Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
The Painter's Chair - George Washington and the Making of American Art - cover

We are sorry! The publisher (or author) gave us the instruction to take down this book from our catalog. But please don't worry, you still have more than 500,000 other books you can enjoy!

The Painter's Chair - George Washington and the Making of American Art

Hugh Howard

Publisher: Bloomsbury Press

  • 0
  • 0
  • 0

Summary

"I am so hackneyed to the touches of the painters pencil, that I am now altogether at their beck ... no dray moves more readily to the Thill, than I do to the Painters Chair." - George Washington, 16, 1785 
When George Washington was born, the New World had virtually no artists. Over the course of his life, a cultural transformation would occur. Virtually everyone regarded Washington as America's indispensable man, and the early painters and sculptors were no exception. Hugh Howard surveys the founding fathers of American painting through their portraits of Washington. Charles Willson Peale was the comrade-in-arms, John Trumbull the aristocrat, Benjamin West the mentor, and Gilbert Stuart the brilliant wastrel. Their images of Washington fed an immense popular appetite that has never faded, Stuart's image endures today on the $1 bill. The Painter's Chair is an eloquent narrative of how America's first painters toiled to create an art worthy of the new republic, and the hero whom they turned into an icon.
Available since: 07/01/2010.
Print length: 320 pages.

Other books that might interest you

  • The New Traditional - cover

    The New Traditional

    Barclay Butera

    • 0
    • 0
    • 0
    Barclay Butera presents new work through 15 homes and tells the story of the new traditional style. In The New Traditional Barclay shares homes with an artful inclusion of heritage pieces that blend seamlessly alongside distinctive furnishings, pattern-on-pattern fabrics and bold textures – all elements of Barclay’s iconic style.
    Show book
  • Sketch Comedy - Identity Reflexivity and American Television - cover

    Sketch Comedy - Identity...

    Nick Marx

    • 0
    • 0
    • 0
    A history of sketch comedy on American television and analysis of what it says about American culture and society. 
     
    In Sketch Comedy: Identity, Reflexivity, and American Television, Nick Marx examines some of the genre’s most memorable?and controversial?moments from the early days of television to the contemporary line-up. Through explorations of sketches from well-known shows such as Saturday Night Live, The State, Inside Amy Schumer, Key & Peele, and more, Marx argues that the genre has served as a battleground for the struggle between comedians who are pushing the limits of what is possible on television and network executives who are more mindful of the financial bottom line. Whether creating new catchphrases or transgressing cultural taboos, sketch comedies give voice to marginalized performers and audiences, providing comedians and viewers opportunities to test their own ideas about their place in society, while simultaneously echoing mainstream cultural trends. The result, Marx suggests, is a hilarious and flexible form of identity play unlike anything else in American popular culture and media. 
     
    “An excellent study of a long-neglected area in television/media studies and is part of a larger turn toward the centrality of comedy in post-war U.S. culture.” —Jeffrey Sconce, Northwestern University 
     
    “A stalwart of television . . . sketch comedy finally gets the in-depth critical attention it deserves . . . Marx shows how sketch comedy has fit (and been constrained by) TV’s industrial contexts, from live variety shows in its earliest days to movement across media in the era of multiple platforms. These case studies not only chart sketch comedy’s past, they provide the theoretical and analytical tools to consider its future.” —Ethan Thompson, Texas A&M University Corpus Christi
    Show book
  • Romanesque Art - cover

    Romanesque Art

    Victoria Charles, Klaus Carl

    • 0
    • 1
    • 0
    In art history, the term ‘Romanesque art’ distinguishes the period between the beginning of the 11th and the end of the 12th century. This era showed a great diversity of regional schools each with their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work reclaims the importance of this art which is today often overshadowed by the later Gothic style.
    Show book
  • Satie in Words and Music - cover

    Satie in Words and Music

    Davinia Caddy

    • 0
    • 0
    • 0
    Famous today for his Trois Gymnopédies, ErikSatie was an eccentric and solitary figure whowas nevertheless viewed by some as a prophet ofFrench musical modernism, his strikingcreativity championed by Ravel and Debussy.From tragedy and trauma in his early years,through his time as a pianist and Parisianprovocateur at Le Chat Noir cabaret, and ashouse composer to the mystical Rose+Croix cultand beyond, Satie’s eventful life is told in thisfascinating revue of a composer whose uniquestatus is still influential today. The narrative isillustrated with musical excerpts from worksincluding Gymnopédie No. 3, Gnossienne No. 3,Sports et Divertissements, Trois Morceaux enforme de poire and Relâche, among others.
    Show book
  • Gallery Ready - A Creative Blueprint for Visual Artists - cover

    Gallery Ready - A Creative...

    Franceska Alexander

    • 0
    • 0
    • 0
    Do you desire to show your art in a gallery, yet do not know where to begin?Gallery Ready shares best practices for visual artists, from emerging to midcareer, so they can experience optimum results in making, showing and selling their art. As an artist, you will learn what you can do to attract the attention of a gallery director.Gallery Owner, Franceska Alexander shows artists:How to make their art stand out from the crowdHow to be fully prepared to meet with a important gallery decision makersHow to keep their artwork fresh and collectors excited about the art Gallery Ready, A Creative Blueprint for Visual Artists, clearly illustrates what artists can do to make their art, gallery ready!
    Show book
  • Who Owns History? - Elgin's Loot and the Case for Returning Plundered Treasure - cover

    Who Owns History? - Elgin's Loot...

    Geoffrey Robertson

    • 0
    • 0
    • 0
    The biggest question in the world of art and culture concerns the return of property taken without consent. Throughout history, conquerors or colonial masters have taken artefacts from subjugated peoples, who now want them returned from museums and private collections in Europe and the USA.
    The controversy rages on over the Elgin Marbles, and has been given immediacy by figures such as France's President Macron, who says he will order French museums to return hundreds of artworks acquired by force or fraud in Africa, and by British opposition leader Jeremy Corbyn, who has pledged that a Labour government would return the Elgin Marbles to Greece. Elsewhere, there is a debate in Belgium about whether the Africa Museum, newly opened with 120,000 items acquired mainly by armed forces in the Congo, should close.
    Although there is an international convention dated 1970 that deals with the restoration of artefacts stolen since that time, there is no agreement on the rules of law or ethics which should govern the fate of objects forcefully or lawlessly acquired in previous centuries.
    Who Owns History? delves into the crucial debate over the Elgin Marbles, but also offers a system for the return of cultural property based on human rights law principles that are being developed by the courts. It is not a legal text, but rather an examination of how the past can be experienced by everyone, as well as by the people of the country of origin.
    Show book