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  Yellow Book The - Vol 2

  Kenneth Grahame, Charlotte Mew,...

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  During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate.  This really was mass market publishing to a hungry audience eager for literary sustenance.  Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. 
   
  Amongst the very many was ‘The Yellow Book’.  Although titled as ‘An Illustrated Quarterly’ it was sold as a cloth-bound hardback and within were short stories, essays, poetry, illustrations and portraits.  It was edited by the American author Henry Harland, who also contributed, and its art editor was no less that the formidable Aubrey Beardsley, the enfant terrible of illustration. 
   
  Its yellow cover and name gave it an association with the risqué and erotic yellow covered works published in France.  It was a visual shorthand for ideas that would push many boundaries of Society to more open interpretations. Being complete in each volume and slightly aloof it stayed away from serialised fiction and advertisements.   
   
  Within each lavishly illustrated edition were literary offerings that included works by such luminaries as Henry James, H G Wells, W B Yeats, Edith Nesbit, George Gissing and many others from the ascetic and decadent movements of the time.   
   
  The other notable inclusion was women both as contributors and amongst its editing staff, which was at odds with the then patriarchal gender norms.   
   
  Although it only survived for 13 issues its reach and influence were second to none.    
  1 - The Yellow Book - An Introduction. Volume 2 
  2 - Passed by Charlotte Mew 
  3 - Apple Blossom in Brittany by Ernest Dowson 
  4 - Second Thoughts by Arthur Moore 
  5 - The Papers of Basil Fillimer by H D Traill 
  6 - Suggestion by Mrs Ernest Leverson 
  7 - The Crimson Weaver by R Murray Gilchrist 
  8 - A Pen and Ink Effect by Frances E Huntley 
  9 - The Inquity of Oblivion by Kenneth Grahame 
  10 - Dies Irae by Kenneth Grahame 
  11 - A Resurrection by H B Marriott Watson 
  12 - A Journey of Little Profit by John Buchan

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  Tales of the Jazz Age

  F. Scott Fitzgerald

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  Tales of the Jazz Age (1922) is a collection of eleven short stories by F. Scott Fitzgerald. Divided into three separate parts, according to subject matter, it includes one of his better-known short stories, The Curious Case of Benjamin Button. All of the stories had been published earlier, independently, in either Metropolitan Magazine, The Saturday Evening Post, Smart Set, Collier's, the Chicago Sunday Tribune, or Vanity Fair.Included in this collection:1. The Jelly-Bean2. The Camel's Back3. May Day4. Porcelain and Pink5. The Diamond as Big as the Ritz6. The Curious Case of Benjamin Button7. Tarquin of Cheapside8. "O Russet Witch!"9. The Lees of Happiness10. Mr. Icky11. Jemina

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  Crystal Egg The (Unabridged)

  H. G. Wells

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  "The Crystal Egg" is a science fiction short story written by H. G. Wells in 1897. - The story tells of a shop owner, named Mr. Cave, who finds a strange crystal egg that serves as a window into the planet Mars. - The story was written the same year in which Wells was serializing "The War of the Worlds" in Pearson's Magazine, a year before it was published as a novel. Because of the vaguely similar descriptions of the Martians and their machines, "The Crystal Egg" is often considered a precursor to "The War of the Worlds", though there is no clear foreshadowing of the events that transpire in the novel.

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  Tar - A Midwest Childhood

  Sherwood Anderson

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  This autobiographical novel by the writer of Winesburg, Ohio recounts a young boy’s childhood in the latenineteenth-century rural Midwest.Sherwood Anderson established his reputation as a great American writer with his sensitive portrayals of Midwestern life at the turn of the twentieth century. First published in 1926, Tar: A Midwest Childhood, is Anderson’s reflection on the Ohio small town of his youth and the experiences that informed and inspired his most beloved works. In a series of revealing episodes, Anderson describes the developing consciousness of Edgar Moorehead from earliest childhood to adolescence. When his father arrived in Ohio from North Carolina, neighbors derisively called him a Tar-heel. Inheriting this nickname, Tar grows up as one of many children to his stoic, hard-working mother and his gregarious but unreliable father.

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  Squirrel in a Cage

  E. M. Delafield

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  Edmée Elizabeth Monica Dashwood, née de la Pasture (1890-1943), was a prolific English author who wrote under the pseudonym E. M. Delafield. She is best known for her largely autobiographical Diary of a Provincial Lady, which took the form of a journal of the life of an upper-middle-class Englishwoman living mostly in a Devon village of the 1930s.In 'Squirrel in a Cage', she tells the story of the ending of a relationship between two lovers. The narrative moves fluidly between the real thoughts of each of the lovers, Sacha Michaelson and Ian Berringer, and their actual conversation where each speaks but without saying what they really mean.

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  Lady Windermere's Fan

  Oscar Wilde

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  Lady Windermere's Fan, A Play About a Good Woman is a four-act comedy by Oscar Wilde, first produced 22 February 1892 at the St James's Theatre in London. The play was first published in 1893. Like many of Wilde's comedies, it bitingly satirizes the morals of Victorian society, particularly marriage. 
  The story concerns Lady Windermere, who discovers that her husband may be having an affair with another woman. She confronts her husband but he instead invites the other woman, Mrs Erlynne, to his wife's birthday ball. Angered by her husband's unfaithfulness, Lady Windermere leaves her husband for another lover. Or does she? Is it really possible to trust delicious gossip? Are all men really bad? These and many other questions are raised and if not answered, then held up for public scrutiny in this biting satire of morals and proper behavior. The best known line of the play sums up the central theme: 
  We are all in the gutter, but some of us are looking at the stars.—Lord Darlington

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