Inspired by real characters, this transporting historical fiction debut spins the fascinating story of two princesses in the Romanov court who practiced black magic, befriended the Tsarina, and invited Rasputin into their lives—forever changing the course of Russian history.
As daughters of the impoverished King of Montenegro, Militza and Stana must fulfill their duty to their father and leave their beloved home for St. Petersburg to be married into senior positions in the Romanov court. For their new alliances to the Russian nobility will help secure the future of the sisters’ native country. Immediately, Militza and Stana feel like outcasts as the aristocracy shuns them for their provincial ways and for dabbling in the occult. Undeterred, the sisters become resolved to make their mark by falling in with the lonely, depressed Tsarina Alexandra, who—as an Anglo-German—is also an outsider and is not fully accepted by members of the court. After numerous failed attempts to precipitate the birth of a son and heir, the Tsarina is desperate and decides to place her faith in the sisters’ expertise with black magic.
Promising the Tsarina that they will be able to secure an heir for the Russian dynasty, Militza and Stana hold séances and experiment with rituals and spells. Gurus, clairvoyants, holy fools, and charlatans all try their luck. The closer they become to the Tsarina and the royal family, the more their status—and power—is elevated. But when the sisters invoke a spiritual shaman, who goes by the name of Rasputin, the die is cast. For they have not only irrevocably sealed their own fates—but also that of Russia itself.
Brimming with black magic, sex and intrigue, The Witches of St. Petersburg is an exquisite historical fiction debut novel filled with lush historical details from the Romanov era.
SHORTLISTED FOR THE CWA INTERNATIONAL DAGGER AWARD 2016 Hamburg, 1947. A ruined city occupied by the British who bombed it, experiencing the coldest winter in living memory. Food is scarce; refugees and the homeless crowd into shanty towns and sheds. There is a killer on the loose, and all attempts to find him or her have failed. Plagued with worry about his missing son, Frank Stave is a career policeman with a tragedy in his past that is driving his determination to find the killer. With the help of his colleague Maschke from the vice squad, and Lt MacDonald from the British military, Stave has to find out why and who - in the wake of a wave of atrocity, the grim Nazi past and the bleak attempts by his German countrymen to recreate a country from the apocalypse - someone is still dedicated to murder. The first of a trilogy The Murderer in Ruins is at once evocative, impeccably plotted and beautifully textured, vividly describing a poignant moment in British/German history, with a plot both divinely seamless and riveting. A spine-tingling portrayal of pure evil, with multiple twists, turns and subplots, you'll have no idea, until the final extraordinary denouement, what or who will rise from the ashes.
In 1661 Madrid, Ana is still grieving the loss of her husband when her niece, sixteen-year-old Juliana, suddenly vanishes. Ana frantically searches the girl’s room and comes across a diary. Journeying to southern Spain in the hope of finding her, Ana immerses herself in her niece’s private thoughts. After a futile search in Seville, she comes to Juliana’s final entries, and, discovering the horrifying reason for the girl’s flight, abandons her search.In 1992 Missouri, in her deceased mother’s home, Rachel finds a packet of letters, and a diary written by a woman named Juliana. Rachel’s reserved mother has never mentioned these items, but Rachel recognizes the names Ana and Juliana: her mother uttered them on her deathbed. She soon becomes immersed in Juliana’s diary, which recounts the young woman’s journey to Mexico City and her life in a convent. As she learns the truth about Juliana’s tragic family history, Rachel seeks to understand her connection to the writings—hoping that in finding those answers, she will somehow heal the wounds caused by her mother’s lifelong reticence.
In the sweeping, poignant sequel to The Vintner’s Daughter, the Lemieux family’s ambition to establish an American winemaking dynasty takes Sara and Philippe from pastoral Napa to the Paris World’s Fair and into the colorful heart of early 20th-century San Francisco.
It is 1897, and Sara and Philippe Lemieux, newly married and full of hope for the future, are determined to make Eagle’s Run, their Napa vineyard, into a world-renowned winemaking operation. But the swift arrival of the 20th century brings a host of obstacles they never dreamed of: price wars and the twin threats of phylloxera and Prohibition endanger the success of their business, and the fiercely independent Sara is reluctant to leave the fields behind for the new and strange role of wife and mother.
An invitation to the World’s Fair in 1900 comes just in time to revive the vineyard’s prospects, and amid the jewel-colored wonders of Belle Époque Paris, Sara and Philippe’s passion is rekindled as well. But then family tragedy strikes, and, upon their return to California, a secret from Philippe’s past threatens to derail their hard-won happiness in one stroke.
Sara gains an ally when Marie Chevreau, her dear friend, arrives in San Francisco as the first female surgery student to be admitted to prestigious Cooper Medical College. Through Marie, Sara gets a glimpse of the glittering world of San Francisco’s high society, and she also forges friendships with local women’s rights advocates, inciting new tensions in her marriage. Philippe issues Sara an ultimatum: will she abandon the struggle for freedom to protect her family’s winemaking business, or will she ignore Philippe and campaign for a woman’s right to vote and earn a fair wage?
Fate has other plans in store in the spring of 1906, which brings with it a challenge unlike any other that the Lemieux family or their fellow Northern Californians have ever faced. Will the shadow of history overwhelm Sara and Philippe’s future, despite their love for each other? In The California Wife, Kristen Harnisch delivers a rich, romantic tale of wine, love, new beginnings, and a family’s determination to fight for what really matters—sure to captivate fans of The Vintner’s Daughter and new readers alike.
Loire Valley, 1895. When seventeen-year-old Sara Thibault's father is killed in a mudslide, her mother sells their vineyard to a rival family whose eldest son marries Sara's sister, Lydia. But a violent tragedy compels Sara and her sister to flee to New York, forcing Sara to put aside her dream to follow in her father's footsteps as a master winemaker.
Meanwhile, Philippe Lemieux has arrived in California with the ambition of owning the largest vineyard in Napa by 1900. When he receives word of his brother's death in France, he resolves to bring the killer to justice. Sara has travelled to California in hopes of making her own way in the winemaking world. When she encounters Philippe in a Napa vineyard, they are instantly drawn to one another, but Sara knows he is the one man who could return her family's vineyard to her, or send her straight to the guillotine.
This riveting tale of betrayal, retribution, love, and redemption, Kristen Harnisch’s debut novel immerses readers in the rich vineyard culture of both the Old and New Worlds, the burgeoning cities of late nineteenth-century America and a spirited heroine’s fight to determine her destiny.
A story of revolution and oppression, privilege and poverty, love and betrayal from the critically acclaimed author of Pao
Fay Wong is caught between worlds. Her father is a Chinese immigrant who conjured a fortune from nothing; her African heritage mother grew up on a plantation and now reigns over their mansion in Lady Musgrave Road.
But her father's Chinatown haunts are out of bounds and the airy rooms of their home are filled with her mother's uncontrollable rages – rages against which Fay rebels as she grows into a headstrong woman.
As she tries to escape the restraints of her privileged upbringing, Fay's eyes are opened to a Jamaica she was never meant to see. And when her mother decides that she must marry the racketeer Yang Pao, she finds herself on a journey that will lead to sacrifice and betrayal.
"I was hungry, seeing myself starving for want of something I could not define. I sought it constantly, sought it at every turn, searched every face I met for hints of it, looked everywhere I could conceive. I lost time trying to slake this unquenchable thirst, trying to satisfy an endlessly burning hunger. But in the end I knew precisely what I had been after all along. It is the folly of the young, part of their particular curse, to be so unaware, to be blind as well as hungry. To be in exile from themselves and not know they are away."
Haunted by lost loves and limping through a lifeless career, Conor Finnegan's discontent mirrors the restlessness of his grandfather Liam, caught as a young man in the crossfire of the Irish Civil War. Drawing from Liam's wisdom and courage, Conor seeks to reinvent his character and reclaim passions made numb by neglect and loss.
Through the Waters and the Wild addresses the timeless questions, "Where shall I go now? What shall I do?"
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