Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Pocket Posh 100 Classic Poems - cover

We are sorry! The publisher (or author) gave us the instruction to take down this book from our catalog. But please don't worry, you still have more than 500,000 other books you can enjoy!

Pocket Posh 100 Classic Poems

Jennifer Fox

Publisher: Andrews McMeel Publishing, LLC

  • 0
  • 0
  • 0

Summary

Discover how a little poetry can lift your spirits and inspire your life, with selections from Yeats, Byron, Poe, Dickinson, and other greats. 
 
Including William Blake’s “The Tyger,” Emily Dickinson’s “Hope Is the Thing with Feathers,” William Wordsworth’s “The World Is Too Much with Us,” John Keats’s “A Thing of Beauty” (from “Endymion”), and ninety-six more, this collection of classic poems allows you to spend a few moments each day with timeless verses. 
 
Escape the noise and experience a taste of Walt Whitman, Alfred Tennyson, Henry Wadsworth Longfellow, William Butler Yeats, Emily Bronte, Amy Lowell, Christina Rossetti, Ralph Waldo Emerson, Elizabeth Barrett Browning, Edgar Allan Poe, Sara Teasdale, Lord Byron, and many more.
Available since: 10/09/2012.
Print length: 128 pages.

Other books that might interest you

  • Monster - Poems - cover

    Monster - Poems

    Robin Morgan

    • 0
    • 0
    • 0
    The debut poetry collection from one of feminism’s most passionate voices, with a new preface by the author Well before Robin Morgan was known as a feminist leader, literary magazines published her as a serious poet, and in 1979 she received a National Endowment for the Arts Creative Writing Fellowship in poetry. Monster, her first collection, originally published in 1972, contains work that will astonish, disorient, and move readers in powerful ways. But Monster is more than just a book; it has become a phenomenon. Written at a time of political turmoil during the birth of contemporary feminism, the title poem was adopted by women as the anthem of the women’s movement; it was chanted at demonstrations and some of its lines became slogans. “Arraignment” stirred an international controversy over Ted Hughes’s influence on Sylvia Plath’s suicide—complete with lawsuits, the banning of this book, and the publication of underground, pirated feminist editions, all of which Morgan reveals in her new preface. From her well-wrought poems in classical forms to the searing energy and poignant lyricism of the longer, later ones, Morgan’s work when it was first released spoke to women hungry for validation of their own reality—and the book sold thirty thousand copies in hardcover alone in its first six months, which was unheard of for poetry.      Available now for the first time in years, Monster is an intense, propulsive journey deep into the heart of one of feminism’s greatest heroes.
    Show book
  • Muses and Rhymes - 1968-1975 - cover

    Muses and Rhymes - 1968-1975

    Dr. Mansur Hasib

    • 0
    • 0
    • 0
    Your entire family can enjoy listening to this preserved collection of my writings from 1968-1975, from 7th grade to just after high school. Some are poems, some songs, some just thoughts with a rhythmic pattern. I believe these early writings helped me to develop an appreciation for the beauty and inspirational power of the English language and positively impacted my later books and writings. While revisiting these, I observed my use of liberal literary license and an active imagination. As I traversed through these pieces, after four decades, I noticed progressive improvement in my writing as I grew up and continued to learn, play, and experiment with the English language. In order for you to observe this transition, I have presented the pieces in chronological order. The original work remains preserved, either in my own handwriting, or in the imperfect typeface of a very old ribbon typewriter. Despite factual inaccuracies in some pieces, I minimized editing to preserve the integrity of the original writing. I now make a living teaching, speaking, writing, voice acting and coaching others to achieve success through leadership and personal branding. I bring a unique interdisciplinary perspective to any conference and my quotes, interviews, and citations appear in countless media and professional publications. 
    Twitter @mhasib 
    LinkedIn: www.linkedin.com/in/mansurhasib. 
    Subscribe to YouTube Channel: https://www.youtube.com/channel/UCQaz6Ck4KmujJVABV_J37EQ. 
    To invite me to speak, do book signings, or to order signed paperbacks for shipment within USA visit: https://www.cybersecurityleadership.com/buy.html
    Show book
  • No Sweet Without Brine - Poems - cover

    No Sweet Without Brine - Poems

    Cynthia Manick

    • 0
    • 0
    • 0
    Cynthia Manick’s poetry collection personifies love of self and culture through fresh observations and bitter truths voiced with breathtaking lyricism. 
    No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba’s dulcet tones on a meditation app and the satisfaction of half-priced Entenmann’s poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy. The sour taps into an analysis of reclusiveness, silencing catcalls from men on the street, and detailed recipes and advice to the Black girls forced to endow themselves with armor against the world. 
    Cynthia Manick’s latest is a playlist of everyday life, introverted thoughts, familial bonds, and social commentary. In piercing language, she traces the circle of life for a narrator who dares to exist between youthful remembrances and adulthood realities. Each poem in No Sweet Without Brine is a reminder that a hint of sorrow makes the celebration and recognition of the glory of Blackness in all ways, and through all people, that much sweeter. 
    Supplemental enhancement PDF accompanies the audiobook.
    Show book
  • That Looks On Tempests - Thoughts on the nature of love - cover

    That Looks On Tempests -...

    Barbie Robinson

    • 0
    • 0
    • 0
    "People, places and paradoxes. Barbie Robinson’s third book of poetry contains a playfulness to delight the reader along with sudden insights into the nature of relationships." - Sara Dowse, author of As the Lonely Fly and West Block 
    Barbie Robinson is a Canberra Australia-based arts advocate, artist and poet whose practice encompasses writing, photography, 
    design, event management, radio presentation/production and arts marketing. 
    That Looks on Tempests - Thoughts on the nature of love is her third solo book of poetry and the first to be published by For Pity Sake. The work is highly personal, created as part of Barbie’s ‘Gratitude Project’ after a life-saving stem cell transplant. 
    This audiobook is read by the author and was recorded and produced in Australia. Running time: 46 minutes 30 seconds.
    Show book
  • Cyclone - cover

    Cyclone

    Robert Peake

    • 0
    • 0
    • 0
    Robert Peake's second full collection of poems is about weathering storms—personal, political, psychological—in our present-day climate of chaos. These are matters of life or death, and Cyclone urges us to consider what the ill wind may bring, and how we will survive it.
    Peake's acutely tuned poems bring eloquence and urgency to matters of profound devastation. With shattering delicacy, he writes of personal loss, of grief and the long aftermath; "whenever the wind sprays into my face, I taste salt of your absence".
    These poems also hazard an eye at the global weather and find a world in turmoil, wild with unreliable news and terrible forecasts. Manifesting between the storms is the man with the kindest face. Is he here to save us or warn us? A guide or a harbinger? As these brilliantly-visioned poems suggest, nothing is certain in the eye of the storm. Nevertheless, there is some form of consolation and rescue: "He seems at home in this tempest. He seems happy".
    Show book
  • Whispered - cover

    Whispered

    Jarema Sikorski

    • 0
    • 0
    • 0
    Somewhere at the edge of reality and dreams, a man meets a woman. Both are young, innocent, in a way untouched by the world. What unfolds is a love story not so much written but painted with words and framed by music. Each leads to the last line that is always spoken by the woman in a whisper, the scene a pretext almost for that line to exist. The story has a depth of feeling and tenderness typical of love, and is infused with an illusive mood. It all seems distant, dreamlike, and improbable. And may raise the question: Has it ever happened?  In a sense, the answer is in the text. But perhaps that only takes us further into the unknown.Music weaves with the text, deepens the mood and transfers the whole further into the world of fantasy and dreams. As if the music is filled with its own poeticness. Sometimes it makes up only the mysterious background. At other times it emphasises and accentuates the fragments of imagery. The music, the lyrics, the recitation and the voice itself unite in inconceivable intimacy and create the enchanted space which draws and charms and hypnotizes.
    Show book