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  A Confederacy of Dumptys -...

  John Lithgow

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  The next book in John Lithgow's New York Times bestselling seriesFollowing the success of New York Times bestsellers Dumpty and Trumpty Dumpty Wanted a Crown, award-winning actor, author, and illustrator John Lithgow presents the third book in his runaway hit series. A Confederacy of Dumptys takes us through a history of twenty-five "American Scoundrels" in this all-new collection of Lithgow's satirical poems and illustrations.While the Trump Era was rife with corruption and abuse of power, it was nothing new. Through Lithgow's cutting humor, you will read about a rogues' gallery of villains that came before Donald J. Trump, powerful men and women who were corrupt, venal, criminal, adulterous, racist, or just plain disgusting. With dark and lyrical stories from across American history, you will learn about long-forgotten figures and bad actors of today, including the first Grand Wizard of the Ku Klux Klan, the perpetrator of 19th century women's pyramid schemes, and participants in both the Watergate scandal and the Capitol insurrection. Trump and Nixon show up, of course, but also Leona Helmsley, Boss Tweed, Typhoid Mary, Newt Gingrich, Ted Cruz, and many more. Skipping through time, and delivered with classic Lithgow wit and style, A Confederacy of Dumptys is an exuberant reminder of how not to repeat history.Digital audio edition read by the author.The perfect book for:• Political satire fans—viewers of The Daily Show with Trevor Noah, Last Week Tonight with John Oliver, and The Late Show with Stephen Colbert.• American history buffs and trivia enthusiasts—readers of Jon's Stewart's America (The Book): A Citizen's Guide to Democracy Inaction and Josh Clark's Stuff You Should Know: An Incomplete Compendium of Mostly Interesting Things.• Poetry, art, and illustration aficionados.

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  The End of the Alphabet - Poems

  Claudia Rankine

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  A “harrowing and hallucinogenic” collection of poems from author of the New York Times–bestselling National Book Award-finalist Citizen: An American Lyric (Library Journal).   Claudia Rankine’s book-length poem about rising racial tensions in America, Citizen: An American Lyric, won numerous prizes, including the The National Book Critic’s Circle Award. Her new collection of poems—intrepid, obsessive, and erotic—tell the story of a woman’s attempt to reconcile herself to her own despair.   Drawing on voices from Jane Eyre to Lady MacBeth, Rankine welds the cerebral and the spiritual, the sensual and the grotesque. Whether writing about intimacy or alienation, what remains long after is her singular voice—its beguiling cadence and vivid physicality. There is an unprotected quality to this writing, as if each word has been pushed out along the precipice, daring us to go with it. Rankine’s power lies in the intoxicating pull of that dare.   From one of contemporary poetry’s most powerful and provocative authors, The End of the Alphabet is a work where “wits at once keen and tenacious match themselves against grief’s genius” (Boston Review).

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  Drip (NHB Modern Plays)

  Tom Wells, Matthew Robin

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  Liam is fifteen and he's just signed up for Bev Road Baths' first ever synchronised swimming team. It's for his best mate Caz really. She needs to get a team together to win the annual Project Prize at school. She tries every year. She always loses. But Liam's an optimist, he's determined to help. There's just one problem. Liam can't swim…
  A one-man musical comedy by award-winning duo Tom Wells and Matthew Robins, Drip was first seen as part of the Back to Ours programme for Hull UK City of Culture 2017. The play subsequently toured the UK in 2018, including runs at the Edinburgh Festival Fringe and the Bush Theatre, London, in a production by Boundless Theatre and Script Club.
  This edition includes Matthew Robins' original sheet music.
  'Full of warm, generous humour and wry observation… it will leave you with a warmed heart and a spring in your step' - Exeunt Magazine
  'Matthew Robins' music and Wells' lyrics feel like Victoria Wood for a new generation' - The Stage

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  Voice Message

  Katherine Barrett Swett

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  Through the poems of Voice Message, Katherine Barrett Swett reflects on her personal tragedy and the fragility of human lives and bodies with a tender care. Her debut collection explores the powers of art and poetry to participate in the processing of catastrophic grief, speaking through both the consolation and devastation these creative works can offer. Swett’s formal verse provides a lens through which sadness, destruction, and loss appear as aberrant and inevitable. In tragic lyric, the poet searches poetry, art, mythology, and her own memory for the fleeting image of her lost daughter “in music, painting, or a carved stone name.” Frequently looking to visual arts for inspiration, she finds that Vermeer’s paintings of distant rooms guide and contextualize pain, offering motivation, comfort, and release. Through villanelles, sonnets, quatrains, and free verse, Swett invokes the voices, narratives, and images, both personal and cultural, that haunt her speakers. Suspended in the aftermath of the unexpected and unspeakable death of her college-age daughter, the poet’s language is held together in a somber and necessary restraint. But this restraint does not signal the peace of closure. Rather, these poems quietly and steadily remind readers it is still “the open wound / not the scar,” that “all we have are words and flesh,” and that we are forever vulnerable. The rhythm of and echoes of sonnets and songs lead us to the sticky intersections of tragedy, recovery, and strange forms of beauty.

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  Eros and Psyche

  Robert Bridges

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  Bridges' Eros and Psyche retells the Eros (= Cupid) and Psyche myth first recorded by Lucius Apuleius in his book The Golden Ass.The poem is divided into twelve cantos - one for each of the twelve months of the year - which gives the poem a certain, almost "pastoral" feel. The number of stanzas in each canto equals the number of days in that month: so the first canto March has 31 stanzas, the second canto April has 30 stanzas, and so on. Each stanza is a septet (ie comprises exactly seven lines) which follow the same end-rhyming schema of a-b-a-b-c-c-b.(Summary by Godsend)

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  Nora : A Doll's House (NHB...

  Henrik Ibsen

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  Nora is the perfect wife and mother. She is dutiful, beautiful and everything is always in its right place. But when a secret from her past comes back to haunt her, her life rapidly unravels. Over the course of three days, Nora must fight to protect herself and her family or risk losing everything.
  Henrik Ibsen's brutal portrayal of womanhood caused outrage when it was first performed in 1879. This bold new version by Stef Smith reframes the drama in three different time periods. The fight for women's suffrage, the Swinging Sixties and the modern day intertwine in this urgent, poetic play that asks how far have we really come in the past hundred years?
  Nora : A Doll's House was first produced by the Citizens Theatre, Glasgow, in 2019, at Tramway, Glasgow.

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