Other books that might interest you

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  The Irish Detective

  Thomas Kennedy

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  You are in the capital city of Ireland. Like any city there are problems. Your job is to find Irish solutions to Irish problems.Your team includes your beautiful Russian assistant Alice and the dangerous ex-army ranger, called the PMC, who has a slightly scrambled brain. Your customers include gangsters, police, business men, politicians and tailors each with a unique problem.Each chapter is a short story but characters remain and develop as the book progresses.

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  How To Disappear Completely and...

  Fin Kennedy

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  The award-winning play that follows one man's desperate attempts to buck the system, and asks what really makes us who we are in the 21st century.
  When a young executive reaches breaking point and decides to disappear, he pays a visit to a master of the craft in the form of a seafront fortune teller in Southend. Haunted by visitations from a pathologist who swears he is already lying flat out on her slab, he begins a nightmarish journey to the edge of existence that sees him stripped of everything that made him who he was.
  How To Disappear Completely and Never Be Found was first performed at the Crucible Studio, Sheffield, in March 2007. It won the John Whiting Award for New Theatre Writing.
  'an unsettling, dangerous play that makes you want to run away from yourself' Guardian
  'the sort of thrilling new work that completely restores your faith in theatre' Sheffield Star

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  Mike Bartlett Plays: Two (NHB...

  Mike Bartlett

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  Five ambitious and exciting plays by the multi-award-winning playwright, hailed as 'one of the prime movers in a new golden generation of British playwrights' (Independent), and introduced by the author.
  Earthquakes in London (National Theatre & Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. 'The theatrical equivalent of a thrilling roller-coaster ride' (Daily Telegraph)
  Love, Love, Love (Paines Plough & Drum Theatre Plymouth, UK tour, 2010; Royal Court & Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that 'does the clash of generational world views with a devastating precision' (Guardian).
  The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine's Dock, London, 2011), exploring 9/11 and its legacy.
  13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National's largest stage, it confirmed Bartlett's ability to tackle epic themes with supreme assurance: 'His ambition is distinctive and immense' (Evening Standard).
  Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides' tragedy, exploring a woman's private fury at her husband's infidelity, while imprisoned in her marital home. 'A savage play for today, superbly well done' (Mail on Sunday)

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  Chekhov on Theatre

  Anton Chekhov

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  A unique collection of everything that Chekhov wrote about the theatre.
  Chekhov started writing about theatre in newspaper articles and in his own letters even before he began writing plays. Later, he wrote in detail about his own plays to his lifelong friend and mentor Alexei Suvorin, his wife and leading actress, Olga Knipper, and to the two directors of the Moscow Art Theatre, Stanislavsky and Nemirovich-Danchenko.
  Collected for this volume, these writings reveal Chekhov's instinctive curiosity about the way theatre works – and his concerns about how best to realise his own intentions as a playwright. Often peppery, passionate, even distraught, as he feels his plays misinterpreted or undermined, Chekhov comes over in these pages as a true man of the theatre.
  'Chekhov is an acute observer who could easily have made his way as a director or dramaturg judging by his ability to spot strengths and weaknesses in not only his own writing but that of others. This book builds a strong picture of theatrical life in Moscow and St Petersburg just before and at the turn of the last century, with vast amounts of bitching seemingly a commonplace. It can also serve as a tangential autobiography since, through its pages, it is possible to learn much about its subject's life and work.' - British Theatre Guide

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  Flame and Shadow

  Sara Teasdale

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  Praised for the exquisite refinement of her lyric poetry, Sara Teasdale's Flame and Shadow has been a favorite since it was first published in 1920. Although Sara Teasdale won the Pulitzer Prize for her book Love Songs in 1918, Flame and Shadow is considered to be one of her best works. Her insightful poems sing with her reverence for nature and beauty, her philosophy of love and loss. 
  copyright 2021 (P) alenbeebooks 
  AnnaLisa Bodtker is the narrator of the popular audiobooks The Rainbow and the Rose by Edith Nesbit, and With Trumpet and Drum by Eugene Field. 
  Cover Image: Sunset at Tewaukoa National Wildlife Refuge by Al Sapa, U.S. Fish and Wildlife Service.

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  Monica's Overcoat of Flesh

  Geraldine Clarkson

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  This remarkable debut collection from Geraldine Clarksoncontains the uncontainable; wondrous, spellbound and daring poems, happy to roam from South American monasteries to the shorelines of memory. These bold, often witty and always hawk-eyed poems survey matters of faith, tragedy and womanhood.
  Elaborate, skilful and formally audacious, Clarkson is a poet of extraordinary and kaleidoscopic vision; her writing always richly riotous with detail, her poems possessing the singular ability to move from the maelstrom of feeling to the stilled moment with an assured, quick elegance.
  "The speaker of these poems is endlessly morphable and endlessly verbal; she can say anything and beguile us into listening: put our screens down and really listen and come to life again in the garden of her diction, her memory, her weird unassailable vision." – Kathleen Ossip
  "... one of the finest contemporary practitioners of the prose poem. A mind-rattling, heart-shaking debut." – A.B. Jackson

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