Other books that might interest you

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  Expressway

  Sina Queyras

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  Shortlisted for the Governor General's Award for Poetry
   
  This poem resembles urban sprawl. This poem resembles the freedom to charge a fee. The fee occurs in the gaps. It is an event. It is not without precedent. It is a moment in which you pay money. It is a tribute to freedom of choice.
   
  Reality is a parking lot in Qatar. Reality is an airstrip in Malawi.
   
  Meanwhile the expressway encloses, the expressway round and around the perimeters like wagon trains circling the bonfire, all of them, guns pointed, Busby Berkeley in the night sky.
   
  Echoing the pastoral and elegiac modes of the Romantic poets, whose reverence for nature never prevented them from addressing it with all the ideas and sensibilities their times allowed, Sina Queyras's stunning collection explores the infrastructures and means of modern mobility. Addressing the human project not so much as something imposed on nature but as an increasingly disturbing activity within it, Expressway exposes the paradox of modern mobility: the more roads and connections we build, the more separate we feel. 'Cleanse the doors of perception,' Blake urged, and with that in mind, Queyras has written a bravely lyrical critique of our ethical and ecological imprint, a legacy easily blamed on corporations and commerce, but one we've allowed, through our tacit acquiescence, to overwhelm us. Every brush stroke, every bolt and nut, every form and curve in our networks of oil and rubber, every thought and its material outcome – each decision can make or unmake us.
   
  'The works in Expressway are all so tightly wound, hyper-distilled and stressed ... This is poetry for the apocalypse.'
   
  —Broken Pencil
   
  'As a poet, Queyras is secretly romantic, writing with lyricism and a voice that's unafraid of sentiment or emotion ... Queyras' words spark like pickaxes on old asphalt.'
   
  — Eye Weekly
   
  'Queyras show[s] what poetry can do when it simultaneously maps roadways of transportation and lines of human thought.'
   
  —Spacing
   
  'Eclectic engagements characterize Queyras’s work, but any suggestion of characterization of her work immediately brings a morphing to something new, intelligent, and provocative ... Sina Queyras is a poet to read and reckon with.'
   
  —Lambda Literary Review

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  Antigone (NHB Modern Plays)

  Sophocles Sophocles

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  A muscular version of Sophocles' timeless masterpiece, offering a profound reflection on the nature of power, democracy and human rights.
  The war has ended, but with peace comes conflict. Antigone's brother Polyneices lies on the battlefield where he fell, his burial outlawed by Creon, the new king of Thebes. Should Antigone obey Creon, or must she follow her conscience and lay her beloved brother to rest?
  'Urgent... Barely contained physical aggression... brilliantly immediate' Guardian

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  The Poetry of May

  John Milton, Gerard Manley...

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  MAY - the fifth month of the year in the Gregorian calendar and popular for May day and Workers Rights celebrations.   For our poets including Milton, Hopkins, Von Goethe, Wordsworth and Longfellow much else is on their minds and its, of course, its beautifully put. Among our readers are Richard Mitchley and Ghizela Rowe. The tracks are; May - An Introduction; Ode Composed On A May Morning By William Wordsworth; Song On May Morning By John Milton; A Light Exists In Spring By Emily Dickinson; May 1917 By John Jay Thompson; May 1918 By John Jay Chapman; May By Sara Teasdale; In May By William Henry Davies;  May Magnificat By Gerald Manley Hopkins; A Calendar Of Sonnets - May By Helen Hunt Jackson; May Song By Johann Wolfgang Von Goethe; Over The May Hill By Ella Wheeler Wilcox; It Is Not Always May By Henry Wadsworth Longfellow; The Young May Moon By Thomas Moore; A Spring Poem From Bion By Eugene Field; To A Primrose By Samuel Taylor Coleridge; To The Daisy By William Wordsworth; By My Sweetheart By Eugene Field; A Nuptial Verse To Mistress Elizabeth Lee, Now Lady Tracy By Robert Herrick; Sympathy By Emily Jane Bronte; May Night By Sara Teasdale; Where Go The Boats By Robert Louis Stevenson; On The Sea By Keats; The Rao Of Ilore by Laurence Hope; Sonnet To Lake Leman By Byron; All Is Well By Henry Scott Holland; The Bride By Laurence Hope; The Gardener By Rabindranath Tagore; Constantinople By Lady Mary Wortley Montagu; Late Spring By Henry Van Dyke; The School Boy By William Blake; Roots And Leaves Themselves Alone By Walt Whitman; The Oak By Alfred Lord Tennyson.

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  The Poetry of James Weldon Johnson

  James Weldon Johnson

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  James Weldon Johnson was born in Jacksonville, Florida on June 17th 1871.  His mother, Helen, a musician and a public school teacher initially home-schooled him giving him a love of both English literature and European music.  
   
  At 16 his education moved to Atlanta University and he graduated with a degree in 1894.   
   
  In 1904 Johnson helped in Theodore Roosevelt's presidential bid.  On winning Roosevelt appointed him as US consul at Puerto Cabello, Venezuela in 1906 and then Nicaragua from 1909.  
   
  Johnson worked for the NAACP from 1916 as a field secretary, organizing local chapters.  To counter race riots and lynching’s he organized mass demonstrations, such as a silent protest parade of over ten thousand African Americans down New York’s Fifth Avenue in July 1917.  
   
  In 1920 Johnson was elected to manage the NAACP, the first African American to hold this position.  That same year he was dispatched to monitor conditions in Haiti and described in The Nation the brutal occupation and also offered remedies. During the 1920’s he was one of the major inspirations of the Harlem Renaissance 
   
  In the midst of all this he continued to write novels, poems, and folklore. In 1917, he saw published ‘50 Years and Other Poems’.  In 1922, he edited ‘The Book of American Negro Poetry’, which the Academy of American Poets calls "a major contribution to the history of African-American literature." In 1927 followed ‘God's Trombones: Seven Negro Sermons in Verse’.  
   
  One of the first African-American professors at NYU he was also, later, a professor of creative literature and writing at Fisk University. His career spanned several elements; education, the diplomatic corps, civil rights activism, literature, poetry, and music.  
   
  James Weldon Johnson died on June 26th, 1938 whilst vacationing in Wiscasset, Maine when his car was hit by a train.

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  A Midsummer Night's Dream

  William Shakespeare

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  An abbreviated version of Shakespeare's comedy featuring the clowns and the fairies, without most of the love stories. Run amok with the rustics, as played by CART's finest.  Starring: Joseph Marcell as Oberon, Samantha Eggar as Titania, William Windom as Bottom, Ian Abercrombie as Thesius, Elliott Reid as Quince, Marvin Kaplan as Startling, Parley Baer as Stout, Marty Maguire as Puck, Richard Erdman as Flute, Bairbre Dowling as First Fairy, Kathleen Freeman as Hippolita, John Bliss as Snug, Paul Keith as Pholestrota, with Host Jeanette Nolan, and CART's Announcer John Harlan.Adapted, produced, and directed by Peggy Webber.

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  Your Heart My Soul - Piece by Piece

  Claudine (Dean) Donaldson

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  This book will be different, but unique. 
  For my poetry is real and somewhat sheik. 
  They’re all short stories about my past. 
  Family, loved ones, and dreams that couldn’t last. 
    
  Freedom of speech {so called} I am blunt. 
  I can write about anything and everything I want. 
  Fighting for life, children, and my rights has been a hassle. 
  Throughout my life it’s been a long battle. 
    
  Reading these poems are pieces of me. 
  Funny, sad, about love, and eternity. 
  Opening to others is new for me as well. 
  Hopefully, guide, or give you relief, time will tell. 
    
  Thank you to those who gave me the chance. 
  Thanks to my Family and Kids for the influence. 
  Thanks to my Husband for dealing with my crap. 
  Thanks to God for getting me out of those traps. 
  - Claudine Donaldson

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