Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
The Poetry Of George Meredith - Volume 3 - “A witty woman is a treasure; a witty beauty is a power” - cover

We are sorry! The publisher (or author) gave us the instruction to take down this book from our catalog. But please don't worry, you still have more than 500,000 other books you can enjoy!

The Poetry Of George Meredith - Volume 3 - “A witty woman is a treasure; a witty beauty is a power”

George Meredith

Publisher: Portable Poetry

  • 0
  • 0
  • 0

Summary

George Meredith was born on February 12th, 1808 in Portsmouth, England.  At age five his mother died and by fourteen he was sent to school in Neuwied, Germany for two years.  He read law and was articled as a solicitor, but abandoned that career path for journalism and poetry.  He published for private circulation a literary magazine called 'The monthly Observer'. His co-founder was Edward Peacock, the son of poet Thomas Love Peacock, and after a volatile relationship he married Edward's widowed sister, Mary Ellen Nicolls, in 1849. He was twenty-one and she twenty-eight. He published his first collection of poems in 1851 though most had been previously published in periodicals.  In 1856 he posed as the model for The Death of Chatterton, a popular painting by the Pre-Raphaelite painter Henry Wallis.  However Mary ran off with Wallis two years later leaving him to raise their five year old son.  This shattering event was recalled in the collection of "sonnets" Modern Love in 1862. He married Marie Vulliamy in 1864 and settled in Surrey. He continued writing novels and poetry, often inspired by nature. His writing was characterised by a fascination with imagery and indirect references. It was not until 1885 that any of his novels achieved real success.  This was 'Diana of the Crossways' and was the fifteenth of the nineteen that he wrote.  His income was thus uncertain and variable and so he worked also as a publisher's reader.  However his poems and novels are much admired. Indeed Oscar Wilde said of Meredith "Ah, Meredith! Who can define him? His style is chaos illumined by flashes of lightning". George Meredith is now seen as a substantial novelist and poet of the Victorian era though he preferred 'action of the mind' ie dialogue to advance his work rather than other literary devices and therefore his work can seem overly dense and allusive. In 1909, he died at his home in Box Hill, Surrey and is buried in the cemetery at Dorking, Surrey.
Available since: 06/05/2014.

Other books that might interest you

  • Port Authority (NHB Modern Plays) - cover

    Port Authority (NHB Modern Plays)

    Conor McPherson

    • 0
    • 0
    • 0
    A wry, moving, funny play of how modern man faces up to the responsibility of love, woven in monologues, from the multi-award winning author of The Weir.
    A boy leaves home for the first time. A man starts a job for which he is not qualified. A pensioner has just been sent a mysterious package.
    Away from bar-room bravado, three men show us the reality of big dreams and missed chances, of loves lost and trouble found, of the messiness of life and the quirkiness of fate.
    'Totally absorbing, often hilarious and, at times, heart-wrenchingly moving... An act of pure theatre' - Irish Times
    'A work by a major writer... His sentences are better, his sentiments more developed and shaded than many Booker Prize-winners. He is terrific.' - Observer
    Show book
  • Spring (Rossetti) - cover

    Spring (Rossetti)

    Christina Rossetti

    • 0
    • 0
    • 0
    LibriVox volunteers bring you 13 recordings of Spring by Christina Georgina Rossetti. This was the Fortnightly Poetry Poetry project for March 25, 2012.Christina Georgina Rossetti was an English poet who wrote a variety of romantic, devotional, and children's poems. She is best known for her long poem Goblin Market, her love poem Remember, and for the words of the Christmas carol In the Bleak Midwinter. (Summary by Wikiperdia )
    Show book
  • The Finest Nonsense of Edward Lear - cover

    The Finest Nonsense of Edward Lear

    Edward Lear

    • 0
    • 0
    • 0
    Nearly 150 years since his poetry was first published, Lear's nonsense rhymes are still popular today. In this lively and colorful audiobook recording, Derek Jacobi reads Lear's most famous poems and most fantastic creations, including The Owl and the Pussy-Cat, The Daddy Long-Legs and the Fly, The Jumblies, The Dong with the Luminous Nose and a collection of assorted limericks. Lear's poems gave the clear message that it's interesting, funny and okay to be different, and that message is just as relevant now as it was in Lear's own day.
    Show book
  • Human Animals (NHB Modern Plays) - cover

    Human Animals (NHB Modern Plays)

    Stef Smith

    • 0
    • 0
    • 0
    >"Don't go burying wild animals in my garden… or at least ask for permission first."
    
    
    
    
    In the overcrowded city, nature is getting out of control.
    
    
    
    
    The mice are scratching between walls, the pigeons are diseased and the foxes are beginning to rule the streets.
    
    
    
    
    The problem is growing. It's contagious. It has to be stopped, before it's too late.
    
    
    
    
    "People can get used to terrible things. Very quickly. If they have to. It doesn't take much for things to start to fall apart."
    
    
    
    
    Stef Smith's Human Animals premiereD at the Royal Court Theatre, London, in May 2016.
    Show book
  • Soho - cover

    Soho

    Richard Scott

    • 0
    • 0
    • 0
    But tonight I am super-charged, alive, looking into the eyes of / men . . . 
    In this intimate and vital debut, Richard Scott looks into the places not everyone sees or chooses to see. Against the backdrop of London's Soho, he creates an uncompromising portrait of love and shame, questioning our sense of the permissible and the perverse. Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence re-imagining the love poetry of Verlaine.  
    The collection crescendos to the title-poem, "Soho!," where a night stroll under the street lamps becomes a search for 'true lineage', a reclamation of stolen ancestors, hope for healing, and, above all, the finding of our truest selves.
    Show book
  • The Lesser Tragedy of Death - cover

    The Lesser Tragedy of Death

    Cristina Garcia

    • 0
    • 0
    • 0
    From the National Book Award-nominated author of Dreaming in Cuban, “breathtakingly beautiful” poems about her troubled, self-destructive brother (The Austin Chronicle).   “[A] brave and moving tribute to a brother gone astray; with skill, unflinching honesty, and redemptive compassion, Cristina García tracks his marvelous, complex, and errant life…These poems are the beautiful, painful, astonishing result of a journey to hell and back in search of the brother she loves. With this first book of poems, García, one of our best novelists and storytellers, proves herself to be a talented poet as well.”—Julia Alvarez, author of Saving the World   “Garcia’s spare language lucidly invokes the brother’s insistence on remaining a wreck and the speaker’s helplessness to stop him.”—The Adirondack Review
    Show book