Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Uncle Tom's Cabin - cover

We are sorry! The publisher (or author) gave us the instruction to take down this book from our catalog. But please don't worry, you still have more than 500,000 other books you can enjoy!

Uncle Tom's Cabin

Harriet Beecher Stowe

Publisher: Mint Editions

  • 0
  • 0
  • 0

Summary

“Uncle Tom’s Cabin is the most powerful and enduring work of art ever written about American slavery”-Alfred Kazin
 
“To expose oneself in maturity to Uncle Tom’s cabin may…prove a startling experience”-Edmund Wilson

 
In Uncle Tom’s Cabin, Harriet Beecher Stowe created America’s first black literary hero as well as the nation’s antecedent protest novel. The novel’s vast influence on attitudes towards African American slavery was considered an incitation towards the American Civil War; conjointly, its powerful anti-slavery message resonated with readers around the world at its time of publication.
 
With unashamed sentimentality and expressions of faith, Harriet Beecher Stowe, in Uncle Tom’s Cabin tells the story of the lives of African American slaves from a Kentucky plantation;  The master’s maid, Eliza; her son, Henry; and, of course, Uncle Tom, the righteous and kind protagonist at the center of the book. When Arthur Selby, a Kentucky slave-owner decides to sell his slaves due to dire financial turns, Eliza runs away with her son, and Tom is sold to a slave trader named Haley. On a Mississippi river boat, Tom’s fortunes are revered after he rescues Eva, a young white girl, from drowning. Eva’s kind father is so moved by Tom’s bravery that he buys him from Haley and brings him into his New Orleans home. In the series of calamitous events that follow, Tom ultimately finds himself in the bondage of the diabolical master Simon Legree. Still provoking controversies to this day, this is one of American literature’s most important works of social justice.
 
With an eye-catching new cover, and professionally typeset manuscript, this edition of Uncle Tom’s Cabin is both modern and readable.
Available since: 11/15/2020.

Other books that might interest you

  • Yellow Book The - Vol 1 - cover

    Yellow Book The - Vol 1

    Henry James, Henry Harland, Ella...

    • 0
    • 0
    • 0
    During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate.  This really was mass market publishing to a hungry audience eager for literary sustenance.  Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. 
     
    Amongst the very many was ‘The Yellow Book’.  Although titled as ‘An Illustrated Quarterly’ it was sold as a cloth-bound hardback and within were short stories, essays, poetry, illustrations and portraits.  It was edited by the American author Henry Harland, who also contributed, and its art editor was no less that the formidable Aubrey Beardsley, the enfant terrible of illustration. 
     
    Its yellow cover and name gave it an association with the risqué and erotic yellow covered works published in France.  It was a visual shorthand for ideas that would push many boundaries of Society to more open interpretations. Being complete in each volume and slightly aloof it stayed away from serialised fiction and advertisements.   
     
    Within each lavishly illustrated edition were literary offerings that included works by such luminaries as Henry James, H G Wells, W B Yeats, Edith Nesbit, George Gissing and many others from the ascetic and decadent movements of the time.   
     
    The other notable inclusion was women both as contributors and amongst its editing staff, which was at odds with the then patriarchal gender norms.   
     
    Although it only survived for 13 issues its reach and influence were second to none.   > 
    1 - The Yellow Book - An Introduction. Volume 1 
    2 - The Death of the Lion by Henry James 
    3 - Irremediable by Ella D'Arcy 
    4 - A Lost Masterpiece by George Egerton 
    5 - Modern Melodrama by Hugo Crackanthorpe 
    6 - The Gospel of Content by Frederick Greenwood 
    7 - A Responsibility by Henry Harland
    Show book
  • A Hero of our Time - Abridged for Intermediate English-Language Students (B1+ B2) - cover

    A Hero of our Time - Abridged...

    Mikhail Lermontov, Gerhard Symons

    • 0
    • 0
    • 0
    This is an abridged audiobook of A Hero of our Time in English. It is intended for intermediate English-language students (CEFR: level B1+/B2). 
    This audiobook is a simplified version of the classic story by nineteenth-century author Mikhail Lermontov (1814-1841). 
    It is abridged and narrated by Gerhard Symons, a native English speaker with a neutral English accent. 
    The audiobook run time is seven hours and five minutes (425 minutes). The audiobook is enhanced with appropriate sound effects throughout. 
    -- 
    A FIGHTER AND A LOVER. A HERO OR A VILLAIN? 
    It is a time of war. A young army officer, Pechorin, has arrived in the Caucasus. Pechorin is a nobleman who is handsome, charming, and rich. He enjoys hunting wild pigs, 16-year-old Circassian princesses, and power. He is also selfish, violent, and rather bored with life. Whoever he meets is changed forever... 
    You will follow him through five stories. You will read his private diary. You will penetrate the secrets of a human soul. And you will ask yourself, “who is Pechorin?” 
    © 2022 Three Thrushes
    Show book
  • A Portrait of the Artist as a Young Man - cover

    A Portrait of the Artist as a...

    James Joyce

    • 0
    • 0
    • 0
    The first novel by James Joyce, this semi-autobiographical narrative depicts the life of Stephen Dedalus, a character created as an allusion to Daedalus, a craftsman in Greek mythology. Beginning by depicting the early stages of Stephen's life, the language of the novel grows with the main character as he awakens sexually and rebels against religion. When he realizes that Ireland is restricting him, he commits to a self-imposed exile and travels elsewhere to grow as an artist—but not before declaring Ireland his homeland.
    Show book
  • The Communist Manifesto - cover

    The Communist Manifesto

    Karl Marx, Friedrich Engels

    • 0
    • 0
    • 0
    The Communist Manifesto was conceived as an outline of the basic beliefs of the Communist movement. The authors believed that the European Powers were universally afraid of the nascent movement, and were condemning as "communist," people or activities that did not actually conform to what the Communists believed. This Manifesto, then, became a manual for their beliefs. 
    In it we find Marx and Engel's rehearsal of the idea that Capital has stolen away the work of the artisan and peasant by building up factories to produce goods cheaply. The efficiency of Capital depends, then, on the wage laborers who staff the factories and how little they will accept in order to have work. This concentrates power and money in a Bourgeois class that profits from the disunity of workers (Proletarians), who only receive a subsistence wage. 
    If workers unite in a class struggle against the bourgeois, using riot and strikes as weapons, they will eventually overthrow the bourgeois and replace them as a ruling class. Communists further believe in and lay out a system of reforms to transform into a classless, stateless society, thus distinguishing themselves from various flavors of Socialism, which would be content to have workers remain the ruling class after the revolution. 
    The Manifesto caused a huge amount of discussion for its support for a forcible overthrow of the existing politics and society.
    Show book
  • Titbull's Alms-Houses (Unabridged) - cover

    Titbull's Alms-Houses (Unabridged)

    Charles Dickens

    • 0
    • 0
    • 0
    Charles Dickens was a writer and social critic who created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.TITBULL'S ALMS-HOUSES: By the side of most railways out of London, one may see Alms-Houses and Retreats (generally with a Wing or a Centre wanting, and ambitious of being much bigger than they are), some of which are newly-founded Institutions, and some old establishments transplanted.
    Show book
  • The Master of Ballantrae - cover

    The Master of Ballantrae

    Robert Louis Stevenson

    • 0
    • 0
    • 0
    Heir to a noble Scottish house in the mid 18th century, the Master is a charming, clever, and resourceful villain whose daring but ill-advised schemes first alienate his patrimony and at last cost him his life. His younger brother, sweet-tempered and good but dull and unpopular, suffers at the Master's hands until his patience and courage win him limited ascendancy, but he is at last consumed with hatred and driven to madness and death by the strain of his many sufferings. The story is told from the point of view of a loyal servant with the occasional insertion of documents in the words of other eye-witnesses. The episodic plot, although exciting, serves mainly as a structure on which to hang superb character studies. The Master, whom one both admires and hates, bears comparison with Long John Silver, not to mention Milton's Satan, to whom the narrator explicitly likens him. The secondary characters—narrator, father, and wife—are deftly characterized, and (with the exception of the two children) even the minor characters are vivid and memorable.
    Show book