Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Paradise Regained - cover

Paradise Regained

John John

Publisher: Dead Dodo Classic Press

  • 0
  • 0
  • 0

Summary

Paradise Regained is a poem by English poet John Milton, first published in 1671 by John Macock. The volume in which it appeared also contained the poet's closet drama Samson Agonistes. Paradise Regained is connected by name to his earlier and more famous epic poem Paradise Lost, with which it shares similar theological themes; indeed, its title, its use of blank verse, and its progression through Christian history recall the earlier work. However, this effort deals primarily with the temptation of Christ as recounted in the Gospel of Luke.
 
An interesting anecdote recounted by a Quaker named Thomas Ellwood provides some insight into Paradise Regained‍ '​s development. After studying Latin with Milton and reading the poet's epic Paradise Lost, Ellwood remarked, "Thou hast said much here of Paradise lost, but what hast thou to say of Paradise found?" Hearing this, Milton at first "sat some time in a muse" before changing the subject; however, later on he showed to Ellwood a new manuscript entitled Paradise Regained. Some maintain that although he seemed to express gratitude to Ellwood in a letter, Milton in truth "passed on a friendly if impish fabrication" that made Ellwood feel like the inspiration for the poem. Milton composed Paradise Regained at his cottage in Chalfont St Giles in Buckinghamshire. The poem is four books long, in contrast with Paradise Lost‍ '​s twelve. As such, Barbara K. Lewalski has labelled the work a "brief epic."
 
Whereas Paradise Lost is ornate in style and decorative in its verse, Paradise Regained is carried out in a fairly plain style. Specifically, Milton reduces his use of simile and deploys a simpler syntax in Paradise Regained than he does in Paradise Lost, and this is consistent with Jesus's sublime plainness in his life and teachings (in the epic, he prefers Hebrew psalms to Greek poetry). Modern editors believe the stylistics of Paradise Regained evince Milton's poetic maturity. No longer is the poet out to dazzle his readers with bombastic verse and lengthy epic similes. This is not to say that the poem bears no affinities with Milton's earlier work, but scholars continue to agree with Northrop Frye's suggestion that Paradise Regained is "practically sui generis" in its poetic execution.
 
One major concept emphasized throughout Paradise Regained is the idea of reversals. As implied by its title, Milton sets out to reverse the "loss" of Paradise. Thus, antonyms are often found next to each other, reinforcing the idea that everything that was lost in the first epic will be regained by the end of this "brief epic." Additionally, the work focuses on the idea of "hunger", both in a literal and in a spiritual sense. After wandering in the wilderness for forty days, Jesus is starving for food. Satan, too blind to see any non-literal meanings of the term, offers Christ food and various other temptations, but Jesus continually denies him. Although Milton's Jesus is remarkably human, an exclusive focus on this dimension of his character obscures the divine stakes of Jesus’s confrontation with Satan; Jesus emerges victorious, and Satan falls, amazed.
Available since: 10/08/2015.

Other books that might interest you

  • Rubber Houses - Love and Loss Grief and Recovery - Easy Has its Season Each is Part of the Game - cover

    Rubber Houses - Love and Loss...

    Ellen Yeomans

    • 0
    • 1
    • 0
    Kit is a typical teenage girl happily engaged in school and family life. She and her younger brother, Buddy, are deeply bonded. Despite their age difference, they're connected by a love of baseball and math. Then Kit learns that Buddy has been diagnosed with cancer.
    The poems that follow capture both devastating loss and the beginnings of recovery in spare, lyrical verse that throbs with raw emotional power.
    
    ©2007 Ellen Yeomans; (P)2009 Full Cast Audio
    Show book
  • Princess & The Hustler (NHB Modern Plays) - cover

    Princess & The Hustler (NHB...

    Chinonyerem Odimba

    • 0
    • 0
    • 0
    Meet Princess. A cheeky 10 year old, with a plan to win the Weston-Super-Mare Beauty Contest. Trouble is, her mum is busy working several jobs, her brother, a budding photographer, won't even take her picture and then... The Hustler returns.
    In 1963 Bristol, as Black British Civil Rights campaigners walk onto the streets, Princess finds out what it really means to be black and beautiful.
    Chinonyerem Odimba's play Princess & The Hustler premiered on a UK tour in February 2019.
    Show book
  • Sex with a Stranger (NHB Modern Plays) - cover

    Sex with a Stranger (NHB Modern...

    Stefan Golaszewski

    • 0
    • 0
    • 0
    Bleak, funny and excruciatingly accurate, Sex with a Stranger examines what it is to be in your twenties, lonely, hollow and uncertain.
    Adam meets Grace in a club. They go back to hers. Earlier that day, his girlfriend watches as he prepares for his big night out.
    'A dazzling achievement' - Independent
    'Wonderfully frank, true and tender.... extraordinarily touching' - Telegraph
    'Skilfully constructed, painful-to-watch but very funny... a talent on the move' - Whatsonstage.com
    Show book
  • Brontë (NHB Modern Plays) - cover

    Brontë (NHB Modern Plays)

    Polly Teale

    • 0
    • 0
    • 0
    A compelling literary detective story about the turbulent lives of the Bronte sisters - dramatised by Polly Teale and Shared Experience, the team behind After Mrs Rochester and Jane Eyre.
    In 1845, Branwell Bronte returns home in disgrace, plagued by his addictions. As he descends into alcoholism and insanity, bringing chaos to the household, his sisters write...
    Polly Teale's extraordinary play evokes the real and imagined worlds of the Brontes, as their fictional characters come to haunt their creators.
    Bronte was produced by award-winning theatre company Shared Experience in 2010, in a co-production with the Watermill Theatre, Newbury, directed by Nancy Meckler.
    Shared Experience are acclaimed the world over for their powerful, visually-charged productions.
    'Breathtaking... a rare feat of theatrical imagining' - Evening Standard
    'Ambitious, intelligent and absorbing' - Financial Times
    'Soars on the wings of imagination' - Daily Telegraph
    'Riveting... a tantalising glimpse through the window of a uniquely haunted family home' - The Times
    Show book
  • Table Manners - cover

    Table Manners

    Alan Ayckbourn

    • 0
    • 0
    • 0
    England’s famous seducer of other men’s wives lays siege to his sister-in-law in the first “battle” of Ayckbourn’s celebrated trilogy The Norman Conquests. In Table Manners, the action occurs in the dining room of Mother’s house, where a conventional middle-class family is attempting to have a pleasant country weekend. But they are no match for Norman, the bane of the family, who horrifies everyone by doing exactly as he likes.An L.A. Theatre Works full-cast performance featuring:Rosalind Ayres as SarahKenneth Danziger as RegMartin Jarvis as NormanJane Leeves as AnnieChristopher Neame as TomCarolyn Seymour as Ruth.
    Show book
  • Primers Volume Four - cover

    Primers Volume Four

    Lewis Buxton, Amelia Loulli,...

    • 0
    • 0
    • 0
    In 2018, the Poetry School and Nine Arches Press launched their nationwide Primers scheme for a fourth time, in search of exciting new voices in poetry, with Kim Moore and Jane Commane as selecting editors. After reading through hundreds of anonymous entries, and narrowing down the choices from longlist to shortlist, three poets emerged as clear choices: Lewis Buxton, Amelia Loulli and Victoria Richards.
    Primers: Volume Four now collects together a showcase from each of the three new poets It is an irresistible invitation to step out of ourselves and our bodies and drop your expectations on the dancefloor, to take the plunge on the rollercoaster-ride of grief, motherhood and new life, and to meet desire in all its outrageous, dazzling and joyous forms. Secrets, disclosures, changed names and brilliant disguises make for a vivid, adventurous and often deeply moving selection of new work from some of poetry's most talented emerging voices.
    Praise for Primers: Volume Four
    "All three poets are rooted in the territory of the body and the expectations placed on it by society though their concerns range widely – from an examination of toxic masculinity to female desire and motherhood. Their approach to language and form is varied, but what is consistent is their ability as poets to invite the reader to see the world in a different way." – Kim Moore
    Show book