Altri libri che potrebbero interessarti

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  The Piazza Tales

  Herman Melville

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  First published in 1856, The Piazza Tales is a masterful collection of short stories by Herman Melville that highlights his brilliance beyond the novel and his deep engagement with the moral and psychological tensions of human life.
  
  This collection brings together six powerful and diverse works: "The Piazza," "Bartleby, the Scrivener," "Benito Cereno," "The Lightning-Rod Man," "The Encantadas," and "The Bell-Tower." Each tale offers a distinct setting and tone, yet all are united by Melville's penetrating insight into isolation, authority, freedom, and the hidden forces that shape human behavior.
  
  From the haunting stillness of "Bartleby, the Scrivener," with its quiet rebellion against modern life, to the intense moral drama of "Benito Cereno," which confronts slavery, power, and perception, Melville challenges readers to question appearances and assumptions. "The Encantadas" presents stark, imaginative sketches of the Galápagos Islands, while the remaining stories explore superstition, obsession, and the limits of human control.
  
  Philosophical, symbolic, and often unsettling, The Piazza Tales stands as one of Melville's most important works—an essential collection that reveals his daring experimentation and lasting influence on American literature.

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  Now I'm Photogenic and Other...

  Jill Rosenberg

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  Now I'm Photogenic and Other Stories I Tell Myself is a collection of ten playfully strange and unsettling stories, some realistic and some surreal. The characters in these pages feel alienated: from their communities and relationships, on the streets of wealthy suburbs, at the doctor's office, in classrooms and swimming pools, in their own homes and their own skin. They wonder: is it better to be alone, imagining the life you want, as fantastic and strange as you wish, or is it better to be in the real world with real people, even if that means you might be hurt, embarrassed, and misunderstood? What if the intensity of it all feels equally threatening and glorious?In these stories, an angry father wishes he could be loving and gentle; a seven-year-old girl wants to be better at school and thin like her sister; an uncoordinated, awkward teenager is training to be an Olympic athlete. What would happen, we are left to wonder, if these characters brought their wild sides out into the light? What if they stopped trying to be normal?

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  Frog Prince: A Day at the Pond

  Sharon Ashley

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  In Frog Prince: A Day at the Pond, Freddy the Frog enjoys friendship, fun, and adventure as he learns a valuable lesson in being yourself.

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  The Death Mask - From their pens...

  Ella D'Arcy

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  Ella D'Arcy was born on 23rd August 1857 in London, one of nine children.  
  Her education spanned London, Germany, France and the Channel Islands. A student of fine art, her poor eyesight meant a switch to literature was needed and with this she had hopes to be an author. 
  She worked as a contributor and unofficial editor, alongside Henry Harland, to The Yellow Book, Aubrey Beardsley’s sensational quarterly magazine that combined art, stories, poetry, essays and much else besides.  D'Arcy wrote several stories for the magazine and her stories have an undeniable psychological and realist style through her engagement with various themes from marriage, the family, imitation through to deception.  
  Recognition of her talents grew after the publication of ‘Irremediable’, in the Yellow Book, where it received much praise from critics.   
  She also wrote and published in the Argosy, Blackwood's Magazine, and Temple Bar.  
  However, D’Arcy’s canon was small and, apart from her magazine stories, her book publishing was limited to ‘Monochromes’ (1895), ‘Modern Instances’ and ‘The Bishop’s Dilemma’ (1898). She also translated André Maurois's biography of Percy Bysshe Shelley entitled ‘Ariel’ (1924). 
  Her diligence with work aside she was notorious for her inability to maintain relationships with friends.  When she did appear to them it was often unannounced.  This earned her the sobriquet 'Goblin Ella.' 
  D'Arcy spent much of her life living alone, though she had a constant urge to travel, but usually she resided on the edge of poverty. Her writing was often motivated by this need. 
  Much of her later life was spent in Paris before returning to London in 1937, where she died, in hospital, on 5th September 1937.

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  Cool Air - From their pens to...

  HP Lovecraft

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  Howard Phillips Lovecraft is among the greatest American masters of fantasy and the supernatural.  
  Born in 1890, a native of Providence, Rhode Island, his health was uncertain from childhood and he led a sheltered early life. His semi-invalidism enabled him to read omnivorously, and as a shy imaginative child he began to invent what would in his adult life become a whole macabre fantastic world of his own, peopled by creatures out of his own weird imagination.  
  As an adult he was retiring, almost a recluse. Tall, thin and pale, but with bright alert eyes, he was much given to wandering his native city in the dark hours of the night, and he became a devoted student of its antiquities.  
  Although he began to write early he had nothing published until he was in his twenties. He set many of his stories around the imaginary town of Arkham, and invented an entire mythology of his own, its core being the demoniac cult of Cthulhu, based on the lore or legend that the world was at one time inhabited by another race who, in practising black magic, lost their foothold or were expelled, yet live on outside, ever ready to take possession of this earth again. 
  Since his early death in 1937 his stories have continued to attract attention and praise from an ever-growing audience.

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  Uranians - Stories

  Theodore McCombs

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  At the end of the Victorian era, a handful of public intellectuals advocated for tolerance of the "Uranian"—a man who loved other men. Some went so far as to propose that these "intermediate sexes" might, in fact, constitute a totally different species, even serve as intrepid guides in our march toward an uncertain future. 
   
   
   
  The five speculative stories in Theodore McCombs's kaleidoscopic collection span several possible worlds, teasing the boundaries between coexisting realities and taking up the question of queer difference from one surprising vantage after another. 
   
   
   
  Each story unfolds with the depth and complexity of an entire universe; each is inhabited by characters learning to divest from a society that has marked and rejected them. Discerning which dreams of Western civilization to hold fast to and which to leave behind, these outsiders set their gazes on new horizons and prepare for the changes to come. Arch but tender, clear-eyed and compassionate, Uranians brilliantly illustrates the vital role that queerness plays in every possible version of our world.

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