Publisher: Leverton Classics
This is a novel about the fortunes and misfortunes of a dog in the Pacific. Jack London was a passionate defender of animal rights, and this is one of the last defenses he ever made.
Adam Nunn's search for his true identity has horrifying consequences in this compelling psychological thriller. A badly mutilated body has been discovered in a remote woodland pond on the Essex borders – a location known to be the haunt of the ruthless crime gang that ruled London in the 70s. When one of the victim's hands is found nearby, forensic tests reveal a number scrawled on the palm. It is quickly identified as the National Insurance number of struggling family man Adam Nunn. As Adam is arrested in connection with the murder, it emerges that the dead man was a private investigator he had hired to find out the identity of his birth parents. Just what did Larry Paris discover that got him killed? As Adam seeks the truth surrounding his origins and promises justice for the mother he never knew, he is drawn into a lurid criminal world of violence and violation, reprisal and merciless death. Torn between the man he wants to be and the man he fears becoming, Adam's investigations will lead him ever deeper into darkness.Show book
'Gripping subjects, brilliantly drawn characters and a twisty turny journey from beginning to end. A tense, thrilling read and definitely 5 humongous ⭐⭐⭐⭐⭐ from me' Angela Marsons. Someone stole a baby... One sunny day in July, someone took three-month-old Alicia Owen from her pram outside a supermarket. Her mother, Marie, was inside. No one saw who took Alicia. And no one could find her. They silenced her cry... Fifteen years later, a teenager on a construction site sees a tiny hand in the ground. When the police investigate, they find a baby buried and preserved in concrete. Could it be Alicia? But the truth will always out. When Alicia disappeared, the papers accused Marie of detachment and neglect. The Owens never got over the grief of their child's disappearance and divorced not long after. By reopening the case, DC Beth Chamberlain must reopen old wounds. But the killer may be closer than anyone ever suspected... The latest crime thriller featuring Family Liaison Officer DC Beth Chamberlain, Hush Little Baby is tightly plotted, fraught with tension and impossible to put down. Perfect for fans of Cara Hunter and K.L. Slater. Praise for Jane Isaac: 'Jane Isaac knows how to tell a good yarn. Expertly plotted and true to life' Mel Sherratt on For Better, For Worse. 'Isaac does a superb job of escalating the tension and dread' Publishers Weekly. 'Move over La Plante...' Susan May, Suspense Magazine. 'Tense, dark and gritty: perfect combination' Ian Patrick, author of Rubicon. 'Crime writing at its best' David Evans, CWA Debut Dagger-shortlisted author of Torment. 'Jane Isaac just gets better with every book. Deeply unsettling and unputdownable' Rebecca Bradley, bestselling author of the DI Hannah Robbins series. 'Jane Isaac writes unmissable quality crime fiction' Michael Wood, author of For Reasons Unknown. 'Gripped from the very first page ... and just when you think it's over, it's really only the beginning' June Taylor, author of Losing Juliet. 'Brilliantly and intricately plotted, Jane Isaac has produced a terrific page-turner' Lizzie Sirett, Mystery People.Show book
Nancy Roberts has often been described to as the "First Lady of American Folklore" and the title is well deserved. Throughout her decades-long career, Roberts documented supernatural experiences and interviewed hundreds of people about their recollections of encounters with the supernatural.This nationally renowned writer began her undertaking in this ghostly realm as a freelance writer for the Charlotte Observer. Encouraged by Carl Sandburg, who enjoyed her stories and articles, Roberts wrote her first book in 1958. Aptly called a "custodian of the twilight zone" by Southern Living magazine, Roberts based her suspenseful stories on interviews and her rich knowledge of American folklore. Her stories were always rooted in history, which earned her a certificate of commendation from the American Association of State and Local History for her books on the Carolinas and Appalachia.Show book
A diverse anthology of poetry, fiction and essays from the most exciting writers around the world in this “fresh, provocative, engrossing” literary journal (BBC.com). The literary anthology Freeman’s, created by writer, critic, and former Granta editor John Freeman, has quickly gained an international following with wide acclaim. It has been called “bold [and] searching” by the Minneapolis Star-Tribune and “impressively diverse” by O Magazine. This issue introduces a list of more than twenty-five poets, essayists, novelists, and short story writers from around the world who are shaping contemporary literature and will continue to impact it in years to come. Drawing on recommendations from book editors, critics, translators, and authors from across the globe, Freeman’s: The Future of New Writing includes pieces from writers aged twenty-five to seventy, from almost twenty countries and writing in almost as many languages. This will be a new kind of list, and an aesthetic manifesto for our times. Against a climate of nationalism and siloed thinking, this special issue celebrates a global view of where writing is going next. “The oldest is 70. The youngest, 26. In between, the best list of this kind I have ever seen.”—Marlon JamesShow book
When African American intellectuals announced the birth of the "New Negro" around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of "the race," the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Louis Gates, Jr., and Gene Andrew Jarrett, The New Negro collects more than one hundred canonical and lesser-known essays published between 1892 and 1938 that examine the issues of race and representation in African American culture. These readings--by writers including W.E.B. Du Bois, Paul Laurence Dunbar, Alain Locke, Carl Van Vechten, Zora Neale Hurston, and Richard Wright--discuss the trope of the New Negro, and the milieu in which this figure existed, from almost every conceivable angle. Political essays are joined by essays on African American fiction, poetry, drama, music, painting, and sculpture. More than fascinating historical documents, these essays remain essential to the way African American identity and history are still understood today.Show book
Sam Straight wants to be a good lawyer. Instead he finds himself disillusioned in 1990s LA, daydreaming in court of the gentle savior he wants to be, and drinking away his frustrations at night in his office. But he is violently shaken from the despairing emptiness of his life one evening when an intruder at the law firm brutally stabs him and his partner. With his partner on the brink of death, Sam discovers that he is the LAPD's most likely suspect. But the answer to the mystery attacker might lie with the law firm's prized new client, an eighteen-year-old dot-com entrepreneur known as "the Kid." Is the Kid a money launderer? An inspirational religious leader? A sexual predator? Sam struggles to stay out of prison as he makes his way through an apocalyptic LA landscape of bombings, fires, and organized crime to a fateful encounter with three bodies on the concrete banks of the LA River. His only hope is a first-year associate with an athlete's body but an unproven legal mind. Can he maintain his integrity while exposing depravity in his own client? But more importantly, will he even survive?Show book
