Goliah by Jack London.
Jack London, pseudonym of John Griffith Chaney, American novelist and short-story writer whose best-known works—among them The Call of the Wild (1903) and White Fang (1906)—depict elemental struggles for survival. During the 20th century he was one of the most extensively translated of American authors.
Deserted by his father, a roving astrologer, he was raised in Oakland, California, by his spiritualist mother and his stepfather, whose surname, London, he took. At age 14 he quit school to escape poverty and gain adventure. He explored San Francisco Bay in his sloop, alternately stealing oysters or working for the government fish patrol. He went to Japan as a sailor and saw much of the United States as a hobo riding freight trains and as a member of Charles T. Kelly’s industrial army (one of the many protest armies of the unemployed, like Coxey’s Army, that was born of the financial panic of 1893). London saw depression conditions, was jailed for vagrancy, and in 1894 became a militant socialist.
London educated himself at public libraries with the writings of Charles Darwin, Karl Marx, and Friedrich Nietzsche, usually in popularized forms. At 19 he crammed a four-year high school course into one year and entered the University of California, Berkeley, but after a year he quit school to seek a fortune in the Klondike gold rush. Returning the next year, still poor and unable to find work, he decided to earn a living as a writer.
London studied magazines and then set himself a daily schedule of producing sonnets, ballads, jokes, anecdotes, adventure stories, or horror stories, steadily increasing his output. The optimism and energy with which he attacked his task are best conveyed in his autobiographical novel Martin Eden (1909). Within two years, stories of his Alaskan adventures began to win acceptance for their fresh subject matter and virile force. His first book, The Son of the Wolf: Tales of the Far North (1900), a collection of short stories that he had previously published in magazines, gained a wide audience.
During the remainder of his life, London wrote and published steadily, completing some 50 books of fiction and nonfiction in 17 years. Although he became the highest-paid writer in the United States at that time, his earnings never matched his expenditures, and he was never freed of the urgency of writing for money. He sailed a ketch to the South Pacific, telling of his adventures in The Cruise of the Snark (1911). In 1910 he settled on a ranch near Glen Ellen, California, where he built his grandiose Wolf House. He maintained his socialist beliefs almost to the end of his life.
Jack London’s output, typically hastily written, is of uneven literary quality, though his highly romanticized stories of adventure can be compulsively readable. His Alaskan novels The Call of the Wild (1903), White Fang (1906), and Burning Daylight (1910), in which he dramatized in turn atavism, adaptability, and the appeal of the wilderness, are outstanding. His short story “To Build a Fire” (1908), set in the Klondike, is a masterly depiction of humankind’s inability to overcome nature; it was reprinted in 1910 in the short-story collection Lost Face, one of many such volumes that London published.
“[Harvey] may have created a new literary genre: science travel writing . . . travelogue, autobiography, history, and even fantasy romp alongside the biology” (Quill & Quire). When biologist Brian Harvey saw a thousand fish blundering into a Brazilian dam, he asked the obvious: What’s going to happen to them? The End of the River is the story of his long search for an answer. Harvey takes readers from a fisheries patrol boat on the Fraser River to the great Tsukiji fish market in Japan, with stops in the Philippines, Thailand, and assorted South American countries. Finally, in the arid outback of northeast Brazil, against a backdrop of a multi-billion-dollar river project nobody seems to want, he finds a small-scale answer to his simple question. In recounting his journey, he populates his story with characters both real and imagined, human and otherwise—a six-foot endangered catfish; a Canadian professor with a weakness for Thai bar girls; a chain-smoking Brazilian with a passion for her river; a drug-addled stick-up artist. The End of the River is about fishermen, fish farmers, and fish cops; there are scientists and shysters as well as a few Colombian narcotráficos and some very drunk, very hairy Brazilian men in thongs. From the founder of the World Fisheries Trust, Harvey introduces a new kind of writing about the environment, as far off the beaten track as you can get in a Land Rover driven by a female Colombian biologist whose favorite expression is “No hay via!”—meaning, “no road!” “[A] freewheeling and vividly written essay on the mysteries and longings of what it is to be human in a world of cynicism and loss—and more significantly, what it is to be hopeful, to persevere, in the search for redemption and beauty . . . A brilliant and instructive book . . . recalls the travel writing of one of Harvey’s heroes, Sir Richard Burton.” —The Globe and Mail (Toronto)
In Ordinary People Don't Carry Machine Guns, Artem Chapeye reveals his war, intimate and senseless, withholding nothing about his motivations, his nightmares, his new relationship with the world. Here one man, a pacifist turned fighter, a story writer turned soldier considers the reasons for and reactions to war on a very personal level.
Chapeye investigates his role in the Ukrainian people's defense against the Russian army and his responsibilities as a father, a writer, a soldier, and a man of conviction. An avowed pacifist until 2022, Chapeye joined the Ukrainian army in the first days of the invasion. He tries to understand the large-scale decision-making that has a defining impact on both individual citizens and society-at-large: many of his fellow soldiers never considered enlisting before finding themselves at war; others fled the country. He wonders what his young children at home are doing and what they're feeling.
The book has three parts, offering historical analogies and literary references throughout. Deeply thought-provoking, intelligent, and heartbreaking, this is an essential book for anyone who wants to understand the ways that war can change everything.
From the New York Times–bestselling author of Seward and Stanton comes the definitive biography of John Jay: “Wonderful” (Walter Isaacson, New York Times–bestselling author of Leonardo da Vinci). John Jay is central to the early history of the American Republic. Drawing on substantial new material, renowned biographer Walter Stahr has written a full and highly readable portrait of both the public and private man—one of the most prominent figures of the late eighteenth and early nineteenth centuries. “The greatest founders—such as Washington and Jefferson—have kept even the greatest of the second tier of the nation’s founding generation in the shadows. But now John Jay, arguably the most important of this second group, has found an admiring, skilled student in Stahr . . . Since the last biography of Jay appeared 60 years ago, a mountain of new knowledge about the early nation has piled up, and Stahr uses it all with confidence and critical detachment. Jay had a remarkable career. He was president of the Continental Congress, secretary of foreign affairs, a negotiator of the treaty that won the United States its independence in 1783, one of three authors of The Federalist Papers, first chief justice of the Supreme Court and governor of his native New York . . . [Stahr] places Jay once again in the company of America’s greatest statesmen, where he unquestionably belongs.” —Publishers Weekly “Even-handed . . . Riveting on the matter of negotiating tactics, as practiced by Adams, Jay and Franklin.” —The Economist “Stahr has not only given us a meticulous study of the life of John Jay, but one very much in the spirit of the man . . . Thorough, fair, consistently intelligent, and presented with the most scrupulous accuracy. Let us hope that this book helps to retrieve Jay from the relative obscurity to which he has been unfairly consigned.” —Ron Chernow, author of Alexander Hamilton
“[My life] is so rich with blessings—an immense capacity of enjoyment, books, and beloved friends. . . . Most earnestly I pray the dear Heavenly Father that I may sometime make myself far more worthy of the love shown to me than I am now.”—April 22, 1900 letter from Helen Keller to John Hitz, AFBWhen Helen Keller died in 1968, at the age of eighty-eight years old, she was one of the most widely known women in the world. The overnight success of her biography, The Story of My Life, written at age twenty-three, made it obvious to Keller that she was endowed with a gift for writing and speaking. As she got older, she increasingly began to do both on a variety of subjects extending beyond her own disability, including social, political, and theological issues.Helen Keller: Selected Writings collects Keller’s personal letters, political writings, speeches, and excerpts of her published materials from 1887 to 1968. The book also includes an introductory essay by Kim E. Nielsen, headnotes to each document, and a selected bibliography of work by and about Keller. The majority of the letters and some prints, all drawn from the Helen Keller Archives at the American Foundation for the Blind in New York, are being published for the first time.Literature, education, advocacy, politics, religion, travel: the many interests of Helen Keller culminate in this book and are reflected in her spirited narration. Also portrayed are the individuals Keller inspired and took inspiration from, including her teacher Annie Sullivan, her family, and others with whom she formed friendships throughout the course of her life.This often charming collection revels in and preserves Keller’s public and private life, coming to us in the year which marks the 125th anniversary of her birthday.
A death row cell that recounts the dark stories of its inmates. An informant who consumes shards of crystallized skulls to see the past. A world where to speak of the dead is a violation of an unjust society's rules. Heists, drugs, cults, detectives, murder, monsters, revenge.
Commit yourself to Howls from the Scene of the Crime, an anthology of crime horror laced with blood, secrets, and occult compulsions from some of the best established and emerging horror authors writing today. Featuring a foreword by Bram Stoker Award® winning crime horror author, Cynthia Pelayo.
Edited by Jessica Peter and Timaeus Bloom with a foreword by Cynthia Pelayo
Stories by Joseph Andre Thomas, R.H. Newfield, C.B. Jones, Ashe Olivier Deng, Michelle Tang, Nathan Schuetz, Christopher O’Halloran, Steve Neal, L.T. Williams, TJ Price, Carson Winter, Christopher Buehlman, Mary Sanche, Donyae Coles, J.W. Donley, Peter Ong Cook, Gwendolyn Kiste, Jennifer L. Collins, RSL, Dustin Mendel, Lindsey Ragsdale, and M. Halstead