Antoni Tàpies was born in Barcelona in 1923 and started painting in 1946. Co-founder of the Dau al Set movement, he met Miro in 1948. After being involved in the Surrealist period, Tàpies became interested in philosophy and oriental art, in particular calligraphy. From the time of 1953 onwards, he detached himself from Surrealism and began to work in abstract with raw materials, stains, and symbols. In 1970, his torn and scratched compositions expressed an attitude of protest. His works have been described as “battlefields where wounds are multiplied to infinite numbers”, evoking a true reflection of a broken and anguished world. Tàpies was not a subject painter and his works are not just graffiti, tracings, prints, and glyphs. As if they were metaphysical walls, he liked to say that they were all built from dust, ash, soil, the destruction of catastrophe, cosmic contemplation, and inner meditation. Tàpies desired to express two primary concerns through his art, the first being his homeland, Catalonia, from which he was long distanced, taking refuge in Paris. The second was the human being. This was evoked in his art through the body, and through the everyday objects which surround it. Antoni Tàpies was part of the very exclusive circle of contemporary artists whose lives Spain has honoured by creating museums and institutions in their names (Dali, Miro, Tàpies).
New York Times Bestseller: The moving, entertaining, never-before-told story of how one man found his calling: to see that those who defend this country and its freedoms are never forgotten.
"The book is called Grateful American, and I promise you after you read it you will be grateful for what Gary has accomplished and contributed to our country." -- Clint Eastwood
As a kid in suburban Chicago, Gary Sinise was more interested in sports and rock 'n' roll than reading or schoolwork. But when he impulsively auditioned for a school production of West Side Story, he found his purpose--or so it seemed.
Within a few years Gary and a handful of friends created what became one of the most exciting and important new theater companies in America. From its humble beginnings in a suburban Chicago church basement and eventual move into the city, the Steppenwolf Theatre Company launched a series of groundbreaking productions, igniting Gary's career along with those of John Malkovich, Joan Allen, Gary Cole, Laurie Metcalf, Jeff Perry, John Mahoney, and others. Television and film came calling soon after, and Gary starred in Of Mice and Men (which he also directed) and The Stand before taking the role that would change his life in unforeseeable ways: Lieutenant Dan in the Academy Award–winning Forrest Gump.
The military community's embrace of the character of the disabled veteran was matched only by the depth of Gary's realization that America's defenders had not received all the honor, respect, and gratitude their sacrifices deserve. In the aftermath of the September 11 attacks, this became Gary's mission. While starring in hits like Apollo 13, Ransom, Truman, George Wallace, CSI:NY, and Criminal Minds: Beyond Borders, Gary has worked tirelessly on behalf of those who serve this country, entertaining more than a half million troops around the world playing bass guitar with his Lt. Dan Band, raising funds on behalf of veterans, and eventually founding the Gary Sinise Foundation with a mission to serve and honor America's defenders, veterans, first responders, their families, and those in need.
Grateful American is the moving, entertaining, profoundly gripping story of how one man found his calling: to see that those who defend this country and its freedoms are never forgotten.
An American soldier presumed killed in Iraq returns home ten years after disappearing. This is the premise of the award-winning and highly addictive Homeland. Known for its heart-pumping plot and phenomenal acting, Homeland has garnered multiple Emmys, fabulous reviews, and legions of devoted fans. This richly visual book unpacks the complex show, delving into favorite characters, conspiracy theories, and behind-the-scenes detail, while also exploring how real covert operations inspire and inform the show. Hundreds of photos capturing the intense onscreen action complement veteran writer Matt Hurwitz's narrative as he weaves in and out of the past three seasons using interviews with the creators, cast, and crew. An engrossing read in a deluxe hardcover package, Homeland Revealed is the ultimate gift for any fan of the series.
In Dining with Madmen: Fat, Food, and the Environment in 1980s Horror, author Thomas Fahy explores America’s preoccupation with body weight, processed foods, and pollution through the lens of horror. Conspicuous consumption may have communicated success in the eighties, but only if it did not become visible on the body. American society had come to view fatness as a horrifying transformation—it exposed the potential harm of junk food, gave life to the promises of workout and diet culture, and represented the country’s worst consumer impulses, inviting questions about the personal and environmental consequences of excess.While changing into a vampire or a zombie often represented widespread fears about addiction and overeating, it also played into concerns about pollution. Ozone depletion, acid rain, and toxic waste already demonstrated the irrevocable harm being done to the planet. The horror genre—from A Nightmare on Elm Street to American Psycho—responded by presenting this damage as an urgent problem, and, through the sudden violence of killers, vampires, and zombies, it depicted the consequences of inaction as terrifying.Whether through Hannibal Lecter’s cannibalism, a vampire’s thirst for blood in The Queen of the Damned and The Lost Boys, or an overwhelming number of zombies in George Romero’s Day of the Dead, 1980s horror uses out-of-control hunger to capture deep-seated concerns about the physical and material consequences of unchecked consumption. Its presentation of American appetites resonated powerfully for audiences preoccupied with body size, food choices, and pollution. And its use of bodily change, alongside the bloodlust of killers and the desolate landscapes of apocalyptic fiction, demanded a recognition of the potentially horrifying impact of consumerism on nature, society, and the self.
The Early Years is the authentic and compelling story of Pink Floyd, the group that gave alternative London its first real soundtrack and launched on the rock world a radical combination of music, light shows and pyrotechnic stage effects.
Author Barry Miles saw the band play when they were still called The Pink Floyd Sound and he wrote the first ever article about them for a New York underground newspaper in 1966. He knew band members socially, witnessed the rapid decline of Syd Barrett and became actively involved in setting up some of Floyd’s major gigs.
Barry Miles is an acclaimed music writer and expert on 'Beat' poetry and poets. A founder of the Indica bookshop and gallery in the Sixties, he went on to launch International Times and write for NME. He ghost-wrote Many Years From Now, Paul McCartney's autobiography and has written books on The Beatles, The Rolling Stones and Frank Zappa.
The parish church is a symbol of continuity, a cornerstone of the urban and rural landscape, and a treasure trove often as rich in cultural history as any museum. This compact and accessible guide explores all of these aspects of the parish church, beginning by examining why churches are built where they are, and going on to explain how both church buildings and churchyards have changed over time. It also describes their fixtures and furnishings, including fonts, screens, stained glass and monuments, explaining the ritual and symbolic purpose of these features and how their significance has shifted over time. Lavishly illustrated with colour photographs, this book will provide an indispensable primer for anyone who is curious about the nation's parish churches and wants to explore them further.
Long thought of as the neglected stepchild of painting, the art of drawing has recently begun to enjoy a place in the sun. With major museums around the world, from the Met to the Uffizi, mounting exhibitions focused on the art of draughtsmanship, drawing is receiving more critical and academic attention than ever before. This captivating text gives readers a sweeping analysis of the history of drawing, from Renaissance greats like Leonardo da Vinci and Michelangelo, to Modernist masters like M.C. Escher, Pablo Picasso, and everyone in between.
24symbols is a digital reading service without limits. In exchange for a small monthly fee you can download and read all of the books offered in our catalogue on any device (mobile, tablet, e-reader with web navigator or PC). Our catalogue includes more than 1 million books in several languages. This subscription can be terminated at any time in the section "Subscription".
24symbols’ service is managed by Bestsharer S.L. If you have any questions, you can consult our Terms and Conditions, our online help, contact us at [email protected], [email protected] or through our telephone hotline at (+44) 02034995037 Mo-Fr 09:00 am - 5:00 pm. If you subscribed through your mobile operator and you no longer want to continue with your subscription, we will miss you but you can directly cancel your subscription here or sending an SMS.