel of the Year 2017 and was shortlisted for the Costa First Book Award, the Desmond Elliott Prize and the British Book Awards 2017 Best Debut Book of the Year.Kit is one of the UK’s most prominent voices calling for inclusivity and working-class representation in the arts, and has established a creative writing scholarship at Birkbeck University.Almost half of all authors, writers and translators in the UK come from professional, middle-class backgrounds, compared with just 10 per cent of those from working-class backgrounds. This anthology addresses that pressing imbalance.There will be events across the UK on publication, including all the major literary festivals.For fans of The Good Immigrant, Know Your Place: Essays on the Working Class by the Working Class, Brit(ish) by Afua Hirsch.Show book
The Complete Julius Caesar...
Karpathos publishes the greatest works of history’s greatest authors and collects them all together to make it easy and affordable for readers to have them all at the push of a button. All of our collections include a linked table of contents. The Complete Julius Caesar Collection includes the following: The Gallic Wars The Civil Wars Alexandrian War African War Spanish WarShow book
Harry G. Frankfurt
A #1 NEW YORK TIMES BESTSELLER One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern. We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means to us. In other words, as Harry Frankfurt writes, "we have no theory." Frankfurt, one of the world's most influential moral philosophers, attempts to build such a theory here. With his characteristic combination of philosophical acuity, psychological insight, and wry humor, Frankfurt proceeds by exploring how bullshit and the related concept of humbug are distinct from lying. He argues that bullshitters misrepresent themselves to their audience not as liars do, that is, by deliberately making false claims about what is true. In fact, bullshit need not be untrue at all. Rather, bullshitters seek to convey a certain impression of themselves without being concerned about whether anything at all is true. They quietly change the rules governing their end of the conversation so that claims about truth and falsity are irrelevant. Frankfurt concludes that although bullshit can take many innocent forms, excessive indulgence in it can eventually undermine the practitioner's capacity to tell the truth in a way that lying does not. Liars at least acknowledge that it matters what is true. By virtue of this, Frankfurt writes, bullshit is a greater enemy of the truth than lies are.Show book
The Garments of Court and Palace...
A “serious and thoughtful” interpretation of Machiavelli’s life and thought—and its relevance today—from the acclaimed author of Terror and Consent (The Times, London). Constitutional scholar Philip Bobbitt turns his expert attention to the life and work of Niccolo Machiavelli, the sixteenth century political philosopher whose classic text The Prince remains one of the most important and controversial works of political theory ever written. In The Garments of Court and Palace, Bobitt argues that the perception of Machiavelli’s Prince as a ruthless, immoral tyrant stems from mistranslations, political agendas, and readers who overlooked the philosopher’s earlier work, Discourses on Livy. He explains that Machiavelli was instead advocating for rulers to distinguish between their personal ethos and state governance. Rather than a “mirror book” advising rulers, The Prince prophesied the end of the feudal era and the birth of the neoclassical state. Using both Renaissance examples and cases drawn from the current era, Bobbitt shows Machiavelli’s work is both profoundly moral and inherently constitutional, a turning point in our understanding of the relation between war, law, and the state.Show book