Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
The Complaisant Lover - A Play - cover

The Complaisant Lover - A Play

Graham Greene

Publisher: Open Road Media

  • 1
  • 0
  • 0

Summary

A “delicious . . . champagne cocktail” of a stage comedy about a sporting British couple’s marital—and extramarital—propositions (New York Herald Tribune). Victor Rhodes, a hearty and amiable dentist in North London, has what he thinks is a happy marriage. It’s stable, routine, and comfortably platonic. Five years and counting, his wife, Mary, feels the same way. That’s why she’s taken a secret lover—their good friend, Clive Root, an antiquarian bookseller for whom relieving complaisant husbands of their duty is a pleasure. But when Mary and Clive connive a rendezvous in Amsterdam, their getaway takes a surprising turn with a visit from Victor. What’s now at risk for Mary is more than a marriage to a man she genuinely loves but also a perfectly fulfilling affair with a man she truly desires. In this “sin-and-tonic work of art,” Mary isn’t about to give up either of them (Spectator). “An expert at badinage full of quiet English verve, Mr. Greene writes with smooth sophistication” in his last play—a comedy of lies, cheats, and betrayals—produced by Sir John Gielgud at the Globe Theatre, London, in 1959 (The New York Times). Two years later, it debuted on Broadway, with a cast including Sandy Dennis, Michael Redgrave, and Gene Wilder.  
Available since: 07/10/2018.
Print length: 87 pages.

Other books that might interest you

  • Night Beat Collection 1 - 12 Half Hour Original Radio Broadcasts - cover

    Night Beat Collection 1 - 12...

    Black Eye Entertainment

    • 0
    • 0
    • 0
    There were several newspaper-based dramas during radio's golden age including "The Big Story," "Casey, Crime Photographer", "Box 13", and "Let George Do It" but "Night Beat" was a cut above the others. 
     
    Night Beat followed Randy Stone, a hard-nosed Chicago Star newsman and his quest for the human-interest story behind the headlines. Hollywood actor Frank Lovejoy voiced the role of Randy Stone, who brought the character to vivid life thanks to expert scripts written by Russell Hughes, E. Jack Neumann, John Michael Hayes (who would later write the Hitchcock film classics "To Catch a Thief" and "Rear Window"), and Larry Marcus. Lovejoy's distinctive voice and approach to the role, combined with top performances by veteran radio actors, gave "Night Beat" a radio noir style that listeners loved. The stories ran the gamut from lighthearted to tragic and through it all, Randy Stone, in a hard-boiled yet sensitive portrayal, would narrate the stories and comment on them from beginning to end—often with a hard-edged cynicism. 
     
    "Night Beat" aired on NBC radio from 1950 to 1952 and, for a time, was sponsored by Wheaties. Enjoy 12 half-hour episodes of one of the best dramas ever to be heard on radio. 
     
    5-5-50 The Girl From Kansas5-22-50 I Wish You Were Dead5-29-50 Harlan Matthews, Stamp Dealer6-12-50 The Football Player and the Syndicate6-19-50 Vincent and the Painter6-26-50 The Juvenile Gangster7-3-50 Marty7-10-50 'Twil Be the Death of Me7-17-50 Molly Keller10-27-50 The Doctor's Daughter11-3-50 The Black Cat11-10-50 A Woman's Tears
    Show book
  • Light For The World To See - A Thousand Words on Race and Hope - cover

    Light For The World To See - A...

    Kwame Alexander

    • 0
    • 0
    • 0
    From NPR correspondent and New York Times bestselling author, Kwame Alexander, comes a powerful and provocative collection of poems that cut to the heart of the entrenched racism and oppression in America and eloquently explores ongoing events.   A book in the tradition of James Baldwin’s “A Report from Occupied Territory,”  Light for the World to See is a rap session on race. A lyrical response to the struggles of Black lives in our world . . . to America’s crisis of conscience . . . to the centuries of loss, endless resilience, and unstoppable hope.   Includes an introduction by the author and a bold, graphically designed interior.
    Show book
  • John Keats - A Tribute in Verse - cover

    John Keats - A Tribute in Verse

    Percy Bysshe Shelley, Sara...

    • 0
    • 0
    • 0
    Keats.  The name is synonymous with great romantic poetry and great romantic poets.  A short life but a legacy of works that few, if any, can rival. 
    And of course his end was to be tragically romantic.  Keats was returning one night to his home in Hampstead when he coughed.  He coughed a single drop of blue blood upon his hand and said ‘I know the colour of that blood, it is arterial blood, it is my death warrant, I must die’. 
    And so it was that tuberculosis took its slow, devastating hold.  He moved to Rome hoping the warmer climate would help but died, at age 25, in the Eternal City in 1821. 
    His death robbed the world of its young and beautifully talented wordsmith.  Such was the esteem among his fellow poets that so many wrote of the joy of his works and the grief of his death. 
    This is their tribute.
    Show book
  • The Wardrobe (NHB Modern Plays) - cover

    The Wardrobe (NHB Modern Plays)

    Sam Holcroft

    • 0
    • 0
    • 0
    A gripping journey through British history that shows how our country was shaped and how connected we are with our past.
    Across seven centuries, small groups of children seek sanctuary in the same solid old wardrobe. It's the safest place they know - but is it safe enough?
    The Wardrobe was commissioned as part of the 2014 National Theatre Connections Festival and premiered by youth theatres across the UK. With a variety of roles for young actors, the play can be performed by a large cast of up to twenty-eight, or a smaller cast with doubling.
    Show book
  • Disco Pigs & Sucking Dublin (NHB Modern Plays) - cover

    Disco Pigs & Sucking Dublin (NHB...

    Enda Walsh

    • 0
    • 0
    • 0
    Disco Pigs is the award-winning play about two warped teenagers that confirmed Enda Walsh's place in the forefront of young Irish dramatists and was filmed in 2001 with Cillian Murphy and Elaine Cassidy.
    Stewart Parker Award
    George Devine Award
    Pig and Runt are two 17-year-olds who share everything: birthday, language, worldview - and that moment when pop songs and life-changing orgasms flash by and last forever.
    'offers timely insights into teenage alienation... impressive' - The Stage
    'Poignantly funny, full of sound and movement, this electric two-hander is phenomenal' - Irish Sunday Times
    'Does for Cork kids what Irvine Welsh's Trainspotting did for young Scots' - Daily Telegraph
    'a small-scale modern classic' - Time Out
    Also published in this volume is Sucking Dublin, a fierce and uncompromising short play about a group of five individuals tormented by a rape in a claustrophobic, drug-infested Dublin.
    'a unique talent, and it's a struggle not to use the G-word to describe the writing' - Examiner
    Show book
  • The Poetry of Robert Seymour Bridges - cover

    The Poetry of Robert Seymour...

    Robert Seymour Bridges

    • 0
    • 0
    • 0
    Robert Seymour Bridges, OM was born on 23rd October 1844 at Walmer in Kent where he spent his early childhood in a house overlooking the anchoring ground of the British fleet.  
    His father died aged only 47 in 1853. A year later his mother remarried and the family relocated to Rochdale, where his stepfather was the vicar.  
    In 1854 Bridges was sent to Eton College and attended until 1863.  After Eton he went to Corpus Christi College at Oxford. There he became good friends with Gerard Manley Hopkins and would later compile an edition of his poems that is now considered a major contribution to English literature. 
    He graduated from Oxford, in 1867, with a second-class degree in literae humaniores.  Initially he planned to join the Church of England and travelled to the Middle East to broaden his religious horizons.  However, he soon decided that life as a physician would be a better path and, after 8 months studying German (that being the language of many scientific papers at the time) he began his study of medicine at St. Bartholomew's Hospital in 1869.  His long-term ambition was that by the age of forty he could retire from medicine to devote himself to writing. 
    Unfortunately Bridges failed his final medical examinations in 1873 and, as unable to immediately retake the papers, spent six months in Italy learning Italian as well as immersing himself in its art. In July 1874 he went to Dublin to continue his medical studies. Re-examined in December he passed and became a house physician at St Bartholomew's Hospital. It was whilst here that he engaged in a series of highly critical remarks about the Victorian medical establishment. One such was his claim that whilst working as a young doctor he saw a staggering 30,940 patients in one year. 
    A bout of severe pneumonia and lung disease forced his retirement from the medical profession in 1882 and so, slightly ahead of schedule, he began his literary career in earnest.  He already been writing for several years and had published his first poetry collection in 1873.  
    After his illness and a trip to Italy, Bridges moved, with his mother, to Yattendon in Berkshire.  It was during this time, from 1882 to 1904, that Bridges wrote most of his best-known lyrics as well as eight plays and two masques, all in verse.  
    It was also here, in 1884, that he married Monica Waterhouse. They would go on to have three children and spend the rest of their lives in rural seclusion, in an idyllic marriage, first at Yattendon, then at Boars Hill, Oxford. 
    Bridges made an important contribution to hymnody with the publication in 1899 of his Yattendon Hymnal. This collection of hymns became a bridge between the Victorian hymnody of the late 19th century and the modern hymnody of the early 20th century. He was also a chorister at Yattendon church for 18 years. 
    In 1902 Monica and his daughter Margaret became seriously ill with tuberculosis, and a move from Yattendon to a healthier climate was in order. After several temporary homes they moved abroad to spend a year in Switzerland before returning to settle again in England at Chilswell House, which Bridges had designed, and built on Boar's Hill overlooking Oxford University.   
    His greatest achievement though was still some years ahead of him.  The office of Poet Laureate was held by Alfred Austin but with his death it was offered first to Rudyard Kipling, who refused it, and then to Bridges. He was appointed Poet Laureate in 1913 by George V, the only medical graduate to have ever held the office. Bridges, at this time, was neither highly regarded nor well known but a safe pair of hands in a World rapidly being overshadowed by the storms about to erupt over Europe and the First World War.
    Show book