Publisher: JH
The King is missing, presumed dead. His warrior son is braced for inheritance but is betrayed by his heart. Phaedra, the tormented Queen, has a terrifying secret that will shake Athens to its core. Based on Euripides' Hippolytus, Racine's Phaedra reveals the devastating potential of love and the brutality of human nature.
Librivox volunteers bring you 11 readings of Harbour Dawn by L. M. Montgomery. This was the fortnightly poem for November 23 - December 7, 2014. - Summary by RachelShow book
LibriVox volunteers bring you 17 recordings of Gifts by James Thomson. This was the weekly poetry project for August 9th, 2009.Show book
Scott's The Bridal of Triermain is a rhymed, romantic, narrative poem which weaves together elements of popular English legend using dramatic themes. This beautiful poem celebrates the exploits of a knight errant - Sir Roland De Vaux - as he seeks to rescue (and hopefully espouse) a beautiful maiden, Gyneth. Gyneth is the illegitimate daughter of King Arthur: doomed by Merlin 500 years previously to an enchanted sleep inside a magic castle. The enchantment can only be broken by a rescuer both brave and noble enough to overcome the temptations used successively to distract and overcome him, namely: fear, wealth, pleasure and pride.(Introduction by Godsend)Show book
A sensitive, delicate and powerful play that asks what our labour is worth and how life can be lived when the system is stacked against you. Tamsin packs boxes in a warehouse, on the clock, to a target, with a zero-hour contract. Her brother Dean is housebound, working to obsessive-compulsive rituals of his own. When Dean is declared fit for work, their benefits are cut. There are phone calls to make, appeals to lodge and endless forms to fill in. Tamsin must pack faster, work harder, and fight to get the support she and her brother so desperately need. Katherine Soper's play Wish List won the 2015 Bruntwood Prize for Playwriting and was co-produced by the Royal Exchange Theatre, Manchester, and the Royal Court Theatre, London. It premiered at the Royal Exchange in September 2016 and the Royal Court in January 2017. 'The play has such eloquence, such quiet craft, such dignity and such compassion' Sir Nicholas HytnerShow book
When Jez Butterworth's Jerusalem premiered at the Royal Court Theatre, London, in 2009, it served notice of an astonishing development in the career of a writer whose debut, Mojo, had premiered on the same stage nearly fifteen years before. Unearthing the mythic roots of contemporary English life, and featuring Mark Rylance in an indelible central performance as Johnny 'Rooster' Byron, the play transferred to the West End and then to Broadway, before returning to the West End in 2011. 'Storming… restores one's faith in the power of theatre' Independent. 'Unarguably one of the best dramas of the twenty-first century' Guardian. Jerusalem was followed by the bewitching chamber play The River (Royal Court, 2012), a 'magnetically eerie, luminously beautiful psychodrama' Time Out. 'A delicately unfolding puzzle… all of it is wrapped in marvellous language… extraordinary' The Times. This volume concludes with the multi-award-winning The Ferryman (Royal Court and West End, 2017; Broadway, 2018), an excavation of lives shattered by violence, set in a farmhouse in Northern Ireland in 1981. 'A richly absorbing and emotionally abundant play… an instant classic' Independent. 'A magnificent play that uses, brilliantly, the vitality of live theatre to express the deadly legacy of violence' Financial Times. Also included here is the screenplay for the short film The Clear Road Ahead (2011), published here for the first time, and an edited transcript of a conversation between Butterworth and the playwright Simon Stephens.Show book
The narrator is in deep sorrow, mourning his lost love and is slowly sinking into despair when he is visited by a talking raven from whom he seeks comfort and hope, but whose only utterance is a single portentous word - “nevermore.”Public Domain (P)2016 Spiders' House Audio/Roy MacreadyShow book
