Other books that might interest you

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  Curse of the Red Scorpion

  Scott Nickel

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  Describes Mitchell's adventures after seeing a red scorpion at the museum.

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  It's Her Story: Ida B Wells - A...

  Anastasia Magloire Williams

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  Ida B. Wells was a groundbreaking journalist and civil rights activist in the decades after the Civil War. She worked fiercely for the equal treatment of Black people in schools, in society, and at the voting booth. With her powerful voice, she spoke out against injustice wherever she saw it.

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  Nana’s Electric Car - Te Motokā...

  Marie Munro

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  Bella, Jacob and Lucas are climate change savvy, so they’re really excited to discover that their Nana has seen the light. And what’s more, her new car is powered by sunbeams. “Nana’s Electric Car - Te Motokā Hiko o Kui” is a useful trigger for conversations about the role of clean energy in addressing environmental issues. 
  The play order of this book isBilingualEnglish OnlyTe Reo Māori Only 
  To purchase the physical books go to www.nanasshed.co.nz

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  Black Beauty (A Graphic Novel...

  Anna Sewell

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  This unforgettable story takes place in nineteenth-century England, through the eyes of Black Beauty. The reader will feel the love and cruelty that this great stallion experiences. Beginning with Black Beauty's wonderful life with his master, Squire Gordon, and the kindness of Jerry Barker to the terrible times as a "cab" horse having to tolerate the torture of the "proper" English bearing reins, Black Beauty's story speaks for all animals that can't speak for themselves.

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  If I were The Devil 2030 -...

  Joseph William Dopp

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  In 1965, Paul Harvey, a voice resonant with prophetic insight, delivered a broadcast that would echo through the decades. His "If I Were the Devil" was not merely a monologue but a chilling foresight, a catalog of malevolence that seemed to unspool the very fabric of the future. Here, listed, are the stratagems he attributed to the devil himself:Promote discord and discontentUndermine family structuresEncourage selfishness and materialismErode faith and spiritualityPromote moral relativismEncourage trust in government over self-relianceFoster dependency on state welfareUndermine educational standardsPromote the normalization of addictions 
  Ah, but let us now turn the page to a more... current narrative. I am Master Fewnu, and let me be perfectly clear: any resemblance my moniker bears to worldly institutions is purely coincidental, whimsically serendipitous, you might say. I find myself in a peculiar era, the year 2030, where my machinations have woven themselves into the very tapestry of human society. And, oh, how delightfully easy it was! 
  Humans, those endearingly gullible creatures, have outdone themselves in paving the way for my reign. The beauty of my plan lies in its simplicity: convince humanity that they are progressing, all while they dance like marionettes to the discordant symphony I conduct. And dance they do, with a fervor that borders on the comical. 
  Let us indulge in a bit of self-adulation, shall we? After all, it's not pride if it's deserved. My strategy was a masterpiece of deception and manipulation, a veritable feast of folly. With every step they took away from unity, from the sanctity of the family, from the very essence of their faith and moral compass, they stepped closer to me...

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  Forsaken

  William Nesbitt

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  In December of 1992, filming began on a secret Fantastic Four movie. Several months earlier, Bernd Eichinger met with legendary producer and director Roger Corman about making the movie before his rights expired at the end of the year. The movie was finished in 1993 and scheduled for a 1994 release. Before the premiere, Marvel bought the film and the negative was destroyed. The Fantastic Four would never be seen. However, a single copy made during a routine transfer leaked out and found its way to comic conventions and eventually to the internet. Marvel refuses to recognize its existence. Was the film bought up and canceled to preserve the integrity of later Fantastic Four films? Was Marvel unable to bear being cut out of the making of one of its biggest properties? Was the movie just a desperate move on Eichinger’s part to extend his option and give him leverage with Marvel? And what was Corman’s part in all of this? Was he a partner in some larger conspiracy, was he fooled along with the cast and crew into thinking this would be released, or did he have his own hidden agenda? Who knew what when? Drawing from extensive interviews with the cast, crew, and producers, the true story behind the first Fantastic Four movie ever and one of the greatest Hollywood mysteries is finally revealed a quarter of a century later. Shelved. Burned. Hidden. Forsaken.

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