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  She Stoops To Conquer

  Oliver Goldsmith

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  A beautiful daughter of a wealthy man, Kate Hardcastle, is told that a suitor, Charles Marlowe is coming from London to the country to meet her. Her jealous step brother, Richard meets Marlowe in a pub in the village and directs Marlowe to his step-father’s home for accommodations, telling him that it is a run down inn, about to go out of business. Kate goes along with the rouse and pretends to be a barmaid. And the comedic case of mistaken identity begins.Starring: Lynn Redgrave as Kate Hardcastle, John Clark as Richard Hardcastle, Kathleen Freeman as Dorothy Hardcastle, Marty Maguire as Tony Lumpkin, James Lancaster as Charles Marlowe, Linda Henning as Constance Neville, William Windom as Slang and Sir Charles Marlowe;  Leon Adams as George Hastings, John Bliss as Diggory. With Roger Perry, Host Elliot Reid, and CART's Announcer John Harlan.Adapted, produced, and directed by Peggy Webber.

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  The Satires - Poetry of Lord Byron

  Lord Byron

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  In this, the fourth volume of this series, we hear the poetry in which Byron began to make his mark on the world. Though his major breakthrough with Childe Harold is yet to come, his English Bards and Scotch Reviewers was a definite hit in its time, establishing Byron as a known poet and ensuring that his reputation as a literary bad-boy was off to a good start. 
  English Bards and Scotch Reviewers was his first major satire and one of his most effective; we can't help seeing that the "Scotch Reviewers" who had harshly criticized Byron find themselves on the losing end of the battle. 
  However, Byron's satirical shots didn't end with the reviewers. He took on the literary lions of the day - a remarkable feat for so young a writer - and scored well there too, though later in his life he deeply regretted having been so harsh on his fellow poets. He continued to lambaste the poets of his time in Hints from Horace, in which he takes on the task of admonishing the rest of the poets of his world to do things his way while showing up quite a few of them for having committed, in Byron's view, the crime of writing bad verse. For the modern reader or listener, this volume is a useful antidote to the image of Byron we take from his romantic poetry. Byron wasn't always the dreamy romantic, head in the clouds and heart on fire. He could be, as here, as sharp, as pointed, and as firmly rooted in the polemics of this world as any other satirist in the English tradition from Pope to Swift and beyond. Satire was not his major gift, but it was a real one, and we can hear it in these poems and thereby learn to know the other side of Lord Byron. Enjoy!A Freshwater Seas production.

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  The Trials (NHB Modern Plays)

  Dawn King

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  The near future. The climate emergency is gathering pace, and our generation is being judged.
  The jurors are children. But are they delivering justice – or just taking revenge?
  Dawn King's searing play The Trials was first performed at the Düsseldorfer Schauspielhaus in 2021, and was a finalist for the Susan Smith Blackburn Prize. It received its British premiere at the Donmar Warehouse, London, in August 2022, directed by Natalie Abrahami.
  The Trials offers an exciting opportunity for theatre companies to address the climate emergency and intergenerational conflict, as the jury of 12 to 17-year-olds hold the stage alongside three adult defendants.

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  Robert Browning's Dramatic...

  Robert Browning, Adriel Brandt

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  A selection of Robert Browning's dramatic monologues. 
  In "My Last Duchess," an entitled nobleman shows off a portrait of his late wife. 
  In "Soliloquy of the Spanish Cloister," a frustrated monk dwells on a petty rivalry. 
  In "The Bishop Orders His Tomb at Saint Praxed's," a dying man instructs his family in how to elevate his final resting place above that of his rival's. 
  In "Porphyria's Lover," a sinister narrator considers how to preserve the pure beauty of his trusting partner. 
  "Bishop Blougram's Apology" is a lengthy reflection on faith, doubt, and the pursuit of contentment.

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  Sorted Books

  Nina Katchadourian

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  A witty and thought-provoking collection of visual poems constructed from stacks of books. Delighting in the look and feel of books, conceptual artist Nina Katchadourian’s playful photographic series proves that books’ covers—or more specifically, their spines—can speak volumes. Over the past two decades, Katchadourian has perused libraries across the globe, selecting, stacking, and photographing groupings of two, three, four, or five books so that their titles can be read as sentences, creating whimsical narratives from the text found there. Thought-provoking, clever, and at times laugh-out-loud funny (one cluster of titles from the Akron Museum of Art’s research library consists of: Primitive Art /Just Imagine/Picasso/Raised by Wolves), Sorted Books is an enthralling collection of visual poems full of wry wit and bookish smarts. Praise for Sorted Books “Katchadourian’s project . . . takes on a weight beyond its initial novelty. It’s a love letter to books, book collecting and the act of reading.” —San Francisco Chronicle “As a longtime fan of [Katchadourian’s] long-running Sorted Books project I’m thrilled for the release of Sorted Books—a collection spanning nearly two decades of her witty and wise minimalist mediations on life by way of ingeniously arranged book spines. . . . In an era drowned in periodic death tolls for the future of the physical book, her project stands as a celebration of the spirit embedded in the magnificent materiality of the printed page.” —Brain Pickings“Katchadourian’s stacks possess an understated sophistication; they are true to the intimate nature of books and yet reveal their dramatic features and unexpected potential.” —Publishers Weekly

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  Lisa Robertson's Magenta Soul Whip

  Lisa Robertson

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  Verses, essays, confessions, reports, translations, drafts, treatises, laments and utopias, 1995–2007. Collected by Elisa Sampedrin.
   
  Lisa Robertson writes poems that mine the past – its ideas, its personages, its syntax – to construct a lexicon of the future. Her poems both court and cuckold subjectivity by unmasking its fundament of sex and hesitancy, the coil of doubt in its certitude. Reading her laments and utopias, we realize that language – whiplike – casts ahead of itself a fortuitous form. The form brims here pleasurably with dogs, movie stars, broths, painting's detritus, Latin and pillage. Erudite and startling, the poems in Lisa Robertson's Magenta Soul Whip, occasional works written over the past fifteen years, turn vestige into architecture, chagrin into resplendence. In them, we recognize our grand, saddened century.
   
  'Robertson makes intellect seductive; only her poetry couldturn swooning into a critical gesture.'
   
  – The Village Voice
   
  'Here as in six earlier glittering books, Robertson proves hard to explain but easy to enjoy ... Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt ... Though she wields ... language expertly, even beautifully, she also shows an almost pagan delight in embodiment.'
   
  – New York Times
   
  'Robertson is one of our most crisply intelligent writers, and the poems and prose pieces in Lisa Robertson’s Magenta Soul Whip ... continually knock readers off their conventional responses, asking that they follow the curlicues of thought-in-motion the writing displays.'
   
  – Canadian Literature
   
  'Magenta Soul Whip manages to exist in a universe of its own making, in which Baudelaire and Lucretius both make appearances, as do Jesus Christ and the adulteress he saved from stoning, a conversational dog, and contemporary Canadian visual artist Lucy Hogg. The book teaches us how to read it as it unfolds for us page by page.'
   
  – Jerry Magazine
   
  '[Robertson's] preoccupations are as much lyrical and communicative … as they are intellectual.'
   
  – Quill & Quire

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