Born in 1912, in a small town in Wyoming, Jackson Pollock embodied the American dream as the country found itself confronted with the realities of a modern era replacing the fading nineteenth century. Pollock left home in search of fame and fortune in New York City. Thanks to the Federal Art Project he quickly won acclaim, and after the Second World War became the biggest art celebrity in America. For De Kooning, Pollock was the “icebreaker”. For Max Ernst and Masson, Pollock was a fellow member of the European Surrealist movement. And for Motherwell, Pollock was a legitimate candidate for the status of the Master of the American School. During the many upheavals in his life in Nez York in the 1950s and 60s, Pollock lost his bearings - success had simply come too fast and too easily. It was during this period that he turned to alcohol and disintegrated his marriage to Lee Krasner. His life ended like that of 50s film icon James Dean behind the wheel of his Oldsmobile, after a night of drinking.
A mini notebook for spiritual and self development, on the topic of self-love and appreciation. A 40-pages mini motivational notebook full of reminders for oneself and others.
For heart, mind and soul.
Muncie epitomizes the small-town America of squeaky-clean 1950s sitcoms, but its wholesome veneer conceals a violent past. Public scandals and personal tragedy dogged the long, notorious life of Dr. Jules LaDuron. Baseball ace Obie McCracken met a tragic and violent end after joining the police force. A mother's love could not stop James Hedges from committing murder. The paranoid delusions of Leonard Redden hounded him until one day he carried a shotgun into a quiet classroom. Detectives Melvin Miller and Ambrose Settles chased a murderer across county lines in pursuit of justice. And newsman George Dale's showdown with the Klan prepared him for the political fight of his life. Douglas Walker and Keith Roysdon, authors of Wicked Muncie, introduce a new cast of characters from the city's notorious past.
The Hudson Valley’s dark past, from Prohibition-era shoot-outs to unsolved murders, in eleven heart-pounding true stories. The beautiful Hudson Valley of New York State is drenched in history, culture . . . and blood. This fascinating and thoroughly researched chronicle presents one killer story from every county in the region, including: Sullivan County: In the fall of 1893, Lizzie Halliday left a trail of bodies in her wake, slaughtering two strangers and her husband before stabbing a nurse to death at the asylum where she lived. Albany County: A Jazz Age politician, tired of fighting with his overbearing wife, murdered her and buried the body under the front porch. Columbia County: In 1882, a cantankerous old miner, dubbed the “Austerlitz Cannibal” by the press, chopped up his partner before he himself swung from the end of a rope.
Detroit was full of stark contrasts in 1931. Political scandals, rumrunners and mobs lurked in the shadows of the city's soaring architecture and industrious population. As the Great Depression began to take hold, tensions grew, spilling over into the investigation of a mysterious murder at the boardinghouse of Hungarian immigrant Rose Veres. Amid accusations of witchcraft, Rose and her son Bill were convicted of the brutal killing and suspected in a dozen more. Their cries of innocence went unheeded--until one lawyer, determined to seek justice, took on the case. Author Karen Dybis follows the twists and turns of this shocking story, revealing the truth of Detroit's own Hex Woman.
The follow-up to the international #1 bestselling collection of prose and photography, I Wrote This For You And Only You is the third book in the I Wrote This For You series and gathers together the very best entries in the project from 2011 to 2015. Started in 2007, I Wrote This For You is an internationally acclaimed exploration of hauntingly beautiful words, photography and emotion that's unique to each person that reads it.
How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzáles-Torres’s artworks—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo, to the galleries of New York and L.A., to farmhouses of rural Tennessee, the artworks act as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity and community.
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