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    The Russian Countess

    Edith Sollohub

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    Separated from her three young sons, stripped of her possessions and fearing for her life, Countess Edith Sollohub found herself trapped in revolutionary Russia. The daughter of a high-ranking diplomat, Edith was destined to join the social and intellectual elite of Imperial Russia. As a child she spent the summers learning to ride and shoot on the family's country estate; during the winter months her parents hosted lavish parties in their luxurious St Petersburg Apartment. This privileged upbringing would ultimately help her survive the traumatic events of the 1917 revolution. This is Edith's personal account of her escape from Russia in which she assumed new identities as a Polish refugee, a travelling musician and even a Red Army nurse. She would endure hunger, imprisonment and loneliness in the quest to be reunited with her family.
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  • Barracoon - The Story of the Last "Black Cargo" - cover

    Barracoon - The Story of the...

    Zora Neale Hurston

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    New York Times Bestseller •  TIME Magazine’s Best Nonfiction Book of 2018 • New York Public Library’s Best Book of 2018 • NPR’s Book Concierge Best Book of 2018 • Economist Book of the Year • SELF.com’s Best Books of 2018 • Audible’s Best of the Year • BookRiot’s Best Audio Books of 2018 • The Atlantic’s Books Briefing: History, Reconsidered • Atlanta Journal Constitution, Best Southern Books 2018  • The Christian Science Monitor’s Best Books 2018 •  
     
     
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    “One of the greatest writers of our time.”—Toni Morrison 
    “Zora Neale Hurston’s genius has once again produced a Maestrapiece.”—Alice Walker 
    A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade—abducted from Africa on the last "Black Cargo" ship to arrive in the United States. 
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  • History of Modern Psychology - Lectures Delivered at ETH Zurich Volume 1 1933-1934 - cover

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    C. G. Jung

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    Jung’s lectures on the history of psychology—in English for the first time 
    Between 1933 and 1941, C. G. Jung delivered a series of public lectures at the Swiss Federal Institute of Technology (ETH) in Zurich. Intended for a general audience, these lectures addressed a broad range of topics, from dream analysis to yoga and meditation. Here for the first time in English are Jung’s lectures on the history of modern psychology from the Enlightenment to his own time, delivered in the fall and winter of 1933–34. 
    In these inaugural lectures, Jung emphasizes the development of concepts of the unconscious and offers a comparative study of movements in French, German, British, and American thought. He also gives detailed analyses of Justinus Kerner’s The Seeress of Prevorst and Théodore Flournoy’s From India to the Planet Mars. These lectures present the history of psychology from the perspective of one of the field’s most legendary figures. They provide a unique opportunity to encounter Jung speaking for specialists and nonspecialists alike and are the primary source for understanding his late work. 
    Featuring cross-references to the Jung canon and explanations of concepts and terminology, History of Modern Psychology painstakingly reconstructs and translates these lectures from manuscripts, summaries, and recently recovered shorthand notes of attendees. It is the first volume of a series that will make the ETH lectures available in their entirety to English readers.
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  • The Philosophy of the Daodejing - cover

    The Philosophy of the Daodejing

    Hans-Georg Moeller

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    For centuries, the ancient Chinese philosophical text the Daodejing (Tao Te Ching) has fascinated and frustrated its readers. While it offers a wealth of rich philosophical insights concerning the cultivation of one's body and attaining one's proper place within nature and the cosmos, its teachings and structure can be enigmatic and obscure.  
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  • Killing Beauties - cover

    Killing Beauties

    Pete Langman

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    In a world made for men, Susan Hyde is no ordinary woman.And no one would suspect that the sister of Edward Hyde, chief advisor to King in exile Charles Stuart, spends her time peddling state secrets and fomenting rebellion rather than on her tapestry.As a she-intelligencer – female spy – Susan’s mission is to extract information from Oliver Cromwell’s unsuspecting spymaster, by any means necessary.In a shadow-world of ciphers, surveillance, poison, seduction and duplicity, this daring spy will risk everything for king and country. Based on the astonishing true story of England’s earliest female spies, Killing Beauties will transport you to a seventeenth-century London rife with political intrigue, betrayal and conspiracy.
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  • Jung on Active Imagination - cover

    Jung on Active Imagination

    C. G. Jung

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    All the creative art psychotherapies (art, dance, music, drama, poetry) can trace their roots to C. G. Jung's early work on active imagination. Joan Chodorow here offers a collection of Jung's writings on active imagination, gathered together for the first time. Jung developed this concept between the years 1913 and 1916, following his break with Freud. During this time, he was disoriented and experienced intense inner turmoil --he suffered from lethargy and fears, and his moods threatened to overwhelm him. Jung searched for a method to heal himself from within, and finally decided to engage with the impulses and images of his unconscious. It was through the rediscovery of the symbolic play of his childhood that Jung was able to reconnect with his creative spirit. In a 1925 seminar and again in his memoirs, he tells the remarkable story of his experiments during this time that led to his self-healing. Jung learned to develop an ongoing relationship with his lively creative spirit through the power of imagination and fantasies. He termed this therapeutic method "active imagination." 
     This method is based on the natural healing function of the imagination, and its many expressions. Chodorow clearly presents the texts, and sets them in the proper context. She also interweaves her discussion of Jung's writings and ideas with contributions from Jungian authors and artists.
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