"That Spot" is a short story written by Jack London in 1908 "I don't think much of Stephen Mackaye any more, though I used to swear by him. I know that in those days I loved him more than my own brother. If ever I meet Stephen Mackaye again, I shall not be responsible for my actions.
Jack London, pseudonym of John Griffith Chaney, American novelist and short-story writer whose best-known works—among them The Call of the Wild (1903) and White Fang (1906)—depict elemental struggles for survival. During the 20th century he was one of the most extensively translated of American authors.
Deserted by his father, a roving astrologer, he was raised in Oakland, California, by his spiritualist mother and his stepfather, whose surname, London, he took. At age 14 he quit school to escape poverty and gain adventure. He explored San Francisco Bay in his sloop, alternately stealing oysters or working for the government fish patrol. He went to Japan as a sailor and saw much of the United States as a hobo riding freight trains and as a member of Charles T. Kelly’s industrial army (one of the many protest armies of the unemployed, like Coxey’s Army, that was born of the financial panic of 1893). London saw depression conditions, was jailed for vagrancy, and in 1894 became a militant socialist.
London educated himself at public libraries with the writings of Charles Darwin, Karl Marx, and Friedrich Nietzsche, usually in popularized forms. At 19 he crammed a four-year high school course into one year and entered the University of California, Berkeley, but after a year he quit school to seek a fortune in the Klondike gold rush. Returning the next year, still poor and unable to find work, he decided to earn a living as a writer.
London studied magazines and then set himself a daily schedule of producing sonnets, ballads, jokes, anecdotes, adventure stories, or horror stories, steadily increasing his output. The optimism and energy with which he attacked his task are best conveyed in his autobiographical novel Martin Eden (1909). Within two years, stories of his Alaskan adventures began to win acceptance for their fresh subject matter and virile force. His first book, The Son of the Wolf: Tales of the Far North (1900), a collection of short stories that he had previously published in magazines, gained a wide audience.
During the remainder of his life, London wrote and published steadily, completing some 50 books of fiction and nonfiction in 17 years. Although he became the highest-paid writer in the United States at that time, his earnings never matched his expenditures, and he was never freed of the urgency of writing for money. He sailed a ketch to the South Pacific, telling of his adventures in The Cruise of the Snark (1911). In 1910 he settled on a ranch near Glen Ellen, California, where he built his grandiose Wolf House. He maintained his socialist beliefs almost to the end of his life.
Jack London’s output, typically hastily written, is of uneven literary quality, though his highly romanticized stories of adventure can be compulsively readable. His Alaskan novels The Call of the Wild (1903), White Fang (1906), and Burning Daylight (1910), in which he dramatized in turn atavism, adaptability, and the appeal of the wilderness, are outstanding. His short story “To Build a Fire” (1908), set in the Klondike, is a masterly depiction of humankind’s inability to overcome nature; it was reprinted in 1910 in the short-story collection Lost Face, one of many such volumes that London published.
This story goes from here to its start, at the first morning of May; follows through these same pages, and when it arrives here again, again it starts there... Such was his enlightened hallucination.
The problem of art is a problem of translations. Decomposition and sorting of forms, sounds and thoughts. Things and ideas are getting old. You only have the power to cover them with saliva.
It is clear that every thought, every gesture, word and happening can be interpreted differently; there lays my severe intention to communicate directly the dense metaphoric language present in Palacio's writing. I want the reader to question the writing as one looks for signs on the streets or in forest. The streams of art I have perused beyond writing capture the narrative and sensations from texts in order to translate them into movement. It is always a decomposing and sorting of forms indeed; from an idea into concept, into words to be spoken, enacted.
To be gentle is to resist the privileging of command above compassion. It is a quiet voice, a persistent whisper, calm and consoling. Ferocity is an armour, a forceful expression of resolve and protection. To be fierce is to know the intensity of the edges of feeling. It is the voice that calls out, intending to be heard.
Gentle and Fierce focuses on the world that humans share with animals. Having spent her life in city environments, Vanessa Berry’s experiences with animals have largely been through encounters in urban settings, representations in art and the media, and as decorative ornaments or kitsch. The essays in Gentle and Fierce suggest that these encounters provide meaningful connections, at a time when our shared world is threatened by environmental destruction. Berry responds with attentiveness and empathy to her subjects, which include a stuffed Kodiak bear, a Japanese island overrun by rabbits, a porcelain otter and Georges Perec’s cat. The essays are accompanied by Berry’s illustrations, which reflect her eye for detail and her background as an artist and zine maker.
Who better than Vanessa Berry, with her pointillist attention and sly humour to document the surprising ways that animals enrich, inform and shadow our human natures. Whether recollecting Frank a taxidermied Kodiak bear, noting the snails that turn letters to Sylvia Plath into lace, or zipping together a personal history with flies, Berry elevates and commemorates those lives that are entangled – too often invisibly – with our own. Ethically astute, formally clever and deftly political, Gentle and Fierce evokes the work of John Berger and Jenny Odell. An urgent and poignant reminder of what we have lost and might yet gain from the more-than-human world. – Mireille Juchau
The men and women who created today's liberal, democratic, globalised world order may now have left public office, but they have not retired. So, what are they doing, and how does it affect the rest of us? In The Ex Men, Giles Edwards sets out to answer that question, uncovering the many ways in which former Presidents and Prime Ministers continue to affect global public life.From running international organisations to monitoring elections, advising companies and charities and giving hundred-thousand-dollar speeches, Giles takes us inside this often-hidden world. He has interviewed more than twenty former leaders, from Presidents overthrown in coups to winners of Nobel Prizes. He has spent time at their clubs and resorts, spoken to the people who work with them, and to the organisations and individuals who hire them.
A young Marine deployed to Vietnam finds terror, danger, and death, but also courage, loyalty, and brotherhood. This intense, gritty tale of the Vietnam War, in a setting depicted so vividly you can almost feel the jungle heat, it will draw you in and won't let go.
Silent Valor recreates what happened to Lance Corporal Don Talbot and the squad members of Echo Two in their attempt to save fellow Marines surrounded by the North Vietnamese Army.
This touching true story will please listeners interested in the Vietnam War and all those who find inspiration in examples of courage under fire.
National Bestseller: The complete trilogy that inspired Masterpiece production The Durrells in Corfu in one volume. The tales of a naturalist and his family, who left England for the Greek island of Corfu—where they interacted with fascinating locals of both human and animal varieties—these memoirs have become beloved bestsellers and inspired the delightful series that aired on PBS television. Included in this three-book collection are: My Family and Other Animals: Ten-year-old Gerald Durrell arrives on sun-drenched Corfu with this family and pursues his interest in natural history, making friends with the island’s fauna—from toads and tortoises to scorpions and geckos—while reveling in the joyous chaos of growing up in an unconventional household. Birds, Beasts and Relatives: Written after a boyhood spent studying zoology, this memoir is part nature guide, part coming-of-age tale, and all charmingly funny memoir. The Garden of the Gods: In the conclusion of the trilogy, Durrell shares more tales of wild animals and his even wilder family, including his mother, Louisa, and his siblings Lawrence, Leslie, and Margo, in the years before World War II. “[Durrell’s] books have an unfailing charm. . . . It is a tribute to his skill that one never tires of his accounts” (Chicago Tribune). This ebook features an illustrated biography of Gerald Durrell including rare photos from the author’s estate.
In a rundown farmhouse near isolated, rural Dunwich, a bizarre family conjures and nurtures an evil entity from another realm, with the purpose of destroying the world and delivering it to ancient gods to rule, and only an aged university librarian can stop them. The Dunwich Horror was first published in 1929 in Weird Tales.