Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
History of the Later Roman Empire - cover

History of the Later Roman Empire

J.B. Bury

Publisher: Perennial Press

  • 0
  • 0
  • 0

Summary

THE first of these two volumes might be entitled the “German Conquest of Western Europe,” and the second the “Age of Justinian.” The first covers more than one hundred and twenty years, the second somewhat less than fifty. This disparity is a striking illustration of the fact that perspective and proportion are unavoidably lost in an attempt to tell the story of any considerable period of ancient or early medieval history as fully as our sources allow. Perspective can be preserved only in an outline. The fifth century was one of the most critical periods in the history of Europe. It was crammed with events of great moment, and the changes which it witnessed transformed Europe more radically than any set of political events that have happened since. At that time hundreds of people were writing abundantly on all kinds of subjects, and many of their writings have survived; but among these there is no history of contemporary events, and the story has had to be pieced together from fragments, jejune chronicles, incidental references in poets, rhetoricians, and theologians. Inscribed stones which supply so much information for the first four centuries of the Roman Empire are rare. Nowhere, since the time of Alexander the Great, do we feel so strongly that the meagreness of the sources flouts the magnitude of the events.
             Although we know little of the details of the process by which the western provinces of the Empire became German kingdoms, one fact stands out. The change of masters was not the result of anything that could be called a cataclysm. The German peoples, who were much fewer in numbers than is often imagined, at first settled in the provinces as dependents, and a change which meant virtually conquest was disguised for a shorter or longer time by their recognition of the nominal rights of the Emperor. Britain, of which we know less than of any other part of the Empire at this period, seems to have been the only exception to this rule. The consequence was that the immense revolution was accomplished with far less violence and upheaval than might have been expected. This is the leading fact which it is the chief duty of the historian to make clear. 
Available since: 12/13/2015.

Other books that might interest you

  • Abbott and Costello: Featuring Lon Chaney - cover

    Abbott and Costello: Featuring...

    John Grant, Bud Abbott

    • 0
    • 0
    • 0
    Lou is happy since he is in love. Lou is thinking of getting married. He has spring fever. Lou's girl has a date tonight with Lon Chaney. Lou talks tough, and Lon Chaney enters. Lon warns Lou to stay away from his girl. Lou goes over to his girl's house and Lon arrives. Lou pretends he is Bud's girlfriend. Lou as Lulu dances with Lon.
    Show book
  • Orphans of the East - Postwar Eastern European Cinema and the Revolutionary Subject - cover

    Orphans of the East - Postwar...

    Constantin Parvulescu

    • 0
    • 0
    • 0
    An analysis of films produced in post-World War II Eastern Europe featuring the trope of the orphan, and the issues these characters addressed. 
     
    Unlike the benevolent orphan found in Charlie Chaplin’s The Kid or the sentimentalized figure of Little Orphan Annie, the orphan in postwar Eastern European cinema takes on a more politically fraught role, embodying the tensions of individuals struggling to recover from war and grappling with an unknown future under Soviet rule. By exploring films produced in postwar Hungary, the German Democratic Republic, Czechoslovakia, Romania, and Poland, Constantin Parvulescu traces the way in which cinema envisioned and debated the condition of the post-World War II subject and the “new man” of Soviet-style communism. In these films, the orphan becomes a cinematic trope that interrogates socialist visions of ideological institutionalization and re-education and stands as a silent critic of the system’s shortcomings or as a resilient spirit who has resisted capture by the political apparatus of the new state. 
     
    “By using the trope of an orphan Constantin Parvulescu demonstrates how films made in countries such as Hungary, East Germany, Poland, Czechoslovakia and Romania reflected on the specific problems affecting Eastern Europe after 1945, such as the loss of population, economic backwardness, the legacy of the Holocaust, while engaging in wider debates, especially the superiority of socialism over capitalism. Economically and elegantly written, it demonstrates that cinema produced in the periphery can be central to our understanding of films as ideological tools. This is one of the best books on Eastern European cinema ever written.” —Ewa Mazierska, University of Central Lancashire 
     
    “Groundbreaking. . . . The author’s comparative, transnational perspective in chapters devoted to close textual analyses of each narrative demonstrates the value of reading film as a primary source for understanding the relationships among state power, intergenerational trauma, and revolutionary subjectivity. Parvulescu’s highly original portrayal of a landscape of parentless children evokes the trauma of war and the specificity of the socialist experiment in the former Eastern Bloc.” —Catherine Portuges, University of Massachusetts-Amherst 
     
    “Parvulescu has taken a highly innovative approach to socialist and post-socialist cinema in the region, and one that is vividly illustrated by a superb selection of films.” —Studies in European Cinema
    Show book
  • Art of the Heart - cover

    Art of the Heart

    Mary Emmerling

    • 0
    • 0
    • 0
    The iconic symbol of love everlasting in charming, quirky, gorgeous collectibles. 
    As jewelry, fashion, and home décor, the stylized, iconic heart wins  us over. We wear it around our necks and on our classy cowgirl boots; it  enhances our horse gear and saddle bags; it distinguishes our style  from head to toe and lavishes our home with love and sweetness. Here are  more than 250 examples of the heart in exquisitely crafted silver and  myriad other materials, doing what it does best—capturing our hearts! 
    Mary Emmerling is the best-selling author of more than 25 books. She  was the creative director of Country Home Magazine for ten years. She  hosted HGTV’s Country At Home show, worked as the decorating editor for  House Beautiful, and was editor-in-chief of her own Mary Emmerling  Country Magazine for the New York Times. She now lives in Santa Fe. She  authored Art of the Cross and Art of Turquoise with Jim Arndt. 
    Jim Arndt is the author of How to Be a Cowboy and photographed Art of  the Cross, Art of Turquoise, and several Cowboy Boot books. He lives in  Santa Fe.
    Show book
  • The Film Buff's Bucket List - The 50 Movies of the 2000s to See Before You Die - cover

    The Film Buff's Bucket List -...

    Chris Stuckmann

    • 0
    • 0
    • 0
    From the star YouTube reviewer, “a fantastic selection of movies, both big and small, that all film lovers can enjoy . . . a wonderful reference guide” (Alicia Malone, author Backwards and in Heels). 
     
    Comic book heroes, ice princesses, apocalyptic lovestruck teens, whatever masterpiece Pixar is rolling out—not to mention countless indies and foreign films—there’s been no shortage of things to watch in recent years. But which films are the best of the best? What are the top twenty-first century movies to see before you die? 
     
    Chris Stuckmann, one of YouTube’s most popular film reviewers with over 125 million views, gives us his best of the best in this list of the fifty very best movies since 2000—with all the style and punch his YouTube fans have come to love. 
     
    “Chris Stuckmann is the Roger Ebert of Youtube and this book is awesome.” —Varla Ventura, author of Sheroes
    Show book
  • How Plays Work (revised and updated edition) - cover

    How Plays Work (revised and...

    David Adger

    • 0
    • 0
    • 0
    In How Plays Work, distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning.
    Written for playwrights and playgoers alike, Edgar's analysis starts with the building blocks of whole plays – plot, character-creation, genre and structure – and moves on to scenes and devices. He shows how plays share a common architecture without which the uniqueness of their authors' vision would be invisible.
    How Plays Work is both a masterclass for playwrights and playmakers and a fascinating guide to the anatomy of drama. In this revised edition, Edgar brings the book right up to date with analyses of many recent plays, as well as explorations of emerging genres and new innovations in playwriting practice.
    'A brilliantly illuminating, bang-up-to-date, unmissable read' April De Angelis
    'A book of real theoretical heft written by a major working playwright' Steve Waters
    'An essential accompaniment for anyone fascinated by the craft of dramatic storytelling' John Yorke
    'Every theatremaker should read this book' Pippa Hill, Literary Manager, Royal Shakespeare Company
    'Even if you've read the book before, it demands to be reread' Simon Callow
    'Combines theoretical acumen with the assured know-how of a working dramatist' Terry Eagleton, Times Literary Supplement
    Show book
  • Blackbook - Domi - cover

    Blackbook - Domi

    Thibaud Benoit Tchertchian

    • 0
    • 0
    • 0
    Domi, a suburban wanker, joins a street marketing company. There, he has a genius idea that will make a mess without limits. If you are curious of French underground culture, graffiti, slang, riots, art & revolution, this is your book. 
    "I was in a school called "bourgeois". And in the said school, I was automatically excluded by the associations of young rich white Parisians who had the art of intrigue and treachery in their blood. And all this beautiful world looked at each other in the white of the eye while rolling cigarettes and saying to themselves: "What the fuck am I doing here? Big, big doubt about the merits of decentralization. At least it kept me from getting up at noon, a bit like a civil servant reassured not to be unemployed..."
    Show book