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Bach's traditional carol for Beginner Piano A SilverTonalities Arrangement! Easy Note Style Sheet Music Letter Names of Notes embedded in each Notehead!
Since his death 100 years ago, Cézanne has become the most famous painter of the nineteenth century. He was born in Aix-en-Provence in 1839 and the happiest period of his life was his early youth in Provence, in company with Emile Zolá, another Italian. Following Zolá’s example, Cézanne went to Paris in his twenty-first year.
During the Franco-Prussian war he deserted the military, dividing his time between open-air painting and the studio. He said to Vollard, an art dealer, “I’m only a painter. Parisian wit gives me a pain. Painting nudes on the banks of the Arc [a river near Aix] is all I could ask for.” Encouraged by Renoir, one of the first to appreciate him, he exhibited with the impressionists in 1874 and in 1877. He was received with derision, which deeply hurt him.
Cézanne’s ambition, in his own words, was “to make out of Impressionism something as solid and durable as the paintings of the museums.” His aim was to achieve the monumental in a modern language of glowing, vibrating tones. Cézanne wanted to retain the natural colour of an object and to harmonise it with the various influences of light and shade trying to destroy it; to work out a scale of tones expressing the mass and character of the form.
Cézanne loved to paint fruit because it afforded him obedient models and he was a slow worker. He did not intend to simply copy an apple. He kept the dominant colour and the character of the fruit, but heightened the emotional appeal of the form by a scheme of rich and concordant tones. In his paintings of still-life he is a master. His fruit and vegetable compositions are truly dramatic; they have the weight, the nobility, the style of immortal forms. No other painter ever brought to a red apple a conviction so heated, sympathy so genuinely spiritual, or an observation so protracted. No other painter of equal ability ever reserved for still-life his strongest impulses. Cézanne restored to painting the pre-eminence of knowledge, the most essential quality to all creative effort.
The death of his father in 1886 made him a rich man, but he made no change in his abstemious mode of living. Soon afterwards, Cézanne retired permanently to his estate in Provence. He was probably the loneliest of painters of his day. At times a curious melancholy attacked him, a black hopelessness. He grew more savage and exacting, destroying canvases, throwing them out of his studio into the trees, abandoning them in the fields, and giving them to his son to cut into puzzles, or to the people of Aix.
At the beginning of the century, when Vollard arrived in Provence with intentions of buying on speculation all the Cézannes he could get hold of, the peasantry, hearing that a fool from Paris was actually handing out money for old linen, produced from barns a considerable number of still-lifes and landscapes. The old master of Aix was overcome with joy, but recognition came too late. In 1906 he died from a fever contracted while painting in a downpour of rain.
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Rahm Emanuel has served as a top adviser to Presidents Clinton and Obama, a three-term congressman from Illinois and a two-term mayor of Chicago. But in his new book, “The Nation City,” the longtime Democrat argues that mayors are today’s most effective U.S. government officials. Emanuel sits down with Judy Woodruff to discuss that idea as well as his fears about "reckless" progressives in 2020.Show book
Austin is a distinguished Bostonian with a WASP pedigree, an unbeatable squash game, and a frightening secret. After he meets up with his old flame Ruth, they begin a comic and painful voyage of self-discovery.Directed by Robert RobinsonProducing Director: Susan Albert LoewenbergAn L.A. Theatre Works full-cast recording starring:Valorie Armstrong as The Other WomenDavid Dukes as AustinJudith Ivey as RuthDavid Hyde-Pierce as The Other MenRadio Production: Raymond GuarnaStage Manager and Sound Effects Artist: Amy StrongAssistant Stage Manager: David SperoShow book
The story of New England's own Mary Cassatt Revolutionary artist Mary Rogers Williams (1857—1907), a baker's daughter from Hartford, Connecticut, biked and hiked from the Arctic Circle to Naples, exhibited from Paris to Indianapolis, trained at the Art Students League, chafed against art world rules that favored men, wrote thousands of pages about her travels and work, taught at Smith College for nearly two decades, but sadly ended up almost totally obscure. The book reproduces her unpublished artworks that capture pensive gowned women, Norwegian slopes reflected in icy waters, saw-tooth rooflines on French chateaus, and incense hazes in Italian chapels, and it offers a vivid portrayal of an adventurer, defying her era's expectations.Show book
"Michael Adams's book is great fun! No one intends to make a truly bad movie, but when they do, Michael Adams will be there to watch it...and make it entertaining!" —John Landis, director of Trading Places and The Blues Brothers In Showgirls, Teen Wolves, and Astro Zombies, film critic Michael Adams embarks on a year-long odyssey to discover the worst movie ever made, which Mystery Science Theater 3000 star, writer, and director Kevin Murphy calls "disturbingly comprehensive, joyously critical, and the best of its kind." From all-time cult classics such as Reefer Madness and Plan 9 from Outer Space to new entries to the pantheon such as Gigli and Baby Geniuses, no genre, star, or director is safe from Adams’s acerbic wit and hilarious observations. In the vein of A.J. Jacobs’s New York Times bestselling book The Know-It-All, and with the snarky sarcasm of television’s Mystery Science Theater 3000 and The Soup, Showgirls, Teen Wolves, and Astro Zombies leaves no stone unturned. With a foreword by cult director George A. Romero (Night of the Living Dead and Dawn of the Dead).Show book
OASIS AUDIO CLASSIC RADIO SHOWCASE SERIES Oasis Audio has gone into the vaults and dusted off the very earliest form of audio book, old time radio shows, for our listeners. Introduced episode by episode by Jim Engel, old time radio authority and board member of the Museum of Broadcast Communications in Chicago, this series of classic radio shows is sure to have something for everyone. Celebrity casts and top-notch writers made the 1920s through the early 1950s, the golden era of radio. The series features seven exciting themes with 100 episodes in each. That is 700 classic radio programs in all. Greatest Radio Shows New to Old-time Radio? Join Oasis Audio for 100 radio shows from across all genres. Thrill to detective stories and mysteries, Dig your spurs in for some dusty trail western adventures, laugh until you cry with the kings and queens of radio comedy, sit on the edge of your seat for the greatest radio dramas. Be filled with nostalgia as you enjoy this unique collection of 100 of the all-time best radio shows. Volume 5 Frontier Gentleman 1958_10_26 The RainmakerGang Busters 1950s The Case of the 24-Hour TwinsGene Autry’s Melody Ranch 1950s Betty Carson’s Cattle Are PoisonedGrand Central Station 1949_12_2 Miracle for ChristmasThe Great Gildersleeve 1944_04_30 Engaged to Eve GoodwinThe Green Hornet 1946_01_29 Escape for RevengeGunsmoke 1953_05_09 Buffalo HuntThe Halls of Ivy 1950_05_24 Fighting Med StudentHave Gun Will Travel 1959_11_22 Fair FugitiveHopalong Cassidy 1951_03_A Jailer Named SatanShow book
