South Sea Tales is a collection of short stories written by Jack London. Most stories are set in island communities, like those of Hawaii, or are set aboard a ship.
Jack London, pseudonym of John Griffith Chaney, American novelist and short-story writer whose best-known works—among them The Call of the Wild (1903) and White Fang (1906)—depict elemental struggles for survival. During the 20th century he was one of the most extensively translated of American authors.
Deserted by his father, a roving astrologer, he was raised in Oakland, California, by his spiritualist mother and his stepfather, whose surname, London, he took. At age 14 he quit school to escape poverty and gain adventure. He explored San Francisco Bay in his sloop, alternately stealing oysters or working for the government fish patrol. He went to Japan as a sailor and saw much of the United States as a hobo riding freight trains and as a member of Charles T. Kelly’s industrial army (one of the many protest armies of the unemployed, like Coxey’s Army, that was born of the financial panic of 1893). London saw depression conditions, was jailed for vagrancy, and in 1894 became a militant socialist.
London educated himself at public libraries with the writings of Charles Darwin, Karl Marx, and Friedrich Nietzsche, usually in popularized forms. At 19 he crammed a four-year high school course into one year and entered the University of California, Berkeley, but after a year he quit school to seek a fortune in the Klondike gold rush. Returning the next year, still poor and unable to find work, he decided to earn a living as a writer.
London studied magazines and then set himself a daily schedule of producing sonnets, ballads, jokes, anecdotes, adventure stories, or horror stories, steadily increasing his output. The optimism and energy with which he attacked his task are best conveyed in his autobiographical novel Martin Eden (1909). Within two years, stories of his Alaskan adventures began to win acceptance for their fresh subject matter and virile force. His first book, The Son of the Wolf: Tales of the Far North (1900), a collection of short stories that he had previously published in magazines, gained a wide audience.
During the remainder of his life, London wrote and published steadily, completing some 50 books of fiction and nonfiction in 17 years. Although he became the highest-paid writer in the United States at that time, his earnings never matched his expenditures, and he was never freed of the urgency of writing for money. He sailed a ketch to the South Pacific, telling of his adventures in The Cruise of the Snark (1911). In 1910 he settled on a ranch near Glen Ellen, California, where he built his grandiose Wolf House. He maintained his socialist beliefs almost to the end of his life.
Jack London’s output, typically hastily written, is of uneven literary quality, though his highly romanticized stories of adventure can be compulsively readable. His Alaskan novels The Call of the Wild (1903), White Fang (1906), and Burning Daylight (1910), in which he dramatized in turn atavism, adaptability, and the appeal of the wilderness, are outstanding. His short story “To Build a Fire” (1908), set in the Klondike, is a masterly depiction of humankind’s inability to overcome nature; it was reprinted in 1910 in the short-story collection Lost Face, one of many such volumes that London published.
Winner of the 2015 New Welsh Writing Awards: WWF Cymru Prize for Writing on Nature and the Environment
Shortlisted for the 2016 Wales Book of the Year: The Open University in Wales Creative Non-Fiction Award
'Eluned Gramich has written the perfect essay - a minutely detailed yet nuanced evocation of place and personalities that is full of ecologically precise imagery and is as attentive to the Japanese language as it is to Hokkaidan landscape.' – Mark Cocker
As precise and nuanced as Japanese calligraphy, this memoir of the author's stay on the remote Hokkaido island in the far north of Japan, has at its heart the mountain, Yotei-san, the region's iconic equivalent to Mount Fuji. As much about learning a language (with connotations of 'reading' a wild landscape) as it is about nature, this dignified and nuanced work evokes what is cultured and cultivated, and yet also honours the wild; the untranslatable. With its themes of seasonal transformation, the peripheral, folklore, loneliness and learning to belong, this work takes a personal philosophical stance in relation to the centre and the periphery.
'"Eluned Gramich" is a name to hear time and again in the future. [This writing] is as good as we the jurors have ever read... short but perfectly formed... absolutely perfect.' – Justin Albert
'Quite beautiful. [The author encounters a culture that is completely alien] and she does it with a poet's eye... precisely and vitally. She reads this unfamiliarity with all her imaginative nerve-endings open: the effect is quite remarkable...' – Tony Brown
'Most rewarding is the philosophical approach... [Gramich's] embracing of... cultural multiplicity, fluidity and adaptability... suits perfectly the changing boundaries of our modern world.' – Wales Arts Review
Mike and his wife, Barbara, moved to Lincoln, Illinois, in 1972. The town of 17,000 was charming, friendly, and safe. As employees of Lincoln College, a small, private junior college, they quickly grew to enjoy the subtle pleasures of small-town living. Then the campus was hit with a series of burglaries and a student disappeared. Finally, the murders began. This is Mike Hartnett’s personal story, memories that have taken him more than forty years to write. This is not a true crime exposé or a who-dunnit mystery. This is simply a story about one man on the periphery of a series of events that devastate a community for a time. It is a story about the guilt that lingers and the questions that remain.
About the Author:
Mike Hartnett was a retired high school English/Speech teacher and business journalist (magazine columnist and editor and newsletter publisher), winning awards from the American Society of Business Press Editors. He led a memoir-writing group for the Douglas County Senior Citizen Center and was a co-leader of a men’s writing group at the Douglas County Jail.
Mike is the co-author of a play, Worthy of the Name, which was presented at Chicago’s Cultural Affairs Center, and a collaborator of a readers’ theater production, Prose & Cons, Voices From Behind Bars.
Set against the backdrop of the Gordon Riots of 1780, Barnaby Rudge is a story of mystery and suspense which begins with an unsolved double murder and goes on to involve conspiracy, blackmail, abduction and retribution. Through the course of the novel fathers and sons become opposed, apprentices plot against their masters and Protestants clash with Catholics on the streets. And, as London erupts into riot, Barnaby Rudge himself struggles to escape the curse of his own past. With its dramatic descriptions of public violence and private horror, its strange secrets and ghostly doublings, Barnaby Rudge is a powerful, disturbing blend of historical realism and Gothic melodrama.
Sal Di Leo returned after 30 years to the Catholic orphanage outside Chicago that he and his siblings called home in 1963. This is the beginning of a journey of discovery and remembrance as Sal is forced to reconstruct his life as it really happened, including some of his most difficult years at Boys Town in Nebraska.As an adult, Sal tried to rise above his turbulent past in an aggressive quest for power and money. Success soon led to failures. Eventually, a wise friend convinces Sal to go back to his roots and look for the good experiences and valuable lessons he learned as a nine-year-old orphan.He discovers through this journey, there were many people along the way who helped him. He didn’t get through it alone. He discovers gratitude.
THE SUNDAY TIMES BESTSELLER
‘A heart-breaking story of courage and compassion from the front line of the toughest battle our nurses have had to fight. Anthea Allen’s writing is raw, honest and full of love for those she cares for.’ Susanna Reid
An extraordinarily powerful memoir based on the diaries of intensive care nurse Anthea Allen, who worked on the front line of one of the largest hospitals in Europe during the Covid crisis.
A nurse for 25 years, Anthea thought she had seen it all. But with Covid came the greatest trial, personally and professionally, of her life. Thrust into hourly challenges – many a matter of life and death – while on the Critical Care units of St George’s in south London, Anthea processed her shocking experiences through writing. It started with an email to request biscuits. But her appeal to help boost the morale of her fellow nurses soon turned into a series of astonishingly moving stories detailing the realities of being a front line worker.
It wasn’t long before Anthea’s accounts were circulating far and wide, capturing the attention of the nation and being feted by the likes of Richard Branson and Good Morning Britain’s Susanna Reid.
In Life, Death and Biscuits, Anthea reveals the human story behind Covid, sharing tales of hope, fear and laughter from both her ‘family’ of nurses and the patients she encountered. Forged in a crisis, this deeply affecting memoir offers a unique and inspiring perspective on the pandemic that simultaneously tore the world apart and brought us together. Both heart-wrenching and uplifting, it serves as a testimony to love, resilience and the human spirit.
Anthea Allen, the Sunday Times bestselling author, provides an intimate look into the world of healthcare during a pandemic in her memoirs. Her autobiography, a bestselling book, explores the themes of grief, bereavement, and the psychological impact of contagious diseases on both patients and healthcare workers.
For fans of Christie Watson (The Language of Kindness), Linda Watson-Brown (Don't Say A Word), Aoife Abbey (Seven Signs of Life), Maggie Hartley (Battered, Broken, Healed), and Amir Khan (The Doctor Will See You Now).
HarperCollins 2022