A Portrait of the Artist as a Young Man is the first novel of Irish writer James Joyce. A Künstlerroman in a modernist style, it traces the religious and intellectual awakening of young Stephen Dedalus, a fictional alter ego of Joyce and an allusion to Daedalus, the consummate craftsman of Greek mythology.
James Joyce was born on February 2, 1882 in Dublin, Ireland. He published "Portrait of the Artist" in 1916 and caught the attention of Ezra Pound. With "Ulysses," Joyce perfected his stream-of-consciousness style and became a literary celebrity. The explicit content of his prose brought about landmark legal decisions on obscenity. Joyce battled eye ailments for most of his life. He died in 1941.
Born James Augustine Aloysius Joyce on February 2, 1882 in Dublin, Ireland, Joyce was one of the most revered writers of the 20th century, whose landmark book, Ulysses, is often hailed as one of the finest novels ever written. His exploration of language and new literary forms showed not only his genius as a writer but spawned a fresh approach for novelists, one that drew heavily on Joyce's love of the stream-of-consciousness technique and the examination of big events through small happenings in everyday lives.
Joyce came from a big family. He was the eldest of ten children born to John Stanislaus Joyce and his wife Marry Murray Joyce. His father, while a talented singer (he reportedly had one of the finest tenor voices in all of Ireland), didn't provide a stable a household. He liked to drink and his lack of attention to the family finances meant the Joyces never had much money.
From an early age, James Joyce showed not only exceeding intelligence but also a gift for writing and a passion for literature. He taught himself Norwegian so he could read Henrik Ibsen's plays in the language they'd been written, and spent his free time devouring Dante, Aristotle, and Thomas Aquinas.
Because of his intelligence Joyce's family pushed him to get an education. Largely educated by Jesuits, Joyce attended the Irish schools of Clongowes Wood College and later Belvedere College before finally landing at University College Dublin, where he earned a Bachelor of Arts degree with a focus on modern languages.
Joyce's relationship with his native country was a complex one and after graduating he left Ireland for a new life in Paris where he hoped to study medicine. He returned, however, not long after upon learning that his mother had become sick. She died in 1903.
Joyce stayed in Ireland for a short time, long enough to meet Nora Barnacle, a hotel chambermaid who hailed from Galway and later became his wife. Around this time, Joyce also had his first short story published in the Irish Homestead magazine. The publication picked up two more Joyce works, but this start of a literary career was not enough to keep him in Ireland and in late 1904 he and Barnacle moved first to what is now the Croatian city of Pula before settling in the Italian seaport city of Trieste.
There, Joyce taught English and learned Italian, one of 17 languages he could speak, a list that included Arabic, Sanskrit, and Greek. Other moves followed, as the Joyce and Barnacle (the two weren't formally married until some three decades after they met) made their home in cities like Rome and Paris. To keep his family above water (the couple went on to have two children, Georgio and Lucia) Joyce continued to find work as a teacher.
Abigail Adams lived the American Revolution as the wife of one of its central figures--John Adams. Her family correspondence, published along with a memoir by her grandson, Charles Francis Adams, brings that era into eloquent focus. What was it like to hear the cannon's roar from your window? to face pestilence? food shortages? rampant inflation? devalued coinage? to raise four children alone--and earn the money to keep your household afloat, while your husband was engaged in politics and diplomacy miles and oceans away . . . for years at a time? It's all there in her private letters, letters that were never meant for public eyes, letters that she repeatedly asked to be burned!Writing to her husband, Abigail expressed anguish at nearby fighting: June 18, 1775, "Charlestown is laid in ashes . . . How many have fallen we know not. The constant roar of the cannon is so distressing, that we cannot eat, drink, or sleep." Yet, she displayed constant fortitude: August 5, 1777, "It is almost thirteen years since we were united, but not more than half that time have we had the happiness of living together. The unfeeling world may consider it in what light they please. I consider it as a sacrifice to my country . . ." And she enlivened her writing with pithy accounts of Revolutionary doings: July 31, 1777, "You must know that there is a great scarcity of sugar and coffee . . . An eminent, wealthy, stingy merchant had a hogshead of coffee in his store, which he refused to sell . . . under six shillings per pound. A number of females . . . assembled with a cart and trucks, marched down to the warehouse, and demanded the keys, which he refused to deliver. Upon which, one of them seized him by his neck . . ." The women "then opened the warehouse, hoisted out the coffee themselves, put it into the truck and drove off. . . .A large concourse of men stood amazed, silent spectators of the whole transaction."Abigail’s letters, letters of "a vigorous mind," are a fascinating read. (Introduction by Sue Anderson)
"From an award-winning essayist and acclaimed poet comes this radiant, observant, and warmly funny memoir about childhood, family, and small-town life.
Carla Funk grew up in a place of logging trucks and God, pellet guns and parables. Every Sunday, she sat with her mother and brother in the same pew at the Mennonite church while her dad stayed home with his cigarettes and a fridge full of whiskey. In these tender, humorous stories, Funk stitches together the wondrous and the mundane: making snow angels and carrying sacks of potatoes, tossing pig bladders like footballs, and vying for the Christmas pageant spotlight. Part ode to childhood, part love letter to rural life, Every Little Scrap and Wonder offers an original take on the memories, stories, and traditions we all carry within ourselves, whether we planned to or not."
My Secret Life is the longest erotic autobiography ever written. Penned anonymously during the 1800s by a wealthy English gentleman called Walter, it offers an eye and thigh opening account of life behind closed doors in the Victorian era. Banned from publication for its extreme and explicit content for nearly a century, My Secret Life has now come to life in the 21st century as an immersive audio book, narrated and scored by film composer Dominic Crawford Collins.Vol. VI Chapter III At R**e. • The Marchesa di R**p*l*. • A flirt. • At the Palaazzo. • Inspecting fine silk stockings. • Results, on two sofas and one bed. • The Marchesa's cunt, thin thighs, and small bum. • Marietta, the Lady's maid and Valet's wife. • Waiting for a letter. • Marchesa at my hotel. • A night in the attic with Marietta. • At a bagnio with her. • Impatient attorneys. • Back to London in haste. • On the Messageries Imperiales. • The ballet dancer. • Amusements in her cabin and in mine. • At luncheon afterwards. • Fucking for love.
A collection of “deceptively simple, profoundly thoughtful, fiercely honest” essays on art, life, and politics by the acclaimed actor and playwright (Howard Zinn, author of Political Awakenings and Indispensable Zinn). Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the people who serve our food and deliver our mail; describing his upbringing in the sheltered world of Manhattan’s cultural elite; or engaging in a fascinating interview with Noam Chomsky, Wallace Shawn has a unique ability to step back from the appearance of things to explore their deeper social meanings. In these essays, Shawn grasps the unpleasant contradictions of modern life and challenges us to look at our own behavior in a more honest light. He also finds the pathos in the political and personal challenges of everyday life. With the same sharp wit and remarkable attention to detail that he brings to his critically acclaimed plays, Shawn invites us to look at the world with new eyes, the better to understand—and change it. “Full of what you might call conversation starters: tricky propositions about morality . . . politics, privilege, runaway nationalist fantasies, collective guilt, and art as a force for change (or not) . . . It’s a treat to hear him speak his curious mind.” —O Magazine “Lovely, hilarious and seriously thought provoking, I enjoyed it tremendously.” —Toni Morrison, winner of the Nobel Prize in Literature
This is a collection of short stories written by the nobel laureate Rabindranath Tagore. The stories contained in this volume were translated by several hands. The version of The Victory is the author's own work. The seven stories which follow were translated by Mr. C. F. Andrews, with the help of the author's help. Assistance has also been given by the Rev. E. J. Thompson, Panna Lal Basu, Prabhat Kumar Mukerjii, and the Sister Nivedita.(Summary by sidhu177)