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  Whistler

  Jp. A. Calosse

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  Whistler suddenly shot to fame like a meteor at a crucial moment in the history of art, a field in which he was a pioneer. Like the impressionists, with whom he sided, he wanted to impose his own ideas. Whistler’s work can be divided into four periods. The first may be called a period of research in which he was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the portrait of his mother, Whistler entitled it Arrangement in Grey and Black and this is symbolic of his aesthetic theories. When painting the Cremorne Pleasure Gardens it was not to depict identifiable figures, as did Renoir in his work on similar themes, but to capture an atmosphere. He loved the mists that hovered over the banks of the Thames, the pale light, and the factory chimneys which at night turned into magical minarets. Night redrew landscapes, effacing the details. This was the period in which he became an adventurer in art; his work, which verged on abstraction, shocked his contemporaries. The third period is dominated by the full-length portraits that brought him his fame. He was able to imbue this traditional genre with his profound originality. He tried to capture part of the souls of his models and placed the characters in their natural habitats. This gave his models a strange presence so that they seem about to walk out of the picture to physically encounter the viewer. By extracting the poetic substance from individuals he created portraits described as “mediums” by his contemporaries, and which were the inspiration for Oscar Wilde’s The Picture of Dorian Gray. Towards the end of his life, the artist began painting landscapes and portraits in the classical tradition, strongly influenced by Velázquez. Whistler proved to be extremely rigorous in ensuring his paintings coincided with his theories. He never hesitated in crossing swords with the most famous art theoreticians of his day. His personality, his outbursts, and his elegance were a perfect focus for curiosity and admiration. He was a close friend of Stéphane Mallarmé, and admired by Marcel Proust, who rendered homage to him in A La Recherche du Temps Perdu. He was also a provocative dandy, a prickly socialite, a demanding artist, and a daring innovator.

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  Pedja Bajović: The Balkan Brain

  Pedja Bajović

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  Comedian Pedja Bajović demonstrates how Balkan natives' senses of humor translates to comedy, jokingly explaining that it often goes unseen by non-natives.

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  101 Amazing Facts about the...

  Merlin Mill

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  Do you know how much each episode of The Simpsons costs to make? What was Paul McCartney’s one condition for appearing as a guest star on the show? What is Comic Book Guy’s real name? And what is the origin of the phrase ‘eat my shorts’? 
  In this fantastic audiobook, Rachael Warren-Allen talks us through more than one hundred facts about The Simpsons, a show often considered to be the best animation of all time. Whether you’ve been a fan since the show first launched, or you’re only just now starting to enjoy the surreal humour somehow grounded in everyday life, you are sure to learn some fascinating new information about Homer, Bart and the rest of the gang.

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  Super Black - American Pop...

  Adilifu Nama

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  “A welcome overview of black superheroes and Afrocentric treatments of black-white relations in US superhero comics since the 1960s.” –ImageTexT JournalWinner, American Book Award, Before Columbus FoundationSuper Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented. Adilifu Nama sees the value—and finds new avenues for exploring racial identity—in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts.Nama examines seminal black comic book superheroes such as Black Panther, Black Lightning, Storm, Luke Cage, Blade, the Falcon, Nubia, and others, some of whom also appear on the small and large screens, as well as how the imaginary black superhero has come to life in the image of President Barack Obama. Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice.“A refreshingly nuanced approach . . . Nama complicates the black superhero by also seeing the ways that they put issues of post-colonialism, race, poverty, and identity struggles front and center.” –Rain Taxi

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  When Ivory Towers Were Black - A...

  Sharon Egretta Sutton

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  This personal history chronicles the triumph and loss of a 1960s initiative to recruit minority students to Columbia University’s School of Architecture. 
   
  At the intersection of US educational, architectural, and urban history, When Ivory Towers Were Black tells the story of how an unparalleled cohort of ethnic minority students overcame institutional roadblocks to earn degrees in architecture from Columbia University. Its narrative begins with a protest movement to end Columbia’s authoritarian practices, and ends with an unsettling return to the status quo. 
   
  Sharon Egretta Sutton, one of the students in question, follows two university units that led the movement toward emancipatory education: the Division of Planning and the Urban Center. She illustrates both units’ struggle to open the ivory tower to ethnic minority students and to involve those students in improving Harlem’s slum conditions. Along with Sutton’s personal perspective, the story is narrated through the oral histories of twenty-four fellow students who received an Ivy League education only to find the doors closing on their careers due to Nixon-era urban disinvestment policies.

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  Rise of a Killah

  Ghostface Killah

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  The story of the celebrated rapper and the iconic Wu-Tang Clan, told by one of its founding membersDennis Coles—aka Ghostface Killah—is a cofounder of the Wu-Tang Clan, a legendary hip-hop group that established itself by breaking all the rules, taking their music to the streets during the genre's golden era on a decade-long wave of releasing anthem after classic anthem, and serving as the foundation of modern hip-hop. Rise of a Killah is Ghost’s autobiography, focusing on the people, places and events that mean the most to him as he enters his fourth decade writing and performing. It’s a beautiful and intense book, going back to the creative ferment that led to Ghost’s first handwritten rhymes. Dive into Ghost’s defining personal moments, his battles with his personal demons, his journey to Africa, his religious viewpoints, his childhood in Staten Island, and his commitment to his family (including his two brothers with muscular dystrophy), from the Clan’s early successes to the pinnacle of Ghost’s career touring and spreading his wings as a solo artist, fashion icon, and trendsetter. Rise of a Killah gives a “real feel” narrative of Ghost’s life as he sees it, a one of a kind holy grail for Wu-Tang and Ghost fans alike.A Macmillan Audio production from St. Martin’s Press.

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