Publisher: Sovereign
Emile is a treatise on the nature of education and on the nature of man written by Jean-Jacques Rousseau, who considered it to be the best and most important of all his writings. During the French Revolution, Emile served as the inspiration for what became a new national system of education.
There was a real-life Friedrich Bhaer. In fact, Louisa May Alcott wanted to marry him and even start a school with him. This man appears in literal disguises in all of her novels. He is Friedrich in Little Women, Mac in Rose in Bloom and David in Work and many more. Henry and Louisa shared a deep friendship, was it more than friendship? In Little Women Jo's and Friedrich's age gap is 16 years. It is the same age difference as between Henry and Louisa. One of the models for Jo and Friedrich might be Louisa's friend Elizabeth and her husband. Her life was surprisingly similar to the book Jo. She wasn't a writer, but there are parallels. Based on what I have found, her marriage with her lawyer husband was a happy one. She was devoted to the educational work and in the same way, as Jo does, she promoted co-education, for both male and female students. She became a dean of the university. Same way as Jo who becomes the matriarch of the Bhaer Academy in "Jo´s Boys".. There is a very compelling case to be made that Henry David Thoreau was the real-life Friedrich Bhaer. Louisa once called her friend Emerson "The God of my idolatry" but it was Henry who merited her lifelong affection. The ties between Henry and the Alcotts are more extensive than one might expect. From the time when the Alcotts moved to Concord in March 1840 until Henry's passing in 1862. He was a frequent guest in the Alcott´s home taking tea or dinner with the family. Bronson who admired the young man's intellect often visited him in his hut at Walden Pond. If the connection between Henry and the Alcotts was strong, the connection between Louisa and Henry was even strongerShow book
“[A] smart, witty, bittersweet book of writings about her own body . . . the author examines the journey of life inside that most imperfect of vessels.” —Chicago Tribune Feet, bras, autopsies, hair—Peggy Shinner takes an honest, unflinching look at all of them in this collection of searing and witty essays about the body: her own body, female and Jewish; those of her parents, the bodies she came from; and the collective body, with all its historical, social, and political implications. What, she asks, does this whole mess of bones, muscles, organs, and soul mean? Searching for answers, she turns her keen narrative sense to body image, gender, ethnic history, and familial legacy, exploring what it means to live in our bodies and to leave them behind. Over the course of twelve essays, Shinner holds a mirror up to the complex desires, fears, confusions, and mysteries that shape our bodily perceptions. Driven by the collision between herself and the larger world, she examines her feet through the often-skewed lens of history to understand what makes them, in the eyes of some, decidedly Jewish; considers bras, breasts, and the storied skills of the bra fitter; asks, from the perspective of a confused and grieving daughter, what it means to cut the body open; and takes a reeling time-trip through myth, culture, and history to look at women’s hair in ancient Rome, Laos, France, Syria, Cuba, India, and her own past. Some pieces investigate the body under emotional or physical duress, while others use the body to consider personal heritage and legacy. Throughout, Shinner writes with elegance and assurance, weaving her wide-ranging thoughts into a firm and fascinating fabric.Show book
Twenty years before shocking the world in Los Angeles in 1947 as “The Black Dahlia Avenger”, did George Hodel terrorize California by committing some of its most infamous crimes and serial murders? From the introduction: In writing The Further Serial Crimes of George Hill Hodel, MD, The Early Years Part 1: 1920s, my original intent was to present all my father’s suspected crimes from the 1920s and 1930s in one edition. I have found this is simply not possible as it would require a book that would dwarf Dostoevsky’s nearly 700-page opus Crime and Punishment. Therefore, I will present “The Early Years” in two parts—two editions. This edition is part one and presents my investigations of his suspected crimes in the 1920s. Note that I said “suspected crimes”. I want to be crystal clear on this point. My two-part “Early Years” investigations are just that—a search for the truth. In the presentation of these crimes from long ago (the first one goes back 100 years), I make no claim to a “solution”. I am not saying that my father, George Hill Hodel, committed any of these crimes beyond a “reasonable doubt”—which would be the legal requirement to find him guilty. Several of these crimes—without the introduction of hard physical evidence or DNA—are not solvable. Others have been claimed “solved” by law enforcement and are considered “case closed”. To be clear: These crimes from the '20s and '30s did not present themselves to me post-Black Dahlia Avenger, published in 2003. I was aware of them and his possible involvement in them as early as the year 2000, a full three years before I presented my father to the world as the killer of Elizabeth “Black Dahlia” Short and the other LA Lone Woman Murders.Show book
“Chickie takes us thousands of miles on a hilarious quest laced with sorrow, but never dull. You will laugh and cry, but you will not be sorry that you read this rollicking story.”—Malachy McCourt Soon to be a major motion picture written and directed by Peter Farrelly, who won two Academy Awards for Green Book—a wildly entertaining, feel-good memoir of an Irish-American New Yorker and former U.S. marine who embarked on a courageous, hare-brained scheme to deliver beer to his pals serving Vietnam in the late 1960s. One night in 1967, twenty-six-year-old John Donohue—known as Chick—was out with friends, drinking in a New York City bar. The friends gathered there had lost loved ones in Vietnam. Now, they watched as anti-war protesters turned on the troops themselves. One neighborhood patriot came up with an inspired—some would call it insane—idea. Someone should sneak into Vietnam, track down their buddies there, give them messages of support from back home, and share a few laughs over a can of beer. It would be the Greatest Beer Run Ever. But who’d be crazy enough to do it? One man was up for the challenge—a U. S. Marine Corps veteran turned merchant mariner who wasn’t about to desert his buddies on the front lines when they needed him. Chick volunteered. A day later, he was on a cargo ship headed to Vietnam, armed with Irish luck and a backpack full of alcohol. Landing in Qui Nho’n, Chick set off on an adventure that would change his life forever—an odyssey that took him through a series of hilarious escapades and harrowing close calls, including the Tet Offensive. But none of that mattered if he could bring some cheer to his pals and show them how much the folks back home appreciated them. This is the story of that epic beer run, told in Chick’s own words and those of the men he visited in Vietnam. Supplemental enhancement PDF accompanies the audiobook.Show book
Comedians Larry David and Jerry Seinfeld never thought anyone would watch their silly little sitcom about a New York comedian sitting around talking to his friends. NBC executives didn't think anyone would watch either, but they bought it anyway, hiding it away in the TV dead zone of summer. But against all odds, viewers began to watch, first a few and then many, until nine years later nearly forty million Americans were tuning in weekly.In Seinfeldia, acclaimed TV historian and entertainment writer Jennifer Keishin Armstrong celebrates the creators and fans of this American television phenomenon. She brings listeners behind the scenes of the show while it was on the air and into the world of devotees for whom it never stopped being relevant, a world where the Soup Nazi still spends his days saying No soup for you!, Joe Davola gets questioned every day about his sanity, Kenny Kramer makes his living giving tours of New York sights from the show, and fans dress up in Jerry's famous puffy shirt, dance like Elaine, and imagine plotlines for Seinfeld if it were still on TV.Show book
“Truffaut fans will love this English translation of Gillain’s work drawing on the psychology and cinematography of the acclaimed filmmaker.” —Booklist For François Truffaut, the lost secret of cinematic art is in the ability to generate emotion and reveal repressed fantasies through cinematic representation. Available in English for the first time, Anne Gillain’s François Truffaut: The Lost Secret is considered by many to be the best book on the interpretation of Truffaut’s films. Taking a psycho-biographical approach, Gillain shows how Truffaut’s creative impulse was anchored in his personal experience of a traumatic childhood that left him lonely and emotionally deprived. In a series of brilliant, nuanced readings of each of his films, she demonstrates how involuntary memories arising from Truffaut’s childhood not only furnish a succession of motifs that are repeated from film to film, but also govern every aspect of his mise en scène and cinematic technique. “Brilliant . . . A delicious reexamination . . . that will make us want to sit down and take in all of Truffaut’s wonderful filmography at once.” —PopMattersShow book
