Given the increasing attention to managing, publishing, and preserving research datasets as scholarly assets, what competencies in working with research data will graduate students in STEM disciplines need to be successful in their fields? And what role can librarians play in helping students attain these competencies? In addressing these questions, this book articulates a new area of opportunity for librarians and other information professionals, developing educational programs that introduce graduate students to the knowledge and skills needed to work with research data. The term "e;data information literacy"e; has been adopted with the deliberate intent of tying two emerging roles for librarians together. By viewing information literacy and data services as complementary rather than separate activities, the contributors seek to leverage the progress made and the lessons learned in each service area. The intent of the publication is to help librarians cultivate strategies and approaches for developing data information literacy programs of their own using the work done in the multiyear, IMLS-supported Data Information Literacy (DIL) project as real-world case studies. The initial chapters introduce the concepts and ideas behind data information literacy, such as the twelve data competencies. The middle chapters describe five case studies in data information literacy conducted at different institutions (Cornell, Purdue, Minnesota, Oregon), each focused on a different disciplinary area in science and engineering. They detail the approaches taken, how the programs were implemented, and the assessment metrics used to evaluate their impact. The later chapters include the "e;DIL Toolkit,"e; a distillation of the lessons learned, which is presented as a handbook for librarians interested in developing their own DIL programs. The book concludes with recommendations for future directions and growth of data information literacy. More information about the DIL project can be found on the project's website: datainfolit.org.
From the earliest developments of thought, mankind believed that some significant coincidences were signs by which a higher philosophical or divine level sought to inter-dialogue with men.
In the last three centuries this had been erased from the new directions of science. Extraordinary coincidences were considered as fruits of chance. Anyone who wanted to interpret extraordinary events as divine signals was mocked. In the same way, premonitions were considered illusions or even signs of imbalance. This, despite many had experienced these extraordinary facts.
Science denied the existence of a psychic dimension with which the human mind could interact. According to the common opinion, the only existing reality was matter. However, in the 1980s, experiments in quantum physics demonstrated the existence of a universe that is not just composed of matter. This universe holds a level in which energy and information do not suffer the limits of space and time typical of classical physics.
This confirms all the intuitions matured in the history of humanity. Among these intuitions the concept of "Soul of the World" enunciated by the Greek philosopher Plato. More recently, the Swiss psychologist Carl Gustav Jung has elaborated the theory of the "collective unconscious".
This book avoids investigating excessively specialized topics. The author clearly accompanies the reader in understanding the three levels that form a single reality.
The first level is the physical one, which is part of our daily experience. The second level is the one described by quantum physics, typical of the smallest elementary particles of atoms.
The third is the psychic level called "non-locality". It is the spiritual level, which can not be physically located anywhere.
This path of knowledge refers to recent discoveries recognized by official science. The strange coincidences and phenomena of the mind become important parts of a new and surprising reality.
Scribes of Space posits that the conception of space—the everyday physical areas we perceive and through which we move—underwent critical transformations between the thirteenth and fifteenth centuries. Matthew Boyd Goldie examines how natural philosophers, theologians, poets, and other thinkers in late medieval Britain altered the ideas about geographical space they inherited from the ancient world. In tracing the causes and nature of these developments, and how geographical space was consequently understood, Goldie focuses on the intersection of medieval science, theology, and literature, deftly bringing a wide range of writings—scientific works by Nicole Oresme, Jean Buridan, the Merton School of Oxford Calculators, and Thomas Bradwardine; spiritual, poetic, and travel writings by John Lydgate, Robert Henryson, Margery Kempe, the Mandeville author, and Geoffrey Chaucer—into conversation. This pairing of physics and literature uncovers how the understanding of spatial boundaries, locality, elevation, motion, and proximity shifted across time, signaling the emergence of a new spatial imagination during this era.
An exploration of cuteness and its immense hold on us, from emojis and fluffy puppies to its more uncanny, subversive expressions
Cuteness has taken the planet by storm. Global sensations Hello Kitty and Pokémon, the works of artists Takashi Murakami and Jeff Koons, Heidi the cross-eyed opossum and E.T.—all reflect its gathering power. But what does “cute” mean, as a sensibility and style? Why is it so pervasive? Is it all infantile fluff, or is there something more uncanny and even menacing going on—in a lighthearted way? In The Power of Cute, Simon May provides nuanced and surprising answers.
We usually see the cute as merely diminutive, harmless, and helpless. May challenges this prevailing perspective, investigating everything from Mickey Mouse to Kim Jong-il to argue that cuteness is not restricted to such sweet qualities but also beguiles us by transforming or distorting them into something of playfully indeterminate power, gender, age, morality, and even species. May grapples with cuteness’s dark and unpindownable side—unnerving, artful, knowing, apprehensive—elements that have fascinated since ancient times through mythical figures, especially hybrids like the hermaphrodite and the sphinx. He argues that cuteness is an addictive antidote to today’s pressured expectations of knowing our purpose, being in charge, and appearing predictable, transparent, and sincere. Instead, it frivolously expresses the uncertainty that these norms deny: the ineliminable uncertainty of who we are; of how much we can control and know; of who, in our relations with others, really has power; indeed, of the very value and purpose of power.
The Power of Cute delves into a phenomenon that speaks with strange force to our age.
The bestselling, widely heralded, Jungian introduction to the psychological foundation of a mature, authentic, and revitalized masculinity.
Redefining age-old concepts of masculinity, Jungian analysts Robert Moore and Douglas Gillette make the argument that mature masculinity is not abusive or domineering, but generative, creative, and empowering of the self and others. Moore and Gillette clearly define the four mature male archetypes that stand out through myth and literature across history: the king (the energy of just and creative ordering), the warrior (the energy of aggressive but nonviolent action), the magician (the energy of initiation and transformation), and the lover (the energy that connects one to others and the world), as well as the four immature patterns that interfere with masculine potential (divine child, oedipal child, trickster and hero). King, Warrior, Magician, Lover is an exploratory journey that will help men and women reimagine and deepen their understanding of the masculine psyche.
Explore the power of myth as humanity first discovered it
Collected Works of Joseph Campbell edition — with up-to-date science
In this first volume of The Masks of God — Joseph Campbell’s major work of comparative mythology — the preeminent mythologist looks at the wellsprings of myth. From the earliest expressions of religious awe in pre-modern humans to the rites and art of contemporary primal tribes, myth has informed humankind's understanding of the world, seen and unseen. Exploring these archetypal mythic images and practices, Campbell examines the basic concepts that underlie all human myth, even to this day.
The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks. On completing it, he wrote:
Its main result for me has been the confirmation of a thought I have long and faithfully entertained: of the unity of the race of man, not only in its biology, but also in its spiritual history, which has everywhere unfolded in the manner of a single symphony, with its themes announced, developed, amplified and turned about, distorted, reasserted, and today, in a grand fortissimo of all sections sounding together, irresistibly advancing to some kind of mighty climax, out of which the next great movement will emerge.
This new digital edition is part of the Collected Works of Joseph Campbell series. Joseph Campbell Foundation has worked with scientists and academics to bring the anthropological and paleontological information Campbell explores in line with the best twenty-first century scholarship.
(Comparative Mythology: paleontology, Neanderthal and Cro-magnon culture, neolithic and paleolithic art and religion.)
"[T]he mask in a primitive festival is revered and experienced as a veritable apparition of the mythical being that it represents — even though everyone knows that a man made the mask and that a man is wearing it. The one wearing it, furthermore, is identified with the god during the time of the ritual of which the mask is a part. He does not merely represent the god; he is the god."— Joseph Campbell, Primitive Mythology
A “serious and thoughtful” interpretation of Machiavelli’s life and thought—and its relevance today—from the acclaimed author of Terror and Consent (The Times, London). Constitutional scholar Philip Bobbitt turns his expert attention to the life and work of Niccolo Machiavelli, the sixteenth century political philosopher whose classic text The Prince remains one of the most important and controversial works of political theory ever written. In The Garments of Court and Palace, Bobitt argues that the perception of Machiavelli’s Prince as a ruthless, immoral tyrant stems from mistranslations, political agendas, and readers who overlooked the philosopher’s earlier work, Discourses on Livy. He explains that Machiavelli was instead advocating for rulers to distinguish between their personal ethos and state governance. Rather than a “mirror book” advising rulers, The Prince prophesied the end of the feudal era and the birth of the neoclassical state. Using both Renaissance examples and cases drawn from the current era, Bobbitt shows Machiavelli’s work is both profoundly moral and inherently constitutional, a turning point in our understanding of the relation between war, law, and the state.
24symbols is a digital reading service without limits. In exchange for a small monthly fee you can download and read all of the books offered in our catalogue on any device (mobile, tablet, e-reader with web navigator or PC). Our catalogue includes more than 1 million books in several languages. This subscription can be terminated at any time in the section "Subscription".