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  The Unruly Life of Woody Allen

  Marion Meade

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  “A psychologically nuanced, tough-minded portrait” of the New York filmmaker and his relationships with Mia Farrow and Soon-Yi Previn (Publishers Weekly). Writer, director, actor, humorist. Woody Allen stands as one of our era’s most celebrated artists. Starting in the 1950s, Allen began crafting a larger‑than‑life neurotic persona that has since entertained and enlightened millions. In his films, widely thought to be autobiographical explorations of his own comic fears and fixations, Allen carefully controlled the public’s view of him as a lovable scamp. But that all came crashing down the day Mia Farrow found a Polaroid on her mantle. What followed was a flurry of sensational headlines and legal battles. His relationship with Soon‑Yi Previn, thirty-four years his junior and the step‑daughter of his longtime girlfriend, caused shockwaves in the public’s perception of the director, yet few biographers and journalists have explored what happened and why. In this, the first deep investigation of Allen’s life and the events surrounding his split with Farrow, biographer Marion Meade tracks down dozens of friends, actors, neighbors, and film historians. They open up with insights and details rare in the world of wealth and celebrity. What results is a fascinating portrait of a flawed genius, as adept at constructing his own image as he is at crafting films. Rereleased and updated, this is an unauthorized biography that neither Woody Allen’s fans nor his detractors will be able to put down. The revised and updated edition was reviewed in the Wall Street Journal in 2013 by Carl Rollyson, in a roundup of the five best Hollywood biographies.

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  We've Been Thinking

  Jeff Foxworthy, Larry the Cable Guy

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  Grammy-nominated comedians Jeff Foxworthy and Larry the Cable Guy bring their distinctive brand of humor to a packed crowd in Minneapolis.

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  Director’s Cut - My Life in Film

  Ted Kotcheff

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  From Weekend at Bernie’s to First Blood and Law & Order: SVU, the legendary director recounts his journey and wide-ranging career in this intimate memoir . . . with a foreword by Emmy Award and Golden Globe Award-winning actress Mariska Hargitay
  		 
  Publishers Weekly Starred Review
  		 
  “It is a fascinating, startling thing to look over the films Ted has made and realize that he never met a genre he couldn’t conquer.” — Richard Dreyfuss, Academy Award-winning actor
  		 
  “It is for such insights into the director’s craft that Ted Kotcheff’s digressive, sometimes salty Director’s Cut: My Life in Film is a book to be valued . . . a bounty of no-nonsense homiletics on the duty of the director and regular injections of salacious gossip.” — Film Comment
  		 
  Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.
  		 
  After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors.
  		 
  With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Director’s Cut is not just a memoir, but a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood.

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  Nore Davis: Away Game

  Nore Davis

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  Nore Davis is a fresh young face of comedy, who combines an amazing stage presence with an energetic delivery filled with witty quips and sharp punch lines. Edgy and clean, Nore tells it like it is, speaking to audiences everywhere. From relationships to family, race, and politics, Nore is a comedian for the masses, relating to everyone from teens to the mature adult, delivering original content and leaving no topic untouched.

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  Up from Slavery; an Unfinished...

  Archie Morris III

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  For a period of 85 years, the M Street/Dunbar High School was an academically elite, all-black public high school in Washington, D.C.  As far back as 1899, its students came in first in citywide tests given in both black and white schools.  Over this 85-year span, approximately 80 percent of M Street/Dunbar’s graduates went on to college, even though most Americans, white or black, did not attend college at all. Faculty and students were mutually respectful to one another, and disruptions in the classroom were not tolerated. Yet, in this era of best practices, this public high school, whose founders experienced slavery and segregation firsthand, has received virtually no attention in the literature or in policy considerations for inner-city education.  The purpose of this study is to explore the history of a high school that was successful in teaching black children from families at all income levels to excel and to determine if the learning model employed in the past could be successful in a modern inner-city public education environment.

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  Truman Capote - A Literary Life...

  Tison Pugh

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  The author of Queer Chivalry presents a biographical study of the celebrity writer “rich with insight into [his] literary and cinematic achievements” (Publishers Weekly).   Truman Capote’s legacy is in many ways defined by his complex relationship with Hollywood. In Truman Capote: A Literary Life at the Movies, Tison Pugh explores the author and his literature through a cinematic lens, weaving elements of Capote’s biography—including his flamboyant public persona and his friendships and feuds with notable stars—with critical analysis of the films, screenplays, and adaptations of his works. Capote’s masterful prose made him an iconic twentieth century author, and his screenplays, including Beat the Devil, Indiscretion of an American Wife, and The Innocents, allowed him to collaborate with such Hollywood heavyweights as Humphrey Bogart, John Huston, and David O. Selznick. But the beloved and acclaimed adaptations of his literature, most notably Breakfast at Tiffany’s and In Cold Blood, undercut his daring treatment of homosexuality in favor of heterosexual romance. Pugh demonstrates how Capote’s gay southern identity influenced perceptions of his literature and its adaptations. Illuminating Capote’s successes and disappointments in the film industry, Pugh delivers a revealing and nuanced portrait of the author’s literary life.

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