Other books that might interest you

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  Rogues' Gallery - The Rise (And...

  Philip Hook

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  Here for the first time is the history of art dealers, those extraordinary men and women who, over centuries (and almost entirely out of the public eye), built their profession on a singular skill: identifying the intangible but infinitely desirable qualities that characterize the greatest works of art—and finding clients for whom those qualities are irresistible. 
  Philip Hook's riveting narrative takes us from the early days of art dealing in Antwerp, where paintings were sold by weight, to the unassailable hauteur of contemporary galleries in New York, London, Paris, and beyond. Along the way, we meet a surprisingly wide-ranging cast of characters—from tailors, spies, and the occasional anarchist to scholars, aristocrats, and connoisseurs, some compelled by greed, some by their own vision of art—and some by the art of the deal. Among them are Joseph Duveen, who almost single-handedly brought the Old Masters to America; Daniel-Henry Kahnweiler, high priest of Cubism; and Peter Wilson, the charismatic Sotheby's chairman who made a theater of the auction room. 
  Rogues' Gallery bursts with unforgettable anecdotes and astute judgments about art and artists, honed by Hook's more than forty years in the art market—making it essential listening for anyone interested in the hidden history of art.

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  Understanding Movies: The Art...

  Raphael Shargel

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  Why does the cinema have the power to move the heart, stimulate the mind, and dazzle the imagination? How did the art of film develop from its origins to the present day? 
  This course covers the history and aesthetics of the movies. It traces the experiments and innovations that gave rise to the modern cinema, developing a vocabulary that helps explain the variety of choices filmmakers make when they construct shots and edit them together. 
  In each lecture, Professor Raphael Shargel introduces a period of film history, talks about its importance, covers aspects of cinematic technique, and illustrates his points by analyzing specific movies from the era under discussion. The course thus has both breadth and depth, covering the major movements in film history while at the same time focusing on key pictures worthy of study and enjoyment.

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  Broadway Is My Beat - The Sgt...

  Morton S. Fine, David Friedkin

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  Broadway. The Great White Way.  In its theatres—one day you’re an understudy, the next a star.  Your name in headlines and lights. But Broadway has an underbelly. A troubling side through which to view humanity at its worst: corrupt, dark, venal, and violent.  
   
  For Detective Danny Clover every time he walked that street another case was always just a few footsteps away.  He knows everyone along Broadway—from panhandlers to operatic prima donnas—but he’s still sentimental about the street, forever an ever-changing wonderland of glamour that at any moment is ready to reveal its dark side. 
   
  These are his stories.

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  California Contemporary

  Grant C. Kirkpatrick

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  “Two dozen custom-designed homes that welcome in sunlight and accentuate gorgeous vistas, and the architect’s thoughts behind them.” —Luxe Interiors + Design   The stunning houses of Grant Kirkpatrick and his firm, KAA Design, exemplify why so many of us look to Southern California as the pinnacle of sophisticated modern living. The twenty-four magnificent custom homes featured in this book, modern in style, are built of sensuous materials and sited to make the most of nature, views, and sunlight.   This collection of visionary residences, shown in gorgeous photographs and colorful drawings, represents the California Dream, shaped by an architect chosen by celebrities including Tom Hanks and Rita Wilson, Matt Damon, and Julia Louis-Dreyfus, for their personal retreats. Kirkpatrick offers his reflections on these beautiful projects—and the design strategies behind their creation.   “Beautiful . . . For anyone who loves contemporary design and architectural masterpieces.” —Library Journal

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  M1 Abrams Tank

  Michael Green

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  This pictorial history of the legendary M1 Abrams Tank illustrates its versatility and advancement from the Cold War Era to the present day. The M1 Abrams has proved itself to be the finest main battle tank in the world since its introduction into US Army service in 1981. It combines the ultimate balance between firepower, mobility and protection as demonstrated by its superior performance during the two Gulf Wars and in Afghanistan. It routed the Soviet equipment of Saddam Hussein's army and today remains the yardstick by which friends' and foes' MBTs are judged. As military expert Michael Green demonstrates in this illustrated history, the M1’s versatility, and its continual modernization of weaponry armor and engineering, guarantees that it will remain the US Army's spearpoint for years to come. With its comprehensive collection of images and authoritative text, this volume is an ideal resource for information on M1 Abrams Tank design and combat operations.

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  Nixon at the Movies - A Book...

  Mark Feeney

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  “People will be arguing over Nixon at the Movies as much as, for more than half a century, the country at large has been arguing about Nixon.”—Greil Marcus   Richard Nixon and the film industry arrived in Southern California in the same year, 1913, and they shared a long and complex history. The president screened Patton multiple times before and during the invasion of Cambodia, for example. In this unique blend of political biography, cultural history, and film criticism, Mark Feeney recounts in detail Nixon’s enthusiastic viewing habits during his presidency, and takes a new and often revelatory approach to Nixon’s career and Hollywood’s, seeing aspects of Nixon’s character, and the nation’s, refracted and reimagined in film. Nixon at the Movies is a “virtuosic” examination of a man, a culture, and a country in a time of tumult (Slate).   “By Feeney's count, Nixon, an unabashed film buff, watched more than 500 movies during the 67 months of his presidency, all carefully listed in an appendix titled ‘What the President Saw and When He Saw It.’ Nixon concentrated intently on whatever was on the screen; he refused to leave even if the picture was a dud and everyone around him was restless. He was omnivorous, would watch anything, though he did have his preferences…Only rarely did he watch R-rated or foreign films. He liked happy endings. Movies were obviously a means of escape for him, and as the Watergate noose tightened, he spent ever more time in the screening room.”—The New York Times

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